January Program

 

All films in Portuguese with English subtitles, except as noted.

All screenings at: Two Boots Pioneer Theater
155 East 3rd St. (at Avenue A) Tel. (212) 254-3300

 

Wednesday, January 9, 8:00 pm
Saudade do Futuro

Marie-Clémence & Cesar Paes, Brazil/France, 2001
Party will follow at Two Boots Den of Cin (44 Avenue A at 3rd St.)

”The immigrants from the Northeast tell us the beat of the megalopolis. They came to São Paulo to escape drought in the North or to make their fortune. With a guitar or a tambourine, like everyday life columnists, the Nordestino repentistas improvise rhymes and sung poetry on the spot, seeking inspiration in their audience's concerns. The urban cacophony mixes with music, and the repentes, forerunners of rap music, tell us the south-American megalopolis with humor and rhymes.
"An infectious delight." - Dennis Harvey, Variety

 

 

 

Wednesday, January 16, 8:00pm
It's Not All True / Nem Tudo É Verdade
Rogerio Sganzerla, Brazil, 1986

"It's Not All True" works Sganzerla's obsession with Orson Welles' documentary "It's All True," rediscovered in 1985 when a studio technician happened upon the film in a Paramount Pictures vault. Though sound and image collage, combining documentary-style material with staged reconstructions, Sganzerla's recreates Welles's Brazilian experience during his visit to Brazil in 1942 to make a Pan-American documentary under the auspices of Roosevelt's Good Neighbor policy.

Special thanks to the Guggenheim Film and Video department for their assistance in facilitating this program. This film was originally presented as part of the "Brazil on Screen" series.

 

Wednesday, January 23, 8:00 pm
The Charcoal People / Os Carvoeiros
Nigel Noble, Brazil/USA, 1999
Director will be present for discussion
Party will follow at Two Boots Den of Cin (44 Avenue A at 3rd St.)

Academy Award-winning filmmaker Nigel Noble documents the workaday lives of Brazilian peasants who cut down trees in the Amazon rain forest and burn the wood in earthen kilns to make charcoal, an essential ingredient for the manufacture of pig iron in the US These "charcoal people," including children as young as five, live and work in appalling conditions in a toxic environment with no sanitation or potable drinking water. The workers are systematically subjugated by debt, since they are charged more for their food than they receive in wages. The laborers and their families discuss the backbreaking and dangerous work, which involves the despoliation of their natural surroundings, and we witness the toll it takes on their own health and the global environment.

 

Wednesday, January 30, 8:00 pm
Denying Brazil / A Negacao do Brasil
Joel Zito Araújo, Brazil, 2000

"A poignant denudation of a reality which we insist not to see." - Estado de Sao Paulo

A documentary about the taboos, stereotypes and struggles of black actors in the Brazilian Television "soaps." The director, based on his own memories and on a sturdy body of research evidence, analyses race relations in Brazilian soap operas, calling attention to the influence this might have on black people's identity-forming processes.

Special thanks to ArtMattan and African Diaspora Film Festival for their assistance in facilitating this program. This film was originally presented at the African Diaspora Film Festival.

 

All films in Portuguese with English subtitles.

All screenings at: Two Boots Pioneer Theater
155 East 3rd St. (at Avenue A) Tel. (212) 254-3300
Cinema Tropical is made possible with public funds from the New York State Council on the Arts, a state agency. Additional funding provided in part by the Mexican Cultural Institute of New York and the US/Mexico Fund for Culture. Additional support provided by Latin American Video Archives and the Consulates of Argentina, Brazil, Chile and Mexico in New York. Special thanks to Veronique Godard, Jake Perlin, Reinaldo Barroso-Spech, ArtMattan Productions, Michael Tuckman, Cinema Guild, Joel Zito Araujo, Nigel Noble, Rogerio Sganzerla, Roberta Bonisson, Agnes Contensou, Solomon R. Guggenheim Museum, Rajendra Roy and María-Christina Villaseñor.