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The Museum of Fine Arts, Houston Welcomes Back Latin Wave for Its 19th Edition of New Latin American Cinema
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Após O AGENTE SECRETO, O ÚLTIMO AZUL, de Gabriel Mascaro, chega aos cinemas dos EUA em 3 de abril

A Dekanalog tem o orgulho de anunciar o lançamento nos cinemas da América do

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SXSW Crowd Falls for Mexican Cinema: Three Films Take Audience Awards

Three Mexican feature films were among the Audience Award winners at the 33rd edition of the SXSW Film Festival, which took place

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The Battle for Our Imagination — Nonfiction and the Stories That Move Culture

By Loira Limbal, President and CEO, Firelight Media 
On February 8, more than 100 million people

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[Exclusive] Honduran Trans Drama EVA by William Reyes Debuts Trailer Ahead of North American Premiere

The Honduran trans drama Eva, the debut feature from writer-director William Reyes,

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After THE SECRET AGENT, Gabriel Mascaro's THE BLUE TRAIL Arrives in U.S. Theaters April 3

Dekanalog has announced the U.S. theatrical release of The Blue Trail / O Ultimo Azul, the

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Q&As with THE BLUE TRAIL director Gabriel Mascaro in New York City! Meet Brazilian filmmaker Gabriel Mascaro (NEON BULL, DIVINE LOVE) in person at the 7pm screenings, Thursday through Saturday, April 2–4, at the Angelika Film Center—
Cinema Tropical at 25: DUCK SEASON Mexican director Fernando Eimbcke (center) at a special sneak preview of his acclaimed debut feature DUCK SEASON (TEMPORADA DE PATOS), with filmmaker Alfonso Cuarón and Cinema Tropical's Carlos A. Guti&eacut
Who gets to shape our imagination? In this op-ed, Loira Limbal, President and CEO of Firelight Media, reflects on nonfiction cinema and the power of storytelling to shape culture. Read the full article. Link in bio. . . . #oped #loiralimbal #nonfic
One of the best-reviewed films of the year is now streaming. The Colombian Critic’s Pick (New York Times, IndieWire), A POET by Simón Mesa Soto is “hilarious… a truly unique cinematic experience” (Variety). Middle-ag
 
 

 
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Cinema Tropical's programs are made possible with the support of the New York State Council on the Arts.
They are also supported, in part, by public funds from the New York City Department of Cultural Affairs
in partnership with the City Council, the Color Congress, and the Vilcek Foundation.