Cinema Tropical

Venezuela's FROM AFAR Becomes the First Latin American Film to Win Venice's Golden Lion

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The Venezuelan film Desde allá / From Afar, the debut feature by Lorenzo Vigas (pictured left), made history today becoming the first Latin American production to ever win the coveted Golden Lion, the top prize for Best Film at the Venice Film Festival, which is the world’s oldest film festival.

Starring Alfredo Castro, Luis Silva, and Jericó Montilla, thefilm charts the unexpected relationship between a middle-aged, middle-class man and a violent street youth. Vigas dedicated the award to his country: "We are having some problems, but we are very positive," he said. "We are an amazing nation."

The film which was produced by Vigas, Michel Franco, Guillermo Arriaga, and Rodolfo Cova, was the first film ever competing at Venice at it had received very positive reviews after its premiere this past week, Variety called it “one of Latin American cinema’s more auspicious arrivals of recent years.”

Additionally, Argentinean director Pablo Trapero (pictured right) was presented for the the Silver Lion for Best Director for his true-crime thriller El clan / The Clan, which has broken box-office records in the South American country, and Brazilian director Gabriel Mascaro was presented with the Special Jury Prize in the Orizzonti section for his film Boi Neon / Neon Bull.

It was a stellar year for Latin American cinema at the 72nd edition of the Venice Film Festival, as Early Winter by Australian-born Mexican director Michael Rowe won the Venice Days Award. Spanish-born Mexican director Luis Buñuel had won the Golden Lion in 1967 for his French production Belle de Jour.





Bolivia's OLVIDADOS Opens in U.S. Theaters

Cinema Libre Studio has announced the U.S. theatrical release of the feature film Olvidados (Forgotten), which was Bolivia’s Official Entry to the Foreign Language Film category for the 87th Academy Awards. The film will premiere in New York City on September 18 at the Village East Cinema, followed by October 2 at the Laemmle Royal in Los Angeles.

Produced by Bolivian actress Carla Ortiz, directed by Mexico’s Carlos Bolado and starring Damián Alcázar, Olvidados is an epic, historical feature that tackles the dark past of Latin America under military dictatorships in the 70s.

The film follows retired General José Mendieta (Alcázar), who after suffering a heart attack, is haunted by his dark past as an officer in Operation Condor, the CIA-backed campaign of political repression in Latin America that was responsible for executions, torture, and imprisonments in the 1970’s. It is estimated that over 400,000 people were imprisoned and 30,000 forcibly disappeared as a result of these government actions.

In a letter to his son Pablo (Bernardo Peña), Mendieta confesses the role he played in the abduction, persecution, and execution of countless men and women during his posting to Chile. Journalist Marco (Carlotto Cotta) and his pregnant wife Luciá (Carla Ortiz) are among those who were arrested, along with their activist friend Antonio (Tomás Fonzi) and revolutionary Andrea (Ana Calentano).  They suffer terribly under Mendieta and his cohort Sanera (Rafael Ferro), which leads to a cascade of betrayals, secrets, and stolen lives that spans generations.

Filmed in Chile, Bolivia, and New York, Olvidados is the biggest budget production to come out of Bolivia, a country with a nascent film industry. Renowned actors from five countries appear in this international production, which specifically address the horrors perpetrated under Operation Condor, a CIA-backed plan introduced by Richard Nixon’s Secretary of State Henry Kissinger, which was responsible for:  50,000 killed; 30,000 “disappeared”; and 400,000 arrested and imprisoned in Argentina, Bolivia, Brazil, Chile, Paraguay, and Uruguay.

Philippe Diaz, founder of Cinema Libre Studio says, "Olvidados is a very powerful and very important film that all North Americans should see.  We have to accept once and for all that the use of torture didn’t start in Iraq. It was always a tool of war used all over the world from South America to the Middle East and it is the price that we are paying now."

After premiering at the International Film Festival of India, the film has been programmed as a gala screening or as an official selection at festivals in Bolivia, Ecuador, Brazil, Peru, Argentina, Chile, Mexico, and the U.S. It earned six Platino Awards nominations and recently won 4 Maya Awards for Best Film, Best Actor (Christian Mercado), Best Actress (Carla Ortiz), and Best Philanthropic Work done by a Celebrity (Carla Ortiz). 








The Venezuelan Film Fest in NY Announces Third Edition

Maravilla, the New York-based organization dedicated to raising awareness of Latin America through films and the arts has announced the third edition of the Venezuelan Film Festival in New York (VEFFNY), which will take place September 23-27 at the Village East Cinema, with the attendance of many of the featured filmmakers and actors.

Launched in 2013, VEFFNY is committed to showing the very best of the new Venezuelan cinema to local audiences and it has been successful in attracting international attention for Venezuelan films. The festival goes hand on hand with the exciting renaissance of Venezuelan cinema, which has fostered the careers of numerous filmmakers who present diverse views of the South American country.

Testament to this film resurgence is the prominent international film prizes awarded to recent Venezuelan releases, as well as the record-breaking numbers at the domestic box office for local productions. In the past couple of years, two Venezuelan films have won major prizes for the first time: Mariana Rondón’s Bad Hair won the top prize at the San Sebastian for Best Film, and Miguel Ferrari’s My Straight Son was the winner for the Goya Award for Best Ibero-American Film. 

Last year, Alberto Arvelo’s epic saga The Liberator was shortlisted to the Academy Awards for Best Foreign Language Film –the first time for a Venezuelan film– and Lorenzo Vigas’s Desde Allá will have its world premiere at the Venice Film Festival in a few days, marking the first time a Venezuelan production participates in the main competition for the Golden Lion.

"We are one of the few countries where film production is increasing, not only in quantity level production but also quality–both technically and artistically–and we’re in the process of reconquering domestic audiences to go see our local productions. I believe that this new era of Venezuelan film making is due in grand part to the role played by state institutions (like the Centro Nacional Autónomo de Cinematografia CNAC, la Villa del Cine, Cinemateca Nacional and Amazonia Films) not only in the form of financial support but also in training and access to technology,” she adds.

With a selection of 17 feature films, 15 of them in competition, VEFFNY -presented by CITGO Petroleum Corporation- offers some of the most acclaimed and popular recent productions from Venezuela, most of them in their U.S. premiere. In its third edition, VEFFNY will present two awards. A jury composed of three renowned film professionals will present the award for Best Film, and the public attending the screenings will vote for the Audience Award.

The festival will opens with the U.S. Premiere of the drama The Deserter (pictured left), the debut feature by Raúl Chamorro set in 1980 and framed by the beauty of the Venezuelan Andes. The story follows two young lovers who must overcome the toughest challenges to defend their love. The lineup also includes the dark comedy 3 Beauties (pictured top left) by Carlos Caridad-Montero, which offers a satirical and poignant take on Venezuela’s obsession with beauty pageants and plastic surgery through the story of Perla, who is obsessed with having a beauty queen in the family and she is willing to do whatever it takes to make her dream come true.

VEFFNY will also feature the New York Times Critics’ Pick Bad Hair by Rondón. Hailed as a “strong, moving film” (Los Angeles Times), the poignant drama offers a compelling depiction of a mother-son power struggle in a fatherless family. Other highlight includes Claudia Pinto’s assured debut feature The Longest Distance (pictured above right), winner of the Platino Award for Best First Film, which according to Variety is “successfully tempered by well-drawn characters, engaging performances and a convincingly rooted storyline.”

 





Rio Film Fest Announces Lineup

The Rio Film Festival has announced today the official lineup for its 2015 which will take place October 1-14 in Brazil. In total 13 feature films will be competing in Première Brasil, the main section of the festival.

The competing films are Aspirantes by de Ives Rosenfeld, A Floresta Que se Move by Vinícius Coimbra, Beatriz by Alberto Graça, Neon Bull / Boi Neon (pictured left) by Gabriel Mascaro, Califórnia by Marina Person, Campo Grande by Sandra Kogut, Introdução à Música do Sangue by Luiz Carlos Lacerda, Mate-me Por Favor by Anita Rocha da Silveira, Mundo Cão by Marcos Jorge, Nise - Coração da Loucura by Roberto Berliner, Órfãos do Eldorado by Guilherme Coelho, Quase Memória by Ruy Guerra, Tudo que Aprendemos Juntos by Sérgio Machado.

In the documentary section, seven film will be competing: Betinho - A Esperança Equilibrista by Victor Lopes, Cordilheiras no Mar: A Fúria do Fogo Bárbaro by Geneton Moraes Neto, Crônica da Demolição by Eduardo Ades, Futuro Junho by Maria Augusta Ramos, Marias by Joana Mariani, Mario Wallace Simonsen, Entre a Memória e a História by Ricardo Pinto e Silva, and Olmo and the Seagull / Olmo e a Gaivota (pictured right) by Petra Costa and Lea Glob.

The festival also announced the lineup for its ‘Novos Rumos’ section, which will feature A Morte de J.P. Cuenca by João Paulo Cuenca, A Seita by André Antônio, Beira-Mar by Filipe Matzembacher and Marcio Reolon, Clarisse ou alguma coisa sobre nós dois by Petrus Cariry, Jonas by Lô Politi, and Ralé by Helena Ignez.

 





Meet This Year's Latin American Oscar Contenders

[September 29, 2015 UPDATE] Presos, the third feature film by Esteban Ramírez, has been selected as Costa Rica’s submission to the 88th edition of the Academy Awards, it was announced today.

Starring Natalia Arias and Alejandro Aguilar, the drama tells the love story between a woman and a behind bars convict. It becomes the fourth candidate from the Central American country, and the second film by Ramírez (after Caribe in 2005) to represent the country at the Oscars.

Watch the trailer:

[September 28, 2015 UPDATE] Pablo Trapero’s El Clan / The Clan has been selected as this year’s Oscar contender for Argentina, it was announced today. The film, which has been breaking local box office records, had its international premiere at the Venice Film Festival recently where it received the award for Best Director.

Trapero’s crime film recounts the astonishing true story of a seemingly normal middle-class family that trafficked in the kidnapping, ransoming and murder of the wealthy.

Argentina has won the Academy Award for Best Foreign Language Film twice in the past, in 1985 with Luis Puenzo’s The Official Story, and in 2009 with Juan José Campanella’s The Secret in Their Eyes. The country has received seven nominations in total, most recently last year with Damián Szifron’s Wild Tales.

Watch the trailer:

[SEPTEMBER 26, 2015 - UPDATE] Uruguay announced yesterday that Germán Tejeira's debut feature film A Moonless Night / Una noche sin luna is this year's Oscar candidate for the South American country.

In Tejeira's film, three lonely characters travel to a small town lost in the Uruguayan countryside during New Year's Eve. Cesar, a divorced man, arrives to the town where he will have dinner with his ex-wife's new family to win back his little daughter's love. Antonio, a small-time magician, is trying to get to town to perform his routine at the community center, but his car breaks down. Stranded in the middle of the deserted road he meets Laura, a woman working at the toll station. Miguel, a performer, prepares his musical return to sing at the community center's New Year party. Following these paths, the characters will have a chance to turn around their destiny."

Uruguay has been sending submissions to the Academy Awards since 1992. That year, the country's first candidate Un lugar en el mundo / A Place in the World by Adolfo Aristaráin was nominated, but got disqualified as the Academy considered it largely an Argentinean production.

Watch the trailer:

[SEPTEMBER 17, 2015 - UPDATE] Colombia has announced that Ciro Guerra’s third feature film Embrace of the Serpent / El abrazo de la serpiente will be representing the South American country at the 88th edition of the Academy Awards.

Inspired by the journals of the first explorers of the Colombian Amazon, Theodor Koch-Grunberg and Richard Evans Schultes, the film had its world premiere at Cannes last May where it won the top prize in the Directors’ Fortnight section of the festival. It tells the epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between Karamakate, an Amazonian shaman, last survivor of his people, and two scientists that, over the course of 40 years, travel through the Amazon in search of a sacred plant that can heal them.

Colombia has been submitting Oscar entries since 1980, and has never earned a nomination.

Watch the trailer:

[SEPTEMBER 17, 2015 - UPDATE] Mexico has selected Gabriel Ripstein’s debut feature 600 Miles as its Oscar contender for this year. The film, which premiered at the Berlin Film Festival last month where it won the award for Best First Film (the second time in a row for a Mexican production, after Alonso Ruizpalacios' Güeros took the honors in the 2014 Berlinale), stars Tim Roth and Krystian Ferrer in the main roles.

600 Miles tells the story of Arnulfo Rubio (Ferrer), who smuggles weapons from Arizona to Mexico for a drug cartel, but he is being investigated by agent Harris (Roth). When agent Harris blows his covers, he and Arnulfo end up in a journey where he will be the hostage of this young criminal.

Mexico has been nominated eight times in the Foreign Language Film category -most recently in 2010 with Alejandro González Iñárritu’s Biutiful- but it has never win the statuette.

Watch the trailer:

[SEPTEMBER 10, 2015 - UPDATE] Brazil has just announced that the film The Second Mother / Que Horas Ela Volta? by Anna Muylaert will be representing the South American country at the 88th edition of the Academy Awards.

The film, which has received great critical acclaim in its U.S. theatrical run, is a fresh take on the classic upstairs/ downstairs theme. Starring Regina Casé, The Second Mother centers on a hard-working live-in housekeeper in Sao Paulo. Val is perfectly content to take care of every one of her wealthy employers’ needs, from cooking and cleaning to being a surrogate mother to their teenage son, who she has raised since he was a toddler. But when Val’s estranged daughter suddenly shows up, the unspoken class barriers within the home are thrown into disarray. Jessica is smart, confident, and ambitious, and refuses to accept the dynamic, testing loyalties and forcing everyone to reconsider what family really means.

Brazil has been submitting candidates to the Academy Awards since 1960, and has earned four Oscar nominations, the last time was in 1998 for Walter Salles’s Central Station.

Watch the trailer:

[SEPTEMBER 10, 2015 - UPDATE] Perú has selected the film NN, the second feature film by Héctor Gálvez, as its Oscar submission.

In NN -which stands for “Non Nomine,” the name under which bodies that can not be recognized or identified are classified- the remains of a male body who had presumably disappeared during the years of political violence in Peru have been exhumed but nobody claims them. Now the only clue to his identification is a picture of a smiling girl found in his shirt. Only a blurred photo, a snapshot of a moment in time and a memory.

The film stars Paul Vega, Isabel Gaona, and Antonieta Pari. Peru has been submitting candidates to the Oscars since 1967. In 2009 the South American country earned its first nomination, for Claudia Llosa’s The Milk of Sorrow / La teta asustada.

Watch the trailer:

[SEPTEMBER 9, 2015 - UPDATE]. Chile has announced today that El Club / The Club by Pablo Larraín will be representing the South American country at the 88th edition of the Academy Awards. This is the third time that a film directed by Larraín represents Chile at the Oscars, after Tony Manero in 2008, and No in 2010, which became the only Chilean film to have ever earn a nomination since the country started sending submissions in 1990.

The film, which had its world premiere at the Berlin Film Festival where it was awarded the Grand Jury Prize, tells the story of four former priests and  who live in a secluded house in a small seaside town. They have been sent to the quiet exile to purge the sins of their pasts, the separation from their communities the worst form of punishment by the Church. They keep to a strict daily schedule devoid of all temptation and spontaneity, each moment a deliberate effort to atone for their wrongdoings.

Their fragile stability is disrupted by the arrival of an emissary from the Vatican who seeks to understand the effects of their isolation, and a newly-disgraced housemate. Both bring with them the outside world from which the men have long been removed, and the secrets they had thought deeply buried.

The film starring Roberto Farías, Antonia Zegers, and Alfredo Castro, will be released in the U.S. by Music Box Films.

Watch the trailer:

[SEPTEMBER 7, 2015 - UPDATE] The Dominican Republic has selected Sand Dollars / Dólares de arena as its candidate for the Academy Awards. Directed by Laura Amelia Guzmán and Israel Cárdenas and starring Geraldine Chaplin, the film becomes the eight film to be selected by the Caribbean island since 1983.

In Sand Dollars, Noelí, a young Dominican girl, goes to the beaches at Las Terrenas every afternoon Noelí. Along with her boyfriend, they look for ways to make a living at the expense of one of the hundreds of tourists that wander the beach. As people parade through her life, Noelí has a steady client, a mature French woman who, as time goes by, has found an ideal refuge on the island to spend her last years.

Noelí’s boyfriend feigns to be her brother and outlines a plan in which Noelí travels to Paris with the old lady and sends him money every month. For Noelí, the relationship with the old lady is one of convenience, but the feelings become more intense as the departure date closes in.

Watch the trailer:

[SEPTEMBER 3, 2015 - UPDATE] Paraguay has announced that it has selected the documentary film Cloudy Times / El tiempo nublado by Amari Ullón’s as its Oscar candidate, marking a first time for the South American country.

Cloudy Times is a very personal documentary by Ullón. For as long as the filmmaker can remember, her mother suffers from epilepsy and Parkinson’s disease. As the only child of an absent father, Arami had to be responsible for herself and her mother at a very young age, what proved to be a very demanding situation. Then, several years ago, she could somehow cut the cord, as she found her own happiness in Switzerland, where she is living with her partner Patrick. Her mother is still living in Paraguay and Julia, an untrained help, cares for her around the clock for a modest salary.

However, her mother’s health is increasingly deteriorating. Julia can no longer cope with the situation and wants to quit her job. Since no one except Arami can look after her mother, she has to return to Paraguay. Will she be able to find a solution for her mother in a country, where the caretaking of the elderly is mainly up to their relatives? And if so, should she give up her happiness in Europe and go back to her mother?

Watch the trailer:

[SEPTEMBER 2, 2015 - UPDATE] Panama has announced today that the documentary film Caja 25 / Box 25 by Delfina Vidal and Mercedes Arias will be its Oscar contender for the Best Foreign Language Film category. The film tells the story of Panama’s long and fraught relationship with the US by focusing on a cache of recently discovered letters written by the men who actually built the Canal, describing brutal working conditions, rampant disease and discrimination, as well as enduring hopes and fascinating anecdotes.

This is the second time ever that Panama sends a candidate to the Oscar, after last year the Central American country submitted Abner Benaim’s Invasion.

Watch the trailer:

[SEPTEMBER 1, 2015 - UPDATE]  Venezuela is the second Latin American country to select its Oscar candidate, as the country announced today Dauna, lo que lleva el río / Gone With the River as its contender.

Directed by Cuban-born filmmaker Mario Crespo, the film tells the story of Dauna, a member of the Warao tribe of the Orinoco River delta. Her thirst for education is encouraged by her family and Father Julio. As Dauna grows, her desire to experience life beyond the river grows too. Tarcisio, her childhood sweetheart, supports her, but is tied to the traditional ways of the community. Dauna fears Tarcisio will succumb to what tradition dictates, thus thwarting her ambitions and dreams.

The film had its world premiere at the Berlin Film Festival last February. Venezuela has sent submissions to the Oscars since 1978, but has yet to earn a nomination. Last year’s candidate The Liberator by Alberto Arvelo made it to the shortlist.

Watch the trailer:

Guatemala has become the first Latin American country to select its candidate for the 88th edition of the Academy Awards in the Foreign-Language Film competition. The Central American country has selected Jayro Bustamante’s acclaimed debut feature film Ixcanul as its official candidate.

The film which had its world premiere at the Berlin Film Festival last February where it was awarded with the Silver Bear Alfred Bauer Prize, tells the story of Maria, a 17 year old Mayan woman, who lives on the slopes of an active volcano in Guatemala. An arranged marriage awaits her. Although Maria dreams of seeing 'the city', her status as an indigenous woman does not allow her to go out into that 'modern world'. Later, during a pregnancy complication, this modern world will save her life, but at what price.

This is the second time that Guatemala picks an Oscar candidate. In 1994 Luis Argueta’s coming of age drama El silencio del Neto / The Silence of Neto was selected to represent the country.

Watch the trailer:





Cannes-Winner LA JAULA DE ORO Finally Arrives in U.S. Theaters

La Jaula de Oro (The Golden Dream), the acclaimed debut feature by Spanish-born director Diego Quemada-Diez, will have its long awaited theatrical release in American screens. The film had its world premiere at Cannes’ Un Certain Regard section, where it was presented with the Un Certain Talent Award, the Gillo Pontecorvo Award, and a François Chalais Award Special Mention.

The film opens this Friday, August 28 at the TCL Chinese Theater and the Cinepolis Pico Rivera Village Walk in Los Angeles, and at the Cinepolis Vista Village in San Diego. It opens on Friday, September 4 at Village East Cinema in New York City, before expanding to other U.S. cities in the fall.

With over 80 awards, including for Best Film and Best Director at the Thessaloniki Film Festival, and for Best New Director at the Chicago Film Festival, La Jaula de Oro became the most internationally awarded Mexican film in history. The film swept the 56th edition of the Ariel Awards–Mexico’s national cinema honors–receiving nine awards including for Best Picture, Debut Feature, Original Screenplay, Actor (Brandon López) and supporting actor (Rodolfo Domínguez).

Starring an impressive ensemble cast of non-professional actors, La Jaula de Oro is the story of three teenagers from the slums of Guatemala who travel to the U.S. in search of a better life. On their journey through Mexico they meet Chauk, a Tzotzil kid from Chiapas who doesn’t speak Spanish. Traveling together in cargo trains, walking on the railroad tracks, they soon have to face a harsh reality.

An urgent and timely drama that reflects the plight of migrants as they cross Mexico in their way to search for the American dream, La Jaula de Oro has been hailed as “a remarkable debut feature (…) gritty social realism meets epic poetry” (Sight & Sound). The powerful and lyrical film presents a humane and fresh take on the harsh reality, and secures Quemada-Diez as a filmmaker to follow.