Cinema Tropical

WORKERS and LA JAULA DE ORO Top Morelia

 

Feature films Workers (pictured) by José Luis Valle and La Jaula de Oro by Diego Quemada-Diez were the winners at the 11th edition of the Morelia Film Festival. Workers received he prize for Best Film at the festival, while La Jaula de Oro received the prizes for Best First/Second Film, the Audience Award and the Press Award.

In Workers, these are the hours prior to Rafael’s long-awaited day of retirement as a janitor in a factory. Lidia, on the other hand, finds out that after 30 years of work as a maid in a mansion, the old lady has left the inheritance to the dog. Their past is connected by a love story, their future by an unexpected turn of events.

La Jaula de Oro tells the story of Juan, Sara and Samuel, who are all 15 years old, leave Guatemala to try to reach the United States. On their journey through Mexico, they meet Chauk, a Tzotzil man who does not speak Spanish and has no official documents. They all believe they will find a better world beyond the U.S.–Mexico border, but they soon must confront a very different reality.

In the documentary category the big winner of the festival was Nuria Ibañez's El cuarto desnudo / The Naked Room (pictured right) which was awarded the prize for Best Documentary, and Best Documentary by a Woman Filmmaker. The film portraits a whole world without leaving a single space: the doctor’s office at a children’s hospital in Mexico City. Listening to the children, their parents and the doctors allows us to have a deeper and more complex insight into both social reality and human frailty.

The 11th edition of the Morelia Film Festival took place October 17-28 in Mexico.

 

 

 





Mexican Cinema Expands in LA

   

 

With this week's announcement of the expansion of the Ambulante Film Festival in the Los Angeles metropolitan area, there are now three annual film series focused on Mexican cinema in Los Angeles, which boasts the largest Mexican population in the country.

The first Mexican film festival to set foot to the region in 2009 was the Hola Mexico Film Festival spearheaded by Samuel Douek. The festival originally started in Australia and expanded to the U.S. few years later. It has become a local favorite showing a combination of arthouse fare and some the most popular films at the Mexican box office, as well as attracting some celebrities.

Celebrating its third edition at the Egyptian Theater November 1-3, FICG in LA, is the Guadalajara International Film Festival in Los Angeles. The festival, directed and produced by programmer Hebe Tabachnik, will feature eleven Mexican and Latin American feature films as well as short films, all selections from the past edition of the Guadalajara Film Festival. For this edition, the series will open with the U.S. premiere of Tercera llamada / Last Call by Francisco Franco, and it will close with Carlos Cuarón Besos de azúcar / Sugar Kisses. Other highlights include Paraguayan film 7 cajas / 7 Boxes by Juan Carlos Maneglia & Tana Schémbori, the Mexican documentary Purgatorio by Rodrigo Reyes, and the Mexican animated film El Santos vs La Tetona Mendoza / Santos vs The Busty Mendoza by Andrés Couturier and Alejandro Lozano.

Actor Fernando Lujan, CNN en Español anchor Juan Carlos Arciniegas, cinematographer Gabriel Beristain, composer Emilio Kauderer, and Ambulante will receive career achievement awards at FICG in LA’s opening gala.

As it was previously reported, Ambulante, the traveling Mexican documentary film festival created in 2005 by Gael García Bernal, Diego Luna, and Pablo Cruz, will arrive in Los Angeles, California in the fall of 2014. Leading Ambulante California will be Christine Davila, independent film programmer and curator for various film festivals and film series, including her role as Programming Associate for The Sundance Film Festival since 2008. The Ambulante California Film Festival tour, presented by the Ford Foundation, will feature a 15-feature film program and will  run from September 21 to October 4, 2014. Each day it will screen at a different venue, from universities, highs schools, museums, community centers, to outdoor venues and makeshift spaces.

 





HELI, GLORIA, and JAULA to AFI FEST

 

The AFI FEST announced today its complete lineup for its annual celebration of international cinema in Los Angeles. For the 2013 edition, running November 7-14 and featuring 119 films representing 43 countries, three Latin American feature films have been selected for the World Cinema section: the Mexican films Heli by Amat Escalante and La Jaula de Oro (pictured) by Diego Quemada-Diez, and Chilean film Gloria by Sebastián Lelo. Both Heli and Gloria are representing their respective countries in the Foreign Language Film category at the Oscars.

Two Latin American film have also been selected for the American Film Institute's festival in the New Auteurs section: Argentinean film The Owners / Los dueños by Agustín Toscano and Ezequiel Radusky and Mexican film We Are Mari Pepa / Somos Mari y Pepa by Samuel Kishi Leopo.

 





Bruno Barreto's REACHING FOR THE MOON Opens in November in the U.S.


Wolfe Releasing with DaDa Films have announced the U.S. theatrical release of Bruno Barreto's award-winning Reaching for the Moon / Flores Raras (pictured). The Brazilian film opens Friday, November 8 at the Paris Theater in New York City, and on Friday, November 29 at the Royal Theater in Los Angeles.

The film features a critically acclaimed and beautifully nuanced performance by Miranda Otto (The Lord of the Rings Series) and Glória Pires. Based on the true love story of Elizabeth Bishop and Lota de Macedo Soares, Reaching fro the Moon won the Audience Award at both Outfest and Frameline Film Festivals, and was an official selection at the Berlin and Tribeca Film Festivals. 

Academy Award nominated filmmaker Bruno Barreto (Four Days in September, Dona Flor and her Two Husbands) returns with a sophisticated tale of an unlikely romance between two extraordinary artists, set  against the backdrop of political upheaval and a clash of cultures. Grappling with  writer’s block, legendary American poet Elizabeth Bishop (Otto) travels  from New York City to Rio de Janeiro in the 1950s to visit her college friend, Mary (Tracy Middendorf).

Hoping to find inspiration on Mary’s sprawling estate, Elizabeth winds up with much more — a tempestuous relationship with Mary’s bohemian partner, architect Lota de Macedo Soares (Pires), that rocks the staid writer to her foundation. Alcoholism, geographical distance and a military coup come  between the lovers, but their intimate connection spans decades and forever  impacts the life and work of these two extraordinary artists. The attraction of two  polar-opposite women has rarely been so volatile and so erotically charged on the big screen.

The film will have additional theatrical engagements at Encino, Pasadena and San Francisco, California in December.

 





Locarno Gives Carte Blanche to Brazil

 

The Locarno Film Festival in Switzerland has announced that the fourth edition of its work-in-progress Carte Blanche program will focus in Brazil featuring between five and seven films in post-production from the South American country seeking funds for competition. Carte Blanche will take place during the 67th edition of the Swiss film festival running August 6-16, 2014. Launched in 2011, Carte Blanche has featured Colombia, Mexico, and Chile in the past. A jury composed of film industry professionals will select the winner of the Best Film with a cash prize of CHF 10,000 (about $11,100 USD).

 

 





TropicalFRONT at Intelatin Cloudcast: October Show


In the October edition of TropicalFRONT on Intelatin Cloudcast, Sergio Muñoz and Carlos A. Gutiérrez talk about Brazilian film on this month's show. Our featured film is Eles Voltam / They Will Come Back by Marcello Lordello. We break down the Academy Award entries from Latin America and we dialogue about titles and trailers. Sergio does a review of Pablo by the filmmaker Richard Goldgewicht. Vanessa Erazo, film editor of Remezcla.com, chooses two films for our audience, Sin Nombre and Which Way Home and speaks over a sound bed played by Antonio Carlos Jobim. Music for the show is curated by DJ Canyon Cody of Subsuelo and Afroxander. The selected tracks are performed by Munchi, Orquesta and Tropkillaz. And we close the show with Sergio's 20 minutos en español con el director mexicano, Pedro González-Rubio.

Listen to the show on iTunes or on the Cloud.