Trailer: Fernando Eimbcke's OLMO Begins U.S. Theatrical Run August 7

Greenwich Entertainment has announced the U.S. theatrical release of Olmo, the fourth feature film from acclaimed Mexican writer-director Fernando Eimbcke, whose award-winning films Duck Season, Lake Tahoe, and Club Sandwich premiered at some of the world’s leading international film festivals.

A standout selection at the Berlin, Toronto, AFI, and San Sebastián film festivals, Olmo opens Friday, August 7, at the Quad Cinema in New York City and the Laemmle NoHo 7 and Nuart Theatre in Los Angeles, before expanding to select theaters nationwide.

With Olmo, co-written with Vanessa Garnica, Eimbcke brings his distinctive observational style to his first Mexican-American story, exploring youth, family, and cultural identity with his signature blend of deadpan humor and emotional precision.

Fourteen-year-old Olmo (played with remarkable precision by newcomer Aivan Uttapa) and his family are struggling to make ends meet in 1979 New Mexico. Due to an illness that keeps his father Nestor (Gustavo Sánchez Parra) confined to his bed, his mother Cecilia, his sister Ana, and even he himself must contribute to the daily caretaking responsibilities.

Olmo, in the throes of selfish adolescence, would much rather hang out with his best friend Miguel and try to impress his beautiful next-door neighbor Nina than take care of his dad. And when Nina finally invites him to a party on the day that he’s been left alone with his dad, Olmo will do whatever he can to get out of his duties, embarking on a journey of mischief and chaos. In his desperate attempt to escape his home life, he will come to realize that the place of his deepest pain is also where he will find solace: with his family.

The film’s bilingual world—where the children primarily speak English and their parents Spanish—captures the everyday cultural hybridity of a Mexican-American family in the late seventies. This generational and linguistic divide quietly underscores Olmo’s struggle to reconcile his desire for independence with his growing awareness of his family’s sacrifices.

Prioritizing character behavior and situational absurdity over conventional narrative mechanics, Olmo becomes a poignant and quietly humorous study of family, adolescence, and the burdens of care. Balancing deadpan comedy with deep emotional resonance, the film further showcases Eimbcke’s singular ability to uncover profound feeling within the ordinary rhythms of everyday life.

Watch the trailer:

Estreno en cines de EE.UU de la película venezolana LOS CAPÍTULOS PERDIDOS, a partir del 24 de julio

La distribuidora Several Futures ha anunciado el próximo estreno en cines de Estados Unidos de Los capítulos perdidos (Lost Chapters), la ópera prima de ficción de la guionista y directora venezolana Lorena Alvarado.

Tras su estreno mundial en FIDMarseille y su debut norteamericano en el festival New Directors/New Films, la aclamada película venezolana llegará a las pantallas el viernes, 24 de julio con una corrida exclusiva en el IFC Center de Nueva York, antes de expandirse a salas selectas de otras ciudades del país. 

El fin de semana de estreno en el IFC Center incluirá sesiones de preguntas y respuestas con la directora. Además, parte de la venta de boletos será destinada a las víctimas de los recientes terremotos en Venezuela.

Alvarado, quien se perfila como una de las voces emergentes más interesantes del cine latinoamericano contemporáneo, presenta una exploración poética y envolvente sobre la memoria, el desarraigo y el misterio literario, todo ello enmarcado en una Venezuela en plena transformación.

Los capítulos perdidos sigue a Ena, quien regresa a su hogar en Caracas tras años de vivir en el extranjero. A su llegada, se encuentra atrapada entre dos mundos en transición: su abuela pierde la memoria rápidamente, mientras su padre pasa los días buscando libros venezolanos raros y olvidados para su librería. La trayectoria de Ena cambia cuando descubre una misteriosa postal escondida entre los estantes, lo que la impulsa a emprender un recorrido por la ciudad en busca de un escritor largamente olvidado.

Distinguida por su exquisita fotografía y una narrativa íntima, Los capítulos perdidos es una conmovedora meditación sobre lo que dejamos atrás y sobre las maneras en que reconstruimos nuestras historias personales. Con Caracas como un telón de fondo tan vibrante como melancólico, el debut de Alvarado equilibra un tierno retrato familiar con un sutil misterio literario, explorando la frágil frontera entre la memoria, la historia y la ficción.

AMERICAN PACHUCO: THE LEGEND OF LUIS VALDEZ Begins U.S. Theatrical Run July 17 at Film Forum

American Pachuco: The Legend of Luis Valdez, David Alvarado's vibrant and comprehensive portrait of groundbreaking Chicano activist, playwright, and filmmaker Luis Valdez, will begin its U.S. theatrical run on Friday, July 17, with an exclusive engagement at Film Forum in New York City, followed by a rollout in select cities nationwide, including Los Angeles.

Following its celebrated world premiere at the 2026 Sundance Film Festival—where it won both the U.S. Documentary Audience Award and the Festival Favorite Award—the acclaimed documentary will expand to additional cities across the country before making its broadcast premiere this fall.

A generous and archive-packed homage to a major American talent, Alvarado's documentary tracks the extraordinary life of Valdez, who famously defines pachucos as Mexican-American "street cats with style." The film serves as a timely, defiant reminder of cultural resilience, charting Valdez's rise from the impoverished son of migrant farmworkers to a historic Hollywood force.

American Pachuco playfully tracks how Valdez revolutionized American theater and film. In the 1960s, he founded El Teatro Campesino, mounting agitprop performances on flatbed trucks to mobilize California farmworkers and help secure their first union contract. He went on to author Zoot Suit, the first Chicano play on Broadway, before directing its acclaimed 1981 film adaptation. Later, he cemented his legacy by writing and directing La Bamba, the highest-grossing Hollywood Latino movie in history.

Utilizing rarely seen archival footage from his subversive theater and television work, the documentary features intimate interviews with Valdez himself, alongside labor activist Dolores Huerta, Linda Ronstadt, Cheech Marin, Lou Diamond Phillips, and Edward James Olmos, who also narrates the film in his iconic Zoot Suit pachuco voice.

To celebrate the opening week, Film Forum will also host special companion repertory screenings of Valdez's landmark works: a 4K restoration of his hit Ritchie Valens biopic, La Bamba, will screen on Thursday, July 16 at 8pm, followed by a 35mm print presentation of his feature debut, Zoot Suit, on Saturday, July 18 at 9:10pm.

Fifty Years of the San Antonio CineFestival: Celebrating the Legacy of the Nation's Longest-Running Latinx Film Festival

CineFestival founder Adán Medrano and current director Eugenio del Bosque

This year marks a major milestone in U.S. Latinx film history: the 50th anniversary of the founding of the San Antonio CineFestival, the nation's longest-running Latino film festival and the first of its kind in the United States.

Founded in 1976 by filmmaker, food writer, and cultural advocate Adán Medrano under the name Chicano Film Festival, the event emerged at a time when opportunities for Chicano and Latino filmmakers to exhibit their work were exceedingly scarce. Medrano recognized that a new generation of filmmakers across the country was creating stories rooted in local communities and lived experiences that deserved to be seen on their own terms.

Now stewarded by the Guadalupe Cultural Arts Center and under the direction of Eugenio del Bosque, the San Antonio CineFestival returns for its 47th edition on July 9–12, 2026.

The festival's beginnings have become part of Latinx film lore: a 16mm projector hoisted into a tree, white bedsheets serving as a screen, and an empty lot at San Antonio's Oblate School of Theology transformed into an outdoor cinema. Over two evenings in August 1976, an estimated 2,500 people gathered to watch films that reflected histories, experiences, and perspectives largely absent from mainstream American screens.

The inaugural program featured works by filmmakers who would become foundational figures in Chicano cinema, including Moctezuma Esparza, Luis Valdez, Severo Perez, David Garcia, Tony Bruni, Carlos Calbillo, and Medrano himself. The overwhelming community response demonstrated both the vitality of the emerging movement and the urgent need for spaces dedicated to these stories.

The festival evolved rapidly from a grassroots initiative into a citywide effort supported by schools, churches, businesses, community organizations, and local media. In 1980, it adopted the name San Antonio CineFestival, further cementing its connection to the city that nurtured it.

A year later, Medrano transferred the festival to the stewardship of the Guadalupe Cultural Arts Center, a decision that helped secure its long-term future and embed it within one of the country's leading Latino cultural institutions.

Over the decades, the festival expanded its vision to include a broader range of voices and perspectives, including a deliberate effort to champion women filmmakers and address historical gaps in representation within independent and Chicano cinema.

Today, the San Antonio CineFestival stands as a cornerstone of Latinx film culture in the United States. Long before diversity and representation became industry watchwords, the festival was creating audiences for Latino cinema, fostering new talent, and proving that community-based film exhibition could reshape the cultural landscape.

Fifty years after a projector was lifted into a tree and films flickered across bedsheets in a vacant lot, the founding vision of the San Antonio CineFestival continues to resonate: that stories born from specific communities can speak to universal experiences, and that cinema can serve as both cultural memory and collective imagination.