Presented by Cinema Tropical in partnership with NYU's Deutsches Haus and Scandinavia House. Additional support by the Mexican Cultural Institute of New York
The late Eva Norvind, aka Ava Taurel (born in Norway to Russian prince Paul Chegodayef Sakonsky and Finnish sculptress Johanna Kajuanus), was a larger-than-life figure, an unconventional and controversial sexual pioneer whose life incredibly intersects with many random places and very unusual facets: from becoming Mexico’s Marilyn Monroe; to studying film and human sexuality and at New York University (NYU); and ultimately becoming New York City’s most famous dominatrix. Norvind died at the age of 62, on May 14, 2006, drowning in the waters of Oaxaca, Mexico.
This special tribute presented by Cinema Tropical, the Deutsches Haus at NYU and Scandinavia House, features a screening of Didn’t Do It For Love, the documentary film that renowned German filmmaker Monika Treut made about Eva’s life, as well as Born Without, the documentary film that Norvind directed and that was completed by her daughter Nailea after Norvind’s sudden death.
The film, which went to win the Best Documentary Award at the Mexico City (FICCO) and Vancouver Film Festivals, tells the story of handicapped Mexican street musician José Flores.
Special thanks to Nailea Norvind, Paul Marchant (First Run Features), and María Elena Cabezut (Mexican Cultural Institute of New York).
Tuesday, June 12, 6:30pm - Deutsches Haus at New York University 42 Washington Mews / http://deutscheshaus.as.nyu.edu / (212) 998-8660 Free admission with RSVP to deutscheshaus.rsvp@nyu.edu. Please note that space at Deutsches Haus is limited, please arrive ten minutes prior to the event.
DIDN'T DO IT FOR LOVE Directed by Monika Treut, Germany, 1997, 80 min. In English and Spanish with English subtitles. With: Eva Norvind, Jan Baracz, Rene Cardona Jr., José Luis Cuevas, Nicolá Echevarría, Juan Ferrara, José Flores, Juan José Gurrola.
A fascinating look into the incredible life of sexual revolutionary Eva Norvind, alias Mistress Ava Taurel, born Eva Johanne Chegodaieva Skonskaya, the daughter of a Russian prince and a Finnish sculptress in Trondheim, Norway. The film recounts the phases in her adventurous life-story: from the early success as a showgirl in Paris and Québec, as a Nordic Marilyn Monroe in the Mexican B-movies of the sixties, and finally, as the most famous dominatrix in New York during the Eighties. Eva Norvind studied Forensic Psychology to be able to help sexual offenders as well as a way of searching for the dark secret of her own sexuality. It is the story of an odyssey through the wilderness of sexuality that has not yet reached its destination. Screening followed by discussion with special guests actress Naian Daeva (Eva's granddaughter) and Mexican writer/film critic Naief Yehya.
Wednesday, June 13, 7pm - Scandinavia House 58 Park Avenue (at 38th Street) / www.scandinaviahouse.org / (212) 779-3587 Admission: $10
NACIDO SIN | BORN WITHOUT Directed by Eva Norvind, Mexico, 2008, 86 min. In Spanish with English subtitles. With: José Flores, Graciela Flores, Nicolás Echevarría, Alejandro Jodorowsky, Nailea Norvind.
“José Flores was born without arms and with stunted legs that render him only three feet tall, but his outsized personality makes his physical attributes the least interesting thing about this complex man. A Mexico City street musician, doting husband, and father of six (with a seventh on the way), Flores navigates the world with few concessions to his disability and with an unbridled appetite for life. As unconventional as he may seem, his history is even more unexpected; charismatic from an early age, he has been a respected occasional actor in Mexican art cinema, including appearances in Alejandro Jodorowsky’s The Holy Mountain (1973) and the seminal Cabeza de Vaca (directed by Nicolás Echevarría, 1991). Flores is also, improbably, a bit of a ladies’ man. Directed by Norvind, and completed by her daughter after Norvind’s death, this intimate portrait doesn’t shy away from some of the more salacious details of Flores’ life.” – Los Angeles Film Festival. Screening followed by discussion with special guest actress Naian Daeva (Eva's granddaughter).
On Friday, October 22, Cinema Tropical awarded the 10 Best Latin American Films of the Decade (2000-2009) with the first edition of the Cinema Tropical AWARDS at the TimesCenter in New York City. This cutting edge event is the first of its kind ever, and aims to establish an annual tradition in the future. It honors the tremendous and constantly growing creative output of Latin American cinema and demonstrates this region's great quality and diversity.
Filmmakers like directors Carlos Reygadas and Lucrecia Martel --three of her productions scored among the ten best - were present at the ceremony. The Awards represents a prestigious endeavor with international impact, and were just one of four integral parts of ten days of immersion into the fascinating world of Latin American cinema.
Award Winners
1. LA CIÉNAGA (Argentina/France/Spain, 103 min., 2001) Written and Directed by Lucrecia Martel; Producers: Ana Aizenberg, Diego Guebel, Jose Maria Morales, Mario Pergolini and Lita Stantic; Editor: Santiago Ricci; Director of Photography: Hugo Colace; Sound: Herve Guyader, Emmanuel Croset, Guido Berenblum and Adrian De Michele. Cast: Mercedes Moran, Graciela Borges, Martin Adjemian and Leonora Balcarce.
2. AMORES PERROS (Mexico, 154 min., 2000) Directed by Alejandro González Iñárritu; Written by Guillermo Arriaga; Producers: Guillermo Arriaga Jordán, Raul Olvera Ferrer, Francisco Gonzalez Compean, Alejandro Gonzalez Iñárritu, Pelayo Gutierrez, Mónica Lozano and Martha Sosa Elizondo; Editors: Luis Carballar, Alejandro Gonzalez Iñárritu and Fernando Pérez Unda; Director of Photography: Rodrigo Prieto; Original Music: Gustavo Santaolalla; Sound: Martín Hernandez. Cast: Emilio Echevarria, Gael García Bernal, Goya Toledo, Álvaro Guerrero and Vanessa Bauche.
3. LUZ SILENCIOSA / SILENT LIGHT / STELLET LICHT (Mexico/France/Netherlands/Germany, 145 min., 2007) Written and Directed by Carlos Reygadas; Producers: Jeroen Beker, Jean Labadie, Carlos Reygadas, Jaime Romandia and Frans van Gestel; Editor: Natalia Lopez; Director of Photography: Alexis Zabe; Sound: Sergio Diaz and Martin Hernandez. Cast: Cornelio Wall, Maria Pankratz, Miriam Toews, Peter Wall, Jacobo Klassen and Elizabeth Fehr.
4. CIDADE DE DEUS / CITY OF GOD (Brazil/France, 130 min., 2002) Directed by Fernando Meirelles and co-directed by Katia Lund; Screenplay by Braulio Mantovani, based on the novel by Paulo Lins. Producers: Andrea Barata Ribeiro, Marc Beauchamps, Daniel Filho, Hank Levine, Vincent Maraval, Mauricio Andrade Ramos, Donald K. Ranvaud, Juliette Renaud and Walter Salles; Editor: Daniel Rezende; Director of Photography: Cesar Charlone; Sound: Martin Hernandez. Cast: Alexandre Rodrigues, Leandro Firmino da Hora, Jonathan Haagensen, Douglas Silva, Alice Braga and Seu Jorge.
5. ÔNIBUS 174 / BUS 174 (Brazil, 150 min., 2002) Directed by Jose Padilha, co-directed by Felipe Lacerda; Written by Jose Padilha. Producers: Jose Padilha, Rodrigo Pimentel, and Marcos Prado; Editor: Felipe Lacerda; Director of Photography: Marcelo "Guru" Duarte and Ceza Moraes; Original Music: Sacha Amback, Joao Nabuco; Sound: Denilson Campos.
6. Y TU MAMÁ TAMBIÉN (Mexico, 105 min., 2001) Directed by Alfonso Cuarón; Writen by Alfonso Cuarón and Carlos Cuarón. Producers: Sergio Aguero, Alfonso Cuarón, Amy Kaufman, David Linde and Jorge Vergara; Editor: Alfonso Cuarón and Alex Rodríguez; Director of Photography: Emmanuel Lubezki; Sound: Ruy García. Cast: Diego Luna, Gael García Bernal and Maribel Verdú.
7. WHISKY (Uruguay/Argentina/Germany/Spain, 99 min., 2004) Directed by Juan Pablo Rebella and Pablo Stoll; Written by Gonzalo Delgado, Juan Pablo Rebella and Pablo Stoll. Producers: Natacha Cervi, Fernando Epstein, Christoph Friedel and Hernan Musaluppi; Editor: Fernando Epstein; Director of Photography: Barbara Alvarez; Original Music: Pequena Orquesta Reincidentes; Sound: Catriel Vildosola y Daniel Yafalian. Cast: Andres Pazos, Mirella Pascual and Jorge Bolani.
8. LA MUJER SIN CABEZA / THE HEADLESS WOMAN (Argentina/Spain/France/Italy, 87 min., 2008) Written and Directed by Lucrecia Martel. Producers: Agustín Almodóvar, Pedro Almodóvar, Tilde Corsi, Veronica Cura, Esther Garcia, Lucrecia Martel, Cesare Petrillo, Enrique Pineyro, Vieri Razzini, and Marianne Slot; Editor: Miguel Schverdfinger; Director of Photography: Barbara Álvarez; Sound: Guido Berenblum, Paula Dalgalarando and Martin Mainoli. Cast: Maria Onetto, Claudia Cantero, Cesar Bordon, Daniel Genoud, Guillermo Arengo and Inés Efrón.
9. LA NIÑA SANTA / THE HOLY GIRL (Argentina/Spain/Italy/Netherlands, 106 min., 2004) Directed by Lucrecia Martel; Written by Lucrecia Martel with contributing writer Juan Pablo Domenech; Producers: Agustin Almodovar, Pedro Almodovar, Tilde Corsi, Esther Garcia, Alfredo Ghirardo, Nora Kohen, Cesare Petrillo, Vieri Razzini, Gianni Romoli, Lita Stantic and Alvaro Urtizberea; Editor: Santiago Ricci; Director of Photography: Felix Monte; Original Music: Andres Gerszenson; Sound: Guido Berenblum. Cast: Mercedes Moran, Carlos Belloso, Alejandro Urdapilleta, Maria Alche, Julieta Zylberberg and Mia Maestro.
10. EL LABERINTO DEL FAUNO / PAN'S LABYRINTH (Mexico/Spain/USA, 120 min., 2006) Written and Directed by Guillermo del Toro; Producers: Belen Atienza, Alvaro Agustin, Alfonso Cuaron, David Ebner, Edmundo Gil, Elena Manrique, Bertha Navarro, Guillermo del Toro and Frida Torresblanco; Editor: Bernat Vilaplana; Director of Photography: Guillermo Navarro; Original Music: Javier Navarrete; Sound: Martin Hernandez. Cast: Ivana Baquero, Sergi Lopez, Maribel Verdu, Doug Jones and Ariadna Gil.
Presenting Partners:
VOCES, Latino Heritage Network of The New York Times Company. VOCES is dedicated to helping The New York Times Company recruit, retain, and engage our Latino colleagues and the Latino community at large. VOCES will serve as a central resource for its members to access information on professional development, mentoring programs, and community outreach. By our actions, we seek to inspire commitment to a diversity of people, perspectives and voices (voces) that will help The New York Times become a more successful and innovative company.
IFC Center. IFC Center is the ultimate entertainment space for New Yorkers seeking out the best in independent film, opened in June 2005 in the historic Waverly theater. After a four-year renovation, the new complex features five state-of-the-art cinemas with luxurious seating, and High-Def digital and 35mm projection presenting the best in new independent foreign, and documentary features.
Jorge Pinto Books. Jorge Pinto Books is a niche, international multicultural publishing house committed to publishing content that attracts a new generation of readers and generates a new demand for books. JPB is developing a publishing model that invites creative professional partners.
BOMB Magazine. BOMB Magazine, a 501(c)(3) nonprofit, represents the artist's voice through in-depth interviews between visual artists, writers, composers, directors, architects... BOMB first launched in 1981 as an artists' and writers' quarterly because its founders saw a disparity between the way artists talked about their work among themselves and the way in which it was described by critics. Since then, BOMB has re-invented the question-and-answer format, publishing conversations that delve deep into theory and practice, allowing for complex discussions on art and life to emerge.
Americas Society. Americas Society (AS) is the premier forum dedicated to education, debate, and dialogue in the Americas. Its mission is to foster an understanding of the contemporary political, social, and economic issues confronting Latin America, the Caribbean, and Canada, and to increase public awareness and appreciation of the diverse cultural heritage of the Americas and the importance of the inter-American relationship.
All screenings in digital projection, in original language with English subtitles
Free Admission
Fall 2013
'Tropical Tuesdays: The New York Latino Film Summit Series'
Tuesday, October 8, 7:30pm / Free Admission!
ENTRE NOS A film by Paola Mendoza and Gloria La Morte (USA, 2010, 81 min. In English and Spanish with English subtitles)
"Shortly after she totes her two children from Colombia to reunite with her husband in Queens, New York, Mariana's (Paola Mendoza) life is devastatingly turned around when he abandons her to fend for herself in a hard-knock new country. Mariana desperately searches for work against the unwieldy city landscape, but she and her kids can't help their treacherous slide into homelessness. Basing Entre Nos on true events, Paola Mendoza and Gloria La Morte collaboratively deliver a touching narrative marked by sympathetic characters, reflective cinematography, and solid performances. They bring a certain newness to the now-familiar immigrant story, and what shines through most is the graceful ferocity with which mother and children fight for their right to create a foundation, however shaky, from which to begin the promise of the American Dream." - Tribeca Film Festival
Special screening of the film as part of the launching the novel The Ones Who Don’t Stay by Paola Mendoza, published by Penguin Books. Q&A with co-director following screening.
Tuesday, September 24, 7:30pm (doors open at 7pm) / Free Admission!
THE BLUE EYES / LOS OJOS AZULES A film by Eva Aridjis (Mexic/USA, 2012, 94 min. In English, Spanish and Tzotzil, with English subtitles)
Written and directed by New York based-Mexican director Eva Ardijis, The Blue Eyes is a supernatural thriller film starring Allison Case and Zachary Booth (Keep the Lights On) as Karen Fisher and Paul Henderson, a young American couple that travel to Chiapas on holiday. While there they will have an encounter with a witch that will change their lives forever. Shot entirely in location in Mexico and also starring legendary Mexican actress Ofelia Medina, The Blue Eyes is a suspenseful film that artfully combines religious and indigenous elements. Q&A with filmmaker following screening. Presented in partnership with the New York Latino Film Summit.
Spring 2013
'Tropical Tuesdays: The Filmmakers' Series'
Tuesday, May 28, 7:30pm (doors open at 7pm) / Free Admission! HABLA WOMEN A film by Alberto Ferreras and Trina Bardusco (USA, 2013, 84 min. In English and Spanish with English subtitles)
Sometimes funny, often poignant, always truthful, Habla Women is the latest installment in this award-winning property from HBO Latino that has put the faces and voices of U.S. Latinos on screen like no other show before. Latinos from all walks of life tell their personal stories, including poets, comedians and community leaders, but also janitors, soldiers and lowriders. Habla gives a platform to real people whose stories might otherwise not be heard, reaching beyond the Latino community to build a bridge of understanding that goes in both directions. This installment includes actress Gina Rodriguez, chef Daisy Martinez, boxer Marlen Esparza, and more.
Tuesday, April 30, 7:30pm (doors open at 7pm) / Free Admission! PERFIDIA / PERFIDY A film by Rodrigo Bellott (Bolivia/Chile/USA, 2009, 84 min. In English and Spanish with English subtitles) Starring Gonzalo Valenzuela, Levi Freeman and Heidi Schreck. "We all know not to judge a book, or a man, by appearance. Gustavo seems to be a rich, leisurely drifter in a northeastern resort town. After a long journey through the snow-covered roads of upstate New York, he settles into his hotel room. When he starts receiving mysterious phone calls, envelopes with money, and photographs slid under his hotel room door, we understand that he is no ordinary dropout. He is a hired hit man stalking the woman in the next room. Money doesn’t motivate Gustavo on this assignment, but rather an act of betrayal that the audience slowly pieces together. Punctuated by both folk music and ‘80s pop, Perfidy is a character study that follows Gustavo’s physical transformation from a shaggy backpacker to a well-groomed and stylish killer. A co-production of American, Chilean, and Bolivian directors and writers, Perfidy will mesmerize with its beguiling lead character and relentless quest for resolution." - Seattle Lesbian and Gay Film Festival
Born in Santa Cruz, Bolivia in 1978, Rodrigo Bellott received a BFA in Film, Photography and Visual Arts from Ithaca College. His first student film, Destierro, was one of five films around the world nominated for a student Academy Award in 2001. His first feature film Dependencia Sexual / Sexual Dependency, which had its world premiere at the 2003 Locarno Film Festival, was awarded the FIPRESCI prize, and since then, has received seven other awards on four different continents as well as tremendous critical reception at over 56 festivals, including Berlin, Rotterdam, Toronto, AFI and Telluride. The film was a box office success in Bolivia, and marked the re-birth of Bolivian cinema as the country’s first official selection competing for “Best Foreign Language Film” at the 2004 Academy Awards. Since then, Bellott has directed the feature films ¿Quién Mató a la Llamita Blanca? / Who Killed the White Llama? (2007), and Perfidia / Perfidy (2009). In 2007, Variety magazine named Rodrigo as one of the top ten Latin American talents to watch. He's also worked as casting director for various films including Che Part I and II, directed by Steven Soderbergh, Contracorriente by Javier Fuentes-León and También la lluvia by Iciar Bollaín.
Tuesday, March 26, 7:30pm (doors open at 7pm) EL EFECTO CLEMENTE / THE CLEMENTE EFFECT Directedby Mario Diaz (USA, 2012, 77 min. In English and Spanish with English subtitles) The Clemente Effect is a feature-length documentary that chronicles the life and accomplishments of the legendary Puerto Rican baseball player Roberto Clemente. Forty years ago, Clemente died in a tragic plane accident while delivering aid to victims of an earthquake in Nicaragua. Yet Clemente’s legacy remains and his effect is still felt across the U.S. and Latin America decades later. The film follows Clemente’s life, from his humble upbringing in Puerto Rico to becoming the National League Most Valuable Player in 1966 and a World Series hero for the Pirates in 1960 and 1971. Along the way, Clemente faced numerous obstacles: injuries, an antagonistic press corps and the racial injustices of the time. But Clemente prevailed. Inspired by the civil rights movement, he became an unwavering defender of minorities, an advocate for Latino players’ rights and a great humanitarian. Directed by Mario Diaz, The Clemente Effect is an ambitious work that draws extensively from archival footage and photographs of Clemente during the 50s, 60s and 70s, including never-before-seen footage of Clemente with his family, playing for the Puerto Rican Winter League and visiting Nicaragua a few months before his death.
Mario Díaz is an award-winning documentary filmmaker and editor. He has directed five independent feature-length documentaries including Bazooka and Viva Cepeda! (HBO Latino). As a film editor, some of his recent credits include Unspooled, Generation Meds and Leap of Faith. Mario has also served as programming adviser for various Latino film festivals and is currently the documentary film programmer for the San Diego Latino Film Festival.
June 2012
'Subversive Churches And Mundane Icons'
Curated by Juan Daniel F. Molero
What is it that unites Latin America is a question that raises many answers: the language, simultaneous historical events, the political issues and tendencies, and so on. In summary, we try to forget our differences in order to unite a divided community. But how healthy is that? Wouldn’t it reduce to a basic level the rich complexity of our bonds? I believe that by recognizing our differences between each border or over each coastline, we learn why we belong together. This is why Counter Culture is such a powerful perspective to analyze a community and its issues. It’s extremely difficult to label what’s Counter Culture if we don’t know in which national context it’s born.
Cultural Colonialism is a point where every Latin American Counter Culture collides. We have been more than influenced as much by European and North American tradition and funding. Even more in a new and expensive art form as cinema, Latin American art has always been a reaction to external affairs. Is our Counter Culture then being Pro - Indigenous, Anti Imperialist, Pro – Ecological, or any other current trend of Politics and Aesthetics? All of these are external ideologies imported from the developed countries. Has there ever been an ideological revolution native from the south of the United States?
The Catholic Church was the first colonizer when it collided with the established polytheistic religions of the New World. Even though it still holds a strong power over Latin American states and culture, it’s overlooked that what is practiced now in most of these rural areas isn’t what they originally preached. Religion will always be an adaptation to the needs of a culture and its individuals, all of them carrying their own beliefs and heritage. In these cases it created dystopian faith, underground saints and contradicting but organic rituals. Syncretism that is still alive and will never finish to merge.
The filmmakers included in this program have adapted fragments from the Bible, the Catholic iconography, or other methods of religious propaganda, like Brazilian Evangelist Public Television, to question these practices and subvert the power of these images. Cinema itself has become a religion, one not based on text, but in a prayer that creates mundane icons and subversive churches.
Tuesday, June 5, 9pm*
SIMÓN DEL DESIERTO
Simon of the Desert, directed by Luis Buñuel, Mexico, 1965, 45 min.
The ascetic Simon believes he is a sinner and decides to self-inflict a sacrifice, living like a hermit on the top of a pedestal in the middle of the desert to be closer to God and resist the temptations of the world. His followers are peasants and travelers that believe him to be a saint capable of performing miracles and they crowd to hear his speeches. However, Satan tries to tempt him with the pleasures of the world.
Preceded by EL MONTE DE GABRIEL (Gabriel’s Mount, directed by Christopher Murray, 2007, Chile, 25 min. Gabriel climbs the hill next to town every week, searching for some divine manifestation. This time, a young sixteen-year-old neighbor will break his silence; and CARTA DEL APOSTOL SAN JUANECO A LA CIUDAD DEL MAL (Letter from the Apostle Saint Juaneco to the City of Evil, directed by Aldo Salvini, 1994, Peru, 11 min.) A fugitive meets a slum bum who believes he is sent from God to found the City of Hope and destroy the City of Evil. Q&A with director Christopher Murray via Skype. *Please note this screening will start at 9pm.
Tuesday June 12, 7pm
SANGRE
Directed by Amat Escalante, Mexico, 2005, 78 min.
Diego's job is counting people as they enter a large government building. After work, he and his wife Blanca lie on the couch, watch soap operas, or make love on the kitchen table. Their relationship is based on having sex, watching TV, and fighting, until one day their routine is interrupted. Karina, Diego's daughter from a previous marriage, arrives in search of her father's love, but Blanca refuses to accept her. Diego finds himself caught between an extremely jealous wife and a daughter in desperate need of guidance. An astonishing climax will lead Diego to a total loss of control.
Preceded by MARTES DE CH’ALLA (Tuesday Ch’alla, directed by Carlos Piñeiro, Bolivia, 2009, 12 min.) Images and situations linked to a kept belief among construction workers who know a way to invoke some kind of blessing through a secret ancient ritual. Audiovisual performance by Uruguayan filmmaker and musician Uzi Sabah.
Tuesday, June 19, 7pm
‘Shorts by Carlosmagno Rodrigues’
1976 – LUGAR SAGRADO (1976 – Sacred Place,directed by Carlosmagno Rodrigues & Alonso Pafyeze, Brazil, 2009, 6 min.) Three living beings are kept in the bottom of a pool. Video of physical and emotional immersion, where there’s no metaphysics, no feelings of spirituality, no mysticism- just the torpor of the condition of being alive and reluctant.
IGREREV - IGRESIA REVOLUCIONARIA DOS CORAÇOES AMARGURADOS (IGREREV, Revolutionary Church Of The Embittered Hearts, directed by Carlosmagno Rodrigues, Brazil, 2007, 16 min.) A fascist film about religion.
ANDROMEDA – A MENINA QUE FUMAVA SABAO (Andromeda, the Girl Who Smoked Soap, directed by Carlosmagno Rodrigues, Brazil, 2007, 15 min.) Andromeda is an iconographic creation that mixes fascism and Christianity. "I don't have the power to change anyone, and if I did, I should struggle to mantain the free will of the people I love".
SEBASTIÃO, O HOMEM QUE BEBIA QUEROSEN (Sebastião, The Man Who Used to Drink Kerosene, directed by Carlosmagno Rodrigues, Brazil, 2007, 11 min.) A post-traumatic existential film.
ALEXANDER ILLICH. Directed by Carlosmagno Rodrigue & Andrés Schaffer, Brazil, 2009, 13 min.) A film introduced by delirious speeches, full of skepticism, which thus present the live of a newborn "Alexander Illich", son of a neurotic in treatment in the clinic - the author himself.
ANALOGÍA DO VERME (Worm Analogy, directed by Carlosmagno Rodrigues & Cris Ventura, Brazil, 2007, 18 min.) A documentary about the pathetic experiments of the character-author Carlosmagno Rodrigues who ties to plunge knives through his arm, and among other acts that he films with friends to attempt to create an understandable film reality.'
DIANTE DO ABISMO DOS SEUS OLHOS (Before The Abyss Of Your Eyes,directed by Carlosmagno Rodrigues, Brazil, 2006, 6 min.) A film about genocidal ideologies.
DROP IN THE DARKNESS. Directed by Carlosmagno Rodrigues & Cris Ventura, Brazil, 2011, 7 min.) A movie about the Christian conversion based on the Letters to the Seven Churches, Chapter 2, Verse 19 of the biblical Book of Revelation, which talks about the speeches used for people’s conversion. The movie is filmed with vertical tracking shots that refer to the Hell archetype. Q&A with filmmaker via Skype.
Tuesday, June 26, 7pm EL CANT DELS OCELLS | BIRDSONG Directed by Albert Serra, Spain, 2008, 98 min. Serra recasts the story of the Magi as an elemental epic of man simultaneously lost and found in the uncanny beauty of nature. Masterfully shot in black and white on remote, almost extraterrestrial locations in the Canary Islands and Iceland, the film follows the slow, stumbling passage of the kings toward the mysterious birth that beckons them through the long days and dark nights. Birdsong adds a level of humor to gently undercut the sacred qualities of the tale by foregrounding the wonderfully profane corporality of the awkward kings who float and fidget in an assertively and refreshingly human manner. Preceded by AHENDU NDE SAPUKAI (I Hear Your Scream, directed by Pablo Lamar, Paraguay/Argentina, 2008, 11 min.) At dawn, a man watches the horizon as he stands near his wooden house that dominates the landscape. After a few moments, he returns to his simple dwelling and a short while later a small funeral procession emerges. The man does not take part in it and remains alone, staring into the emptiness before him.Performance by Peruvian experimental musician Efraín Rozas.
Juan Daniel F. Molero (Lima, b. 1987) studied Film Directing at Universidad del Cine in Buenos Aires, he has worked as film journalist for Cinencuentro.com, international programmer at Cine//B Festival in Chile, and he’s an alumnus of the NisiMasa Film Journalism Workshop at Lima Festival 2009, the IFFR Trainee Project for Young Film Critics 2010, the Buenos Aires Talent Campus 2010, and Berlinale Talent Campus 2011. His first feature film Reminiscencias has been exhibited at MoMA, BAFICI, Rotterdam, Art Museum of Lima, La Habana, FIDMarseille, and Lima Independiente.
PAST PROGRAMS
May 2012
‘The South Trembles’
Curated by Jerónimo Rodríguez
Cinema is capable of shaking up, reinventing, or jolting the way we perceive reality. The Southern Cone's restless past, unsettled present, and even its uncertain future could be defined and redefined by these curious and bold filmmakers. The films included in this series are in one sense narratively daring, some subverting easy classification, or simply, they successfully capture striking moments of rupture, social change, marginality and vanguard.
Tuesday, May 1, 7pm AQUÍ SE CONSTRUYE (O YA NO EXISTE EL LUGAR DONDE NACÍ) | UNDER CONSTRUCTION (THE PLACE WHERE I HAS BORN NO LONGER EXISTS)
Directed by Ignacio Agüero, Chile, 2000, 77 min.
Over various years, this intimate documentary builds a portrait of a neighbor who observes the demolition of the adjoining house and the construction of a building on the same site. This Chilean film captures the devastating and revealing passage of time, subtly piecing together a puzzle of the impact of urban change, reaching an illuminating account of what development and modernization mean for a country.Preceded by Home. Directed by Gianfranco Foschino, Chile, 2009, 5 min. A single-take hypnotic video that portrays another vanishing way of life - Chilean rural living. Q&A with the filmmaker via Skype. Music by Nutria NN band.
Tuesday, May 8, 7pm YATASTO
Directed by Hermes Paralluelo, Argentina, 2011, 99 min. New York Premiere.
Bebo, Pata and Ricardito are young cartoneros. Like most of the residents of Villa Urquiza, a peripheral zone in Cordoba, Argentina, they make their living driving carts to collect used cardboard and recyclable materials that will then be sold. Using remarkable fixed shots and patiently observing what the boys have to say, Paralluelo has gone far beyond mere depiction: he has achieved a masterfully crafted documentary that truly connects with the life of his subjects. Post-screening discussion with special guest Rachael Rakes, The Brooklyn Rail's film editor, and guest curator. Music following screening by dj JD Molero.
Tuesday, May 15, 7pm EN EL FUTURO | IN THE FUTURE Directed by Mauro Andrizzi, Argentina, 2010, 60 min. New York Premiere.
Fascinating and cutting-edge, a film straight from another planet, this Argentinean reel is a series of suggestive and amusing vignettes. A sequence of several couples kissing leads to a number of confessions and anecdotes about past loves. Andrizzi says of his film, “The future is pure speculation. So is love. Each love story in the film takes us to a different past from a different present. The hope for a bright future is an illusion that keeps us expecting as it unleashes the anguish of waiting for something extraordinary to happen.”
Preceded by Copia imperfecta (Imperfect Copy). Directed by José Luis Torres Leiva, Chile, 2012, 2 min. A short film tribute to the late Raul Ruiz, commissioned by the Rotterdam Film Festival. Q&A with the filmmaker via Skype.
Tuesday, May 22, 7pm SÜDEN
Directed by Gastón Solnicki, 60 min. Argentina, 2009.
"Intelligently conceived, a standout marriage of cinema and classical music." - Robert Koehler, Variety
After decades living in Germany, Mauricio Kagel, one of Argentina's most celebrated composers of the 20th century, returns for the last time to his country to conduct a major concert with the Buenos Aires Philharmonic. During his stay, he collaborates with Ensemble Süden, a group of young performers who play his remarkable and radical repertoire. This inspired documentary details with elegance the complex and playful process of making contemporary music under any and all circumstances.
Tuesday, May 29, 7pm LOS ELECTRODOMÉSTICOS: EL FRÍO MISTERIO | LOS ELECTRODOMESTICOS: THE COLD MISTERY Directed by Sergio Castro, Chile, 2010, 110 min.
Amid the boredom and obscurity that prevailed during the military dictatorship in the 80s in Chile, three brilliant musicians eager to experiment emerge from the underground and shake things up. This solid documentary not only captures the artful protest of Electrodomésticos, one of the boldest rock bands in Chilean history, but delivers a faithful testimony of many others who participated in the resistance at that time.
Preceded by El punk triste (The Sad Punk). Directed by Mario Navarro, Chile, 2010, 22 min.) A man that was a member of the underground scene in Santiago in the 80s visits five parts of the city where, according to him, the Punk movement was born. Music by DJs Ivan Navarro y Offending Command presented by Hueso Records follows screening.
Jerónimo Rodríguez is a film critic that currently works as a host/critic on the prestigious film review television program, Toma 1, on NY1 Noticias, in New York City. He also contributes as a film columnist for various publications, including People Magazine en Español and the website El Nuevo Canon. In addition he collaborated with the script of the feature film Huacho, which was selected at Cannes 2009 Critics’ Week, and the Toronto International Film Festival and won several awards and funds, including the Sundance Film Festival/NHK International Filmmakers Award. He also edited the feature Sentados frente al fuego (By the Fire) which premiered last year in the official selection of San Sebastian Film Festival.
Best Feature Film: OCTUBRE (Daniel and Diego Vega, Peru)
Best Documentary Film: NOSTALGIA DE LA LUZ / NOSTALGIA FOR THE LIGHT (Patricio Guzmán, Chile)
Best Director, Feature Film: Michael Rowe, AÑO BISIESTO / LEAP YEAR (Mexico)
Best Director, Documentary Film: Tatiana Huezo, EL LUGAR MÁS PEQUEÑO / THE TINIEST PLACE (Mexico)
Best First Film: EL LUGAR MÁS PEQUEÑO / THE TINIEST PLACE (Tatiana Huezo, Mexico)
The winners of the 2nd Annual Cinema Tropical AWARDS were announced on Thursday, December 1, 2011 at a special event at the 15th Floor Conference Center of The New York Times headquarters in New York City.
The Cinema Tropical AWARDS are presented by Cinelatino and Dish LATINO, and sponsored by The Lift.
The Cinema Tropical AWARDS are presented in partnership with VOCES, Latino Heritage Network of The New York Times Company; 92YTribeca; Festival Scope; and Tóxico Cultura. Special thanks to Andrew Vargas-Stehney, Amber Shields, Lucila Moctezuma and Mario Díaz.
NOMINATIONS 2011
BEST FEATURE FILM
- AÑO BISIESTO / Leap Year (Michael Rowe, Mexico, 2010) - LOS LABIOS / The Lips (Iván Fund and Santiago Loza, Argentina, 2010) - LA MIRADA INVISIBLE / The Invisible Eye (Diego Lerman, Argentina/France/Spain, 2010) - OCTUBRE (Daniel and Diego Vega, Peru, 2010) - POST MORTEM (Pablo Larraín, Chile/Germany/Mexico, 2010)
BEST DIRECTOR, FEATURE FILM
- MICHAEL ROWE, AÑO BISIESTO / Leap Year (Mexico, 2010) - DIEGO LERMAN, LA MIRADA INVISIBLE / The Invisible Eye (Argentina/France/Spain, 2010) - DANIEL AND DIEGO VEGA, OCTUBRE (Peru, 2010) - PABLO LARRAÍN, POST MORTEM (Chile/Germany/Mexico, 2010) - NICOLÁS PEREDA, VERANO DE GOLIAT / Summer of Goliath (Mexico/Canada/Netherlands, 2010)
BEST DOCUMENTARY FILM
- EL AMBULANTE / The Peddler (Eduardo de la Serna, Lucas Marcheggiano and Adriana Yurcovich, Argentina, 2010) - CUCHILLO DE PALO / 108 (Renate Costa, Paraguay/Spain, 2010) - EL LUGAR MÁS PEQUEÑO / The Tiniest Place (Tatiana Huezo, Mexico, 2011) - NOSTALGIA DE LA LUZ / Nostalgia for the Light (Patricio Guzmán, Chile/France/Germany, 2010) - EL VELADOR (Natalia Almada, Mexico/USA, 2011)
BEST DIRECTOR, DOCUMENTARY FILM
- RENATE COSTA, CUCHILO DE PALO / 108 (Paraguay/Spain, 2010) - TATIANA HUEZO, EL LUGAR MÁS PEQUEÑO / The Tiniest Place (Mexico, 2011) - PATRICIO GUZMÁN, NOSTALGIA DE LA LUZ / Nostalgia for the Light (Chile/France/Germany, 2010) - RODRIGO SIQUEIRA, TERRA DEU, TERRA COME, The Earth Giveth, The Earth Taken (Brazil, 2010) - NATALIA ALMADA, EL VELADOR (Natalia Almada, Mexico/USA, 2011)
BEST FIRST FILM
- ABEL (Diego Luna, Mexico, 2010) - AÑO BISIESTO / Leap Year (Michael Rowe, Mexico, 2010) - EL LUGAR MÁS PEQUEÑO / The Tiniest Place (Tatiana Huezo, Mexico, 2011) - OCTUBRE (Daniel and Diego Vega, Peru, 2010) - ROMPECABEZAS / Puzzle (Natalia Smirnoff, Argentina/France, 2010)
The films were selected from a list of Latin American feature films with a minimum of 60 minutes in length that were premiered between January 1, 2010 and March 31, 2011. The winners and final nominees were selected by a six-member jury panel from a list of 31 fiction films and 19 documentary films compiled from the selections of a nominating committee composed of 15 film professionals from Latin America, the U.S. and Europe (see list below).
2011 JURY
Sally Berger, assistant curator, The Museum of Modern Art
Nicolás Entel, filmmaker Marcela Goglio, programmer, Latinbeat, The Film Society of Lincoln Center Jerónimo Rodríguez, film critic, NY1 News/Noticias Paul Julian Smith, FBA, film scholar and critic, CUNY Graduate Center Mauricio Zacharias, screenwriter
2011 NOMINATION COMMITTEE
Gonzalo Aguilar, film scholar, Argentina Violeta Bava, film producer, Argentina María Lourdes Cortés, director, Cinergia, Costa Rica Josexto Cerdan, artistic director, Punto de Vista Festival, Spain Hugo Chaparro, film critic, Colombia Howard Feinstein, film critic, USA Elena Fortes, director, Ambulante, Mexico Mike Goodridge, film journalist, Screen International Sonja Heinen, World Cinema Fund, Germany Gabe Klinger, film critic/scholar, USA Daniela Michel, director, Morelia Film Fest, Mexico Mariana Rondón, filmmaker, Venezuela Jorge Ruffinelli, film scholar, Stanford University, USA Diana Sánchez, programmer, Toronto Film Festival, Canada Tanya Valette, ex director, EICTV, Cuba
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DIDN'T DO IT FOR LOVE
NACIDO SIN | BORN WITHOUT
1. LA CIÉNAGA
3. LUZ SILENCIOSA / SILENT LIGHT / STELLET LICHT
4. CIDADE DE DEUS / CITY OF GOD
5. ÔNIBUS 174 / BUS 174
(Brazil, 150 min., 2002) Directed by Jose Padilha, co-directed by Felipe Lacerda; Written by Jose Padilha. Producers: Jose Padilha, Rodrigo Pimentel, and Marcos Prado; Editor: Felipe Lacerda; Director of Photography: Marcelo "Guru" Duarte and Ceza Moraes; Original Music: Sacha Amback, Joao Nabuco; Sound: Denilson Campos.
6. Y TU MAMÁ TAMBIÉN
7. WHISKY
8. LA MUJER SIN CABEZA / THE HEADLESS WOMAN
9. LA NIÑA SANTA / THE HOLY GIRL
10. EL LABERINTO DEL FAUNO / PAN'S LABYRINTH
Tuesday, October 8, 7:30pm / Free Admission!
Tuesday, September 24, 7:30pm (doors open at 7pm) / Free Admission!
Tuesday, May 28, 7:30pm (doors open at 7pm) / Free Admission!
Tuesday, April 30, 7:30pm (doors open at 7pm) / Free Admission!
Tuesday, March 26, 7:30pm (doors open at 7pm)
Tuesday, June 5, 9pm*
Tuesday June 12, 7pm
Tuesday, June 26, 7pm 
Tuesday, May 1, 7pm
Tuesday, May 15, 7pm
Tuesday, May 29, 7pm
