Cinema Tropical

Alonso, Martel, Pereda and Reygadas in Cinema Scope's Best 50 Filmmakers Under 50

 
Argentine filmmakers Lisandro Alonso and Lucrecia Martel as well as Mexican filmmakers Nicolás Pereda and Carlos Reygadas are the Latin American directors that made it to the list of the Best 50 Filmmakers Under 50 that Cinema Scope magazine publishes in its most recent issue, commemorating the magazine's 50th edition. According to Mark Peranson, editor of the magazine the list offers a snapshot of the current status of cinema and a "contemporary Cinema Scope canon."

The magazine features texts on each of the filmmakers written by film critics and filmmakers. Diego Brodersen writes about his fellow countryman Alonso, whilst Thai director Apichatpong Weerasethakul (also featured in the list) writes about Martel. Film critic Johnny Ray Houston writes about Pereda, and Filipino director Raya Martin (also included in the 50 Best list) wrote the entry for Reygadas, in which he argues the short Este es mi reino / This Is My Kingdom part of the omnibus film Revolución is his best work to date).

Click here to see the complete list, and both Houston's piece on Pereda and Martin's piece on Reygadas are available online, Brodersen text on Alonso and Weerasethakul's text on Martel are only available to subscribers online or in the print version.

 





Tribeca Film Institute Unveils the Winners of its Latin American Fund

Last night the Tribeca Film Institute announced the winners of its Latin American Media Arts Fund and Heineken Voces Grant at a party in the Meatpacking District in Manhattan. The TFI Latin America Media Arts Fund supports innovative film and video artists living and working in the Caribbean, Mexico, Central and South America whose works reflect their diverse cultures in the documentary or mixed media form, four projects in production/post-production stages were selected and each one of them got $10,000 USD.

This year's winners are: Claudio Araya Silva's Cuando los muertos están más secos / When the Dead Are Drier from Bolivia; Ana Petra Costa's Elena from Brazil; Alejo Hoijman's El ojo del tiburón / The Shark's Eye from Argentina; and Francisco Hervé's La Ciudad de los Césares / City of Caesars (pictured) from Chile.

The Heineken Voces Grant supports Latin American artists living in the U.S. and working on feature-length narrative and documentary projects that offer new perspectives on their cultural experiences. Two projects (one feature narrative and one feature documentary) received $10,000 USD each: Las Marthas by Cristina Ibarra and Feriado by Diego Araujo. This year's jury was composed by Argentine actor Ricardo Darín, Mexican producer Fernando Rovzar and POV's Vice-President Cynthia Lopez. 






Guatemalan Film DISTANCIA Tops Havana Film Fest New York

 

Guatemalan production Distancia / Distance (pictured), the debut feature film by Sergio Ramírez won the Havana Star prizes for Best Film and Best Director at the 13th edition of the Havana Film Festival New York, as it was announced last night at the closing night ceremony. Other awards announced last night were for Ecuadorean film Con mi corazón en el Yambo / With My Heart in the Yambo by María Fernanda Restrepo for Best Documentary Film and for Brazilian film Hard Labor / Trabalhar Cansa by Juliana Rojas and Marco Dutra as Best Screenplay. Alejandro Brugués' Juan de los muertos / Juan of the Dead was the closing night film. On its 2012 edition, the festival screened over 50 films from 13 countries between April 12 and 20.

 





Gastón Solnicki's PAPIROSEN Named Best Argentine Film at BAFICI

The Buenos Aires Independent Film Festival (Festival de Cine Independiente de Buenos Aires, BAFICI) announced the winners for its 14th edition that opened April 11 and concludes tomorrow, April 22. Papirosen (pictued) by Gastón Solnicki's was awarded the prize as Best Film in the Argentine Cinema competition of the festival, whilst filmmaker Luis Ortega took the prize as Best Director for his film Dromómanos / Roamers, and José Luis García's La chica del sur / The Girl from the South received a Special Mention from the Jury in the same category.

Additionally, the festival also gives a prize for Best Argentine film in the international section, and this year the prize went Gabriel Medina's La araña vampiro / The Vampire Spider.

 





Reygadas and Salles Headed to Cannes

The Cannes Film Festival announced this morning the lineup for the official competition in its 65th edition which includes two Latin American films: Post Tenebras Lux by Mexican director Carlos Reygadas and On the Road by Brazilian director Walter Salles. Both films had been repeatedly mentioned as possible contenders for this year's Palme d'or.

The Festival also announced the lineup for its A Certain Regard section which in an odd coincidence includes two productions by Argentine filmmaker Pablo Trapero: El elefante blanco / The White Elephant and the omnibus film 7 días en La Habana / 7 Days in Havana in which he shares directing credits with Benicio del Toro, Julio Medem, Elia Suleiman, Juan Carlos Tabío, Gaspar Noé, and Laurent Cantet. Other Latin American films selected for A Certain Regard are the Colombian film La playa by first time director Juan Andrés Arango and the Mexican film Después de Lucía by Michel Franco.

Additionally, the festival also announced special screenings of the Latin American films A musica segundo Tom Jobim / The Music According to Tom Jobim by Brazilian veteran director Nelson Pereira dos Santos and Villegas, the debut feature film by Gonzalo Tobal.

The Cannes Film Festival runs Mary 16-27, click here for the complete lineup.





Puerto Rican Short to Compete in Cannes for First Time

 

The Puerto Rican short Mi Santa Mirada by Álvaro Aponte-Centeno has been selected for Cannes' official competition, making it the first time a production from the Caribbean island will compete for the Short Film Palme d'or. The festival, which in its 65th edition will take place May 16-27, announced the lineup for its short competition this morning which includes ten films from all over the world, being the Puerto Rican short film, the only Latin American film in the selection from 4,500 submissions.

Mi Santa Mirada tells the story of Samy, a quiet and solitary man who lives from the drug business. The most important things in his life are his younger brother, who he is responsible for, and his horse. Tired of being a drug trafficking subordinate, he decides to betray his boss Papo.

The Cannes Film Festival also announced the lineup for the Cinéfondation Selection which includes two Latin American films: Los Anfitriones / The Hosts by Miguel Angel Moulet, from the Escuela Internacional de Cine y TV de San Antonio de los Baños in Cuba, and Pude ver un puma / Could See a Puma by Eduardo Williams from the Universidad del Cine in Argentina. THe Cannes Film Festival will announce the complete lineup for its official competition this week.