Three Latin American Films Awarded at Rome

 

Three Latin American films were awarded at the Rome Film Festival which ran November 9-17 at the Italian capital. Spanish DP Arnau Valls Colomer received the Award for Best Cinematography in the official competition his work on the Mexican film Mai Morire (pictured) by Enrique Rivero.

The sophomore production by Rivero (Parque Vía) narrates the story of Chayo who returns to Xochimilco, her hometown, to care for her elderly mother who is on the verge of death. Surrounded by love and the sublime beauty of the natural environment, Chayo must give up something that to a woman and mother is inalienable. The experience of struggle and confrontation, submission and finally liberation from the ties of this world. That will be the price of her freedom. 

Brazilian production Avanti Popolo (pictured right) by Israeli-Uruguayan director Michael Wahrmann received the prize for Best Feature Film in the CinemaXXI competition. The film tells the story of Andrè, who returns to his childhood home in São Paulo, where his father, an old man living alone with no other company but his faithful dog, is waiting for the son who left thirty years earlier for the distant Soviet Union and never returned. Andrè thereby undertakes a touching and ironic journey into the memory of a country where the spectre of dictatorship, the lure of communism, the passion for good cinema and music, and the regret for the decline of ideologies, still linger.

The Argentinean-Spanish documentary film El ojo del tiburón / The Shark's Eye by Alejo Hoijman was the winner of the Social Cinema Award. The film is a sensorial journey through two teenagers’ searching eyes. Maicol and Bryan live in Greytown, in the middle of the Nicaraguan jungle. Here live shark fishermen, drug traffickers and military patrols. There is electricity only a few hours a day, yet Bryan and Maicol keep up to date like young people all over the world with mobile phones, the Internet and TV. Nevertheless, their days of hunting and playing together will soon be over: the summer will mark the end of their childhood and their abrupt journey into adulthood. Bryan is anxious as he embarks on his first fishing trip to the sea. Maicol feels tempted to follow the path into drug trafficking, which seems to be risk-free in a town visibly scarred by the civil war.

 





SOUTHWEST, JUAN OROL and LA VIDA ME MATA Selected for Global Lens

The Global Film Initiative has announced that three Latin American films will headline Global Lens 2013, the tenth edition of the Initiative’s film serie which will feature ten international award-winning narrative films. Brazilian director Eduardo Nunes will presents Sudoeste / Southwest, his debut which takes the audience to a magical village on Brazil’s coast in lush black-and-white Cinemascope. This film was previously awarded the Special Jury Prize and FIPRESCI Prize at the 2012 Rio International Film Festival.

The selection also includes El fantástico mundo de Juan Orol / The Fantastic World of Juan Orol (pictured left) from Mexico, Sebastián del Amo’s eclectic tribute to “the involuntary surrealist,” Juan Orol (played by Roberto Sosa), the king of B-movie films throughout the golden age of Mexican cinema. This film was awarded Best First Feature at the 2012 Guadalajara Film Festival.

Global Lens will also feature the 2007 debut feature film from acclaimed Chilean director Sebastián Silva. La vida me mata / Life Kills Me (pictured right) is the story of an unlikely friendship between a grieving cinematographer and a morbidly obsessed drifter. This quirky black comedy has been decorated with awards ranging from Best First Feature at the International Latino Film Festival and chosen at the Best Chilean from of 2007 by the Chilean Art Critics Circle.

The Global Film Initiative was founded in 202 to create global understanding, empathy and connectivity though film. Supporting hundreds of filmmakers with grants and networking opportunities, the tenth anniversary of Global Lens will premiere January 10-24 at the Museum of Modern Art in New York City, before embarking on a year long tour of more than fifty cities throughout the United States. 

 





Mortensen to Produce and Star New Alonso Film

 

Oscar-nominated actor Viggo Mortensen has signed on to produce and star in Lisandro Alonso's new film project to be shot in Denmark and Argentine, Variety reports. The film will be produced by Massive Inc. together with Mortensen's Perceval Films and Alonso's 4L production company, along with Mantarraya Films and Fortuna Films.

The yet-untitled film is scheduled to be shot early next year based on a script by Alonso and Fabián Casas. The film will tell the story of Dane and his daughter who journey from Denmark to an unknown desert that exists in a realm beyond the confines of civilization.

This will be Alonso's fifth feature film after La Libertad (2001), Los Muertos (2004), Fantasma (2006), and more recently Liverpool (2008).

Born in New York City, Mortensen grew up in Argentine until he was the age of 11, where he attended primary school and acquired fluent Spanish. He recently stared the Argentine film Todos tenemos un plan / Everybody Has a Plan, the debut feature film by Ana Piterbarg which premiered at the Toronto Film Festival last September.

 





Hubert Bals Fund Awards 10 Latin American Film Projects


After a record number of 399 entries, the Hubert Bals Fund has announced the winners of its 2012 Fall round which includes 10 projects from Latin America featuring new productions by Michel Lipkes (Mexico), Dominga Sotomayor (Chile, pictured right), Felipe Guerrero (Colombia, pictured left) and Milagros Mumenthaler (Argentina), among others. The Hubert Bals Fund is an initiative of the International Film Festival Rotterdam that provides grants to international cinema projects in various stages of completion. 

Winners of the Script and Project Development grant include Extraño pero verdadero / Strange but True by Mexican filmmaker Michel Lipkes; Oscuro animal / Obscure Animal directed by Felipe Guerrero from Colombia, Mariano Luque’s Otra Madre / Another Mother from Argentina, and Chilean director Dominga Sotomayor’s Tarde para morir joven / Late to Die Young, who was previously awarded the Tiger Award at the Rotterdam Film Festival for her debut feature film De jueves a domingo / Thursday Till Sunday.

Digital Production includes a grant won by  Argentine director Milagros Mumenthaler, for her newest production Pozo de aire. Previously awarded the Golden Leopard at the Locarno Film Festival for her debut feature film Abrir puertas y ventanas / Back to Stay, Pozo proves to be a much more experimental project using family portraits to focus on the notion of absence.  

Films awarded on their last leg of production are Noche / Night by Leonardo Brzezicki from Argentina; Penumbra directed by Eduardo Villanueva from Mexico; and two films from Brazilian directors, Ricardo Pretti and Bruno Safadi, O rio nos pretence / Rio Belongs to Us and O uivo da gaita / The Harmonica’s Howl, respectively.

 





Beristáin and González-Rubio Win Morelia

 

The debut feature by Natalia Beristáin Egurrola No quiero dormir sola / She Doesn't Want to Sleep Alone (pictured) won the prize for Best Mexican Feature Film at the 10th edition of the Morelia Film Festival which ran November 3-11 in Mexico. The film, which had its World premiere at the last edition of the Venice Film Festival, tells the story of Amanda, a young woman forced to take care of her alcoholic grandmother.

The prize for Best Mexican Documentary Film went to Pedro González-Rubio's Inori, a portrait of a small mountain community in Japan that's undergoing changing lifestyles. This is the third major prize for González-Rubio in Morelia having also won the prize for Best Documentary in 2005 for Toro Negro (co-directed with Carlos Armella), and the prize for Best Feature Film in 2010 for Alamar.

The jury gave two Special Mentions in the documentary competition to Eugenio Polgovsky's Mitote and Diego Gutiérrez's Partes de una familia. The Audience Award went to I Hate Love by Humberto Hinojosa, while Michelle Ibaven's No hay lugar lejano received the prize for Best Documentary Film Made by a Woman.






Legendary Argentine Filmmaker Leonardo Favio Dies

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Legendary filmmaker Leonardo Favio, one of most respected Argentine directors of alltime, died today at the age of 74 in Buenos Aires from a chronic disease. Born Fuad Jorge Jury in a small town in the province of Mendoza, Argentina in 1938, Favio was known for most Latin Americans as a known as a pop singer/songwriter. Having a rough childhood that was part spent in a reform school, he tried different occupations -from boxing to singing, before he tried his luck as a movie actor in the country's capital.

Favio got a starring role in Leopoldo Torres Nilson's El secuestrador / The Kidnapper (1958), which made him an overnight sensation, "the Argentinean James Dean" he was known. He had a strong and popular career as an actor for the following decade, and until he decided to take a stab at directing, encouraged by Torre Nilson. In 1964 he made his debut feature film Crónica de un niño solo / Chronicle of a Lonely Child (pictured right), which was partly autobiographical, the story of Piolín, an impoverished young kid who escapes a rehabilitation center looking for a better life.

Between 1966 and 1975, Favio directed five films, which were highly acclaimed: Éste es el romance del Aniceto y la Francisca, de cómo quedó trunco, comenzó la tristeza y unas pocas cosas más... / The Romance of Aniceto and Francisca (1966); El dependiente / The Employee (1969); Juan Moreira (1973); Nazareno Cruz y el Lobo / Nazareno Cruz and The Wolf (1975); and Soñar, soñar / Dream, Dream (1976).

By the seventies, he had also became more involved in politics, becoming a fervent militant of the Peronist movement. During the Argentine military dictatorship, Favio fled the countryand devoted himself to popular music. He became an immensely popularLatin American singerwith romantic ballads that were big hits like "Hoy corté una flor", "Fuiste mía un verano", "Ella, ella ya me olvidó", "Quiero aprender de memoria", "Ding, dong, las cosas del amor" and "La cita."

In 1993 he had a comeback to filmmaking directing the film Gatica, the story of apopular Argentine boxer in the 1940s and 1950s nicknamed El Mono, "the monkey", which had some autobiographical resonance to Favio's life. For the following five years, he devoted himself to Perón, sinfonía del sentimiento/ Perón, A Symphony of Feeling (1999), a six-hour film epic and didactic film shot on video, attempting to explain the legacy of the Peronist movement.

In 2008, he directed his last film Aniceto (pictured left), which was a remake of his classic film The Romance of Aniceto and Francisca as a ballet production. The film went to win eight Silver Condor awards, including the prizes for Best Film and Best Director, given by Argentine Film Critics Association. In 2010, Favio was appointed Argentina's Ambassador of Culture by President Cristina Kirchner.

Cinema Tropical had a retrospective of his work in the fall of 2001 at thePioneer Theater in downtown Manhattan showing six of his feature films including Chronicle of a Lonely Child, The Employee,Dream, Dream, and Gatica.