Screenings and Events:

Events
Jan 16
U.S. Theatrical Release of THE HEIRESSES
Jan 24
World Premiere of Hari Sama's THIS IS NOT BERLIN at Sundance
Feb 1
2019 Cinema Tropical Festival
Feb 7
New York Premiere of THE ENDLESS FILM
Feb 10
'Spotlight on Mexico: Rodrigo Reyes'
Mar 14
NOELÍ OVERSEAS at Anthology Film Archives

TropicalFRONT Blog:

Featured
Check Out All of ROMA's Historic Oscar Records and Noteworthy Facts
Yalitza Aparicio Makes History as the First Indigenous Best Actress Oscar Nominee
Yalitza Aparicio Becomes the Second Mexican Oscar Nominee for Lead Actress
Cuarón's ROMA Receives 10 Oscar Noms and Becomes the First Latin American Film Nominated for Best Picture
MoMA's Doc Fortnight to Screen Argentine and Peruvian Films

The Museum of Modern Art has announced the full festival lineup for Doc Fortnight 2019, its annual showcase of outstanding
Estrella Araiza Is Appointed New Director of the Guadalajara Film Festival

The Board of the Guadalajara International Film Festival, Mexico’s longest running film festival founded in 1986, has announced

Instagram:

Oscar-nominated Mexican actresses Yalitza Aparicio and Marina de Tavira vía @wmag
Yalitza Aparicio becomes the fourth Latina to ever nab an Oscar nomination for Best Actress after Fernanda Montenegro (CENTRAL STATION), Salma Hayek (FRIDA) and Catalina Sandino (MARIA FULL OF GRACE) #oscars #yalitzaaparicio #romacuarón
Alfonso Cuarón’s ROMA leads the Oscar nominations in 10 categories, including for Best Picture—marking the first time for Latin American film, Best Director, Best Foreign Language Film, Best Actress and Best Supporting Actress #oscars2019 #oscars #romacuarón #yalitzaaparicio #marinadetavira
Mexican actress Marina de Tavira nabs an Oscar nomination for Best Supporting Actress for her role in Alfonso Cuarón’s ROMA #oscars2019 #Mexico
 
 
 
 

Cinema Tropical's programs are made possible with the support of the New York State Council on the Arts with the support of
Governor Andrew M. Cuomo and the New York State Legislature. They are also supported, in part, by public funds from the
New York City Department of Cultural Affairs in partnership with the City Council, and the National Endowments for the Arts