Costa Rican Film POR LAS PLUMAS Marks a First at Toronto

 

Costa Rican film Por las plumas / All About the Feathers (pictured), the directorial debut by Neto Villalobos, will have its world premiere at the upcoming Toronto Film Festival, marking the first time a film from the Central American country is featured in the festival. The film, about a security guard who wants to get into the cockfighting game buys, befriends, and becomes inseparable from his rooster protégé Rocky, will be playing at the 'Discoveries' section of the festival, as it was announced today.

"We are very happy and proud. It is the first time a Costa Rican film participates in such big showcase and stands out in the North American festivals and markets. We think the will open the way for other films in the region", says María Lourdes Cortés, director of Cinergia, the prestigious and influential Central American film fund that supported Villalobos' film. "Besides, being a film that has roots in a local story, of something that we might think banal -someone's wish to own a rooster-, means that our stories can reach very large audiences", she adds.

Other Latin American films selected for the 'Discoveries' section are the Mexican films Los insólitos peces gato / The Amazing Catfish, the directorial debut by Claudia Sainte-Luce and Paraíso / Paradise, Mariana Chenillo's follow up film to her acclaimed Cinco días sin Nora / Nora's Will; the Chilean film El verano de los peces voladores / The Summer of Flying Fish by Marcela Said; and the world premiere of the Uruguayan film El lugar del hijo / The Militant by Manolo Nieto Zas (The Dog Pound).

The 2013 edition of the Toronto Film Festival will take place September 5 - 15 in Canada.

 





TropicalFRONT at Intelatin Cloudcast: August Show


In the August edition of TropicalFRONT on Intelatin Cloudcast, Sergio Muñoz and Carlos A. Gutiérrez talk about Alfonso Cuarón and his upcoming film Gravity; the New York theatrical releases of the Argentinean film El Estudiante by Santiago Mitre at The Museum of Modern Art and the Mexican film Los últimos cristeros / The Last Christeros by Matías Meyer at Anthology Film Archives. Plus a Q&A with Hannah Fidell, Lindsay Burdge and Will Brittain for A Teacher and an essay on La Sirga by William Vega. The music for this episode was performed by Viva La Muerte and Lila Downs. The broadcast aired on 8/15/13 on KKJZ 88.1 FM HD3 and KBeach.org

Listen to the show on iTunes or on the Cloud.

 





GLORIA to New York


Chilean film Gloria (pictured) by Sebastián Lelio has been selected as part of the main slate at the 51th edition of the New York Film Festival, the Film Society of Lincoln Center announced today. A wise, funny, liberating movie from Chile, about a middle-aged woman (played by Paulina García) who finds romance but whose new partner finds it painfully difficult to abandon his old habits. The Chilean film, which is distributed in the U.S. by Roadside Attractions, is the only Latin American film in this year's main slate which features 35 films.

The New York Film Festival will take place September 27 - October 13 at the Film Society of Lincoln Center. Additional sidebar sections and special events will be announced soon.





HELI Tops Lima


Heli (pictured), the third feature film by Mexican director Amat Escalante was awarded the top prize at the 17th edition of the Lima Film Festival, which ran August 9-17 in Peru. The film, winner of the prize for Best Director at Cannes, tells the story of Estela, a 12 year old girl who has just fallen crazy in love with a young police cadet who wants to run away with her and get married. Trying to achieve this dream, her family will have to live the violence that is devastating the region.

The top documentary prize went to the Peruvian film ¡KachKarinaqmi! Sigo siendo by Javier Corcuera, while the Mexican film La Jaula de Oro by Diego Quemada-Diez won two prizes for Best First Film and Best Cinematography. The Chilean film Gloria by Sebastián Lelio was also awarded with two prizes for Best Director and Best Actress.

Kleber Mendonça Filho's Neighboring Sounds / O som ao redor was named Best Film by the  Peruvian Motion Picture Press Association (APRECI), the Brazilian film was also awarded the prize for Best Screenplay.

 





BLESS ME ULTIMA Tops Imagen Awards

 

The winners of the 28th edition of the annual Imagen Awards, honoring positive portrayals of Latinos and Latino culture in entertainment, were announced last tonight at a dinner ceremony held in the Beverly Hilton Hotel in Los Angeles, California. The film Bless Me Ultima by Carl Franklin was the big winner of the night winning the prizes for Best Feature Film, and its leading actors Miriam Colon and Luke Ganalon received the prizes for Best Actress and Best Actor respectively.

Based on the controversial 1972 novel by acclaimed author Rudolfo Anaya, the film is a WWII drama set in New Mexico that is centered on the relationship between a young man and an elderly medicine woman who helps him contend with the battle between good and evil that rages in his village.

The prize for Best Documentary was awarded to Harvest of Empire by Peter Getzel and Eduardo Lopez. POV's Sin País by Theo Rigby was awarded with the prize for Best Theatrical Short / Student Film.

The awards ceremony were hosted by Latina journalist Elizabeth Espinosa, Winners were selected in 20 different categories from film, television and the internet, and judged by an independent panel of entertainment industry executives and Latino community leaders.  Special recognition went to entrepreneur and philanthropist Christy Walton who won the Imagen Foundation’s President’s Award.  Writer/Producer Jesus Salvador Trevino received the Lifetime Achievement Award and writing and directing brothers, Michael and Gerald Cuesta also received the Norman Lear Writing Award.

 





Matías Meyer's LOS ÚLTIMOS CRISTEROS to Open at Anthology Film Archives

 

Cinema Tropical presents the U.S. Theatrical premiere of Los últimos cristeros / The Last Christeros (pictured) by Matías Meyer, a highly unusual historical film that takes a meditative, nearly non-narrative approach to portraying the experiences of those who continued to resist the Mexican government’s anti-Christian (especially anti-Roman Catholic) persecution, even following the official end of the Cristero War in 1929. The film opens on Friday, August 30 for a one-week exclusive engagement at Anthology Film Archives in New York City.

Devoted to the cause, despite their increasing desperation and fatigue, and their yearning to rejoin their families, this band of rebels – whose genuine religious faith and spiritual innocence is apparent despite their paradoxical embrace of armed struggle – trudges exhaustedly through the hills and mountains of rural Mexico, experiencing moments of grace and beauty amid the violence and suffering. Eschewing a narrative chronicle of the War’s events, Meyer instead puts us in his weary fighters’ shoes, and emphasizes the quiet, strangely tranquil moments between battles.

Winner of the Cinema Tropical Award for Best Director, this third feature by Meyer (following Wadley and El calambre / The Cramp) decisively establishes him as one of the most gifted of young Mexican filmmakers, and represents a striking combination of minimalist cinema and historical depiction. Based on Antonio Estrada’s acclaimed novel Rescoldo, The Last Christeros was nominated for eight Ariel Awards, Mexico’s national film prize, including Best Film, Best Director and Best Adapted Screenplay.

The film is presented in anticipated of GENMEX PART II, a series featuring some of the most inventive and cutting-edge filmmakers working in Mexico today, running September 6-12 and presented by Anthology Film Archives, Cinema Tropical, and the Mexican Cultural Institute of New York.

 

Watch the trailer: