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January
Program
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All
films in Portuguese with English subtitles, except as noted.
All screenings at: Two Boots Pioneer Theater
155 East 3rd St. (at Avenue A) Tel. (212) 254-3300
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Wednesday,
January 9, 8:00 pm
Saudade do Futuro
Marie-Clémence & Cesar Paes, Brazil/France, 2001
Party
will follow at Two Boots Den of Cin (44 Avenue A at 3rd St.)
”The
immigrants from the Northeast tell us the beat of the megalopolis. They
came to São Paulo to escape drought in the North or to make their
fortune. With a guitar or a tambourine, like everyday life columnists,
the Nordestino repentistas improvise rhymes and sung poetry on the spot,
seeking inspiration in their audience's concerns. The urban cacophony
mixes with music, and the repentes, forerunners of rap music, tell us
the south-American megalopolis with humor and rhymes.
"An infectious delight." - Dennis Harvey, Variety
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Wednesday,
January 16, 8:00pm
It's Not All True / Nem Tudo É Verdade
Rogerio
Sganzerla, Brazil, 1986
"It's Not
All True" works Sganzerla's obsession with Orson Welles' documentary
"It's All True," rediscovered in 1985 when a studio technician
happened upon the film in a Paramount Pictures vault. Though sound and image
collage, combining documentary-style material with staged reconstructions,
Sganzerla's recreates Welles's Brazilian experience during his visit to
Brazil in 1942 to make a Pan-American documentary under the auspices of
Roosevelt's Good Neighbor policy.
Special thanks to
the Guggenheim Film and Video department for their assistance in facilitating
this program. This film was originally presented as part of the "Brazil
on Screen" series.
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Wednesday,
January 23, 8:00 pm
The Charcoal People / Os Carvoeiros
Nigel
Noble, Brazil/USA, 1999
Director will be present for discussion
Party will follow at Two Boots Den of Cin (44 Avenue A at 3rd St.)
Academy Award-winning filmmaker Nigel Noble documents the workaday lives
of Brazilian peasants who cut down trees in the Amazon rain forest and
burn the wood in earthen kilns to make charcoal, an essential ingredient
for the manufacture of pig iron in the US These "charcoal people,"
including children as young as five, live and work in appalling conditions
in a toxic environment with no sanitation or potable drinking water. The
workers are systematically subjugated by debt, since they are charged
more for their food than they receive in wages. The laborers and their
families discuss the backbreaking and dangerous work, which involves the
despoliation of their natural surroundings, and we witness the toll it
takes on their own health and the global environment.
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Wednesday,
January 30, 8:00 pm
Denying Brazil / A Negacao do Brasil
Joel
Zito Araújo, Brazil, 2000
"A poignant denudation of a reality which we insist not to see."
- Estado de Sao Paulo
A documentary about
the taboos, stereotypes and struggles of black actors in the Brazilian
Television "soaps." The director, based on his own memories
and on a sturdy body of research evidence, analyses race relations in
Brazilian soap operas, calling attention to the influence this might have
on black people's identity-forming processes.
Special thanks to
ArtMattan and African Diaspora Film Festival for their assistance in facilitating
this program. This film was originally presented at the African Diaspora
Film Festival.
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All
films in Portuguese with English subtitles.
All screenings at: Two Boots Pioneer Theater
155 East 3rd St. (at Avenue A) Tel. (212) 254-3300 |
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Cinema
Tropical is made possible with public funds from the New York State Council
on the Arts, a state agency. Additional funding provided in part by the
Mexican Cultural Institute of New York and the US/Mexico Fund for Culture.
Additional support provided by Latin American Video Archives and the Consulates
of Argentina, Brazil, Chile and Mexico in New York. Special thanks to Veronique
Godard, Jake Perlin, Reinaldo Barroso-Spech, ArtMattan Productions, Michael
Tuckman, Cinema Guild, Joel Zito Araujo, Nigel Noble, Rogerio Sganzerla,
Roberta Bonisson, Agnes Contensou, Solomon R. Guggenheim Museum, Rajendra
Roy and María-Christina Villaseñor. |
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