INSTRUCTIONS NOT INCLUDED Also Breaks Records in Mexico

Instructions Not Included / No se aceptan devoluciones, the directorial debut by Mexican comedian Eugenio Derbez proved as successful in the Mexican box office as it's been in the U.S. On Friday it had the biggest opening day for a Mexican film ever earning over $31 million pesos (about $2.4 million USD), and having been seen by over 750,000 people. In comparison, Gaz Alazraki's Nosotros los Nobles, which became the highest grossing Mexican film in history just last spring, made $28 million pesos in its opening day.

In the U.S., the film continues with its strong performance at the box office earning $5.7 million from 978 theaters with an average of $5,828 per screen and landing in the number four spot of the box office after four weeks in release. The film is very close to become the highest grossing Spanish-language film in this country as it will surpass Guillermo del Toro's Pan's Labyrinth / El laberinto del fauno, the current record holder at $37.6 million.

Interviewed by newspaper El Economista, Derbez expressed disappointment and sadness at the selection of Amat Escalante's Heli as Mexico's candidate to the Foreign Language Oscar over his film: "I do not think my film is better or worse than any other, but I think the Mexican Academy should know what is best for the country in a festival, and I think mine fits perfectly with the profile of the Oscars. It is not me who is saying that, but rather the box office numbers in the U.S. If you asked me about Cannes, I'd tell you my film is not for them, but it is for the Oscars."





Mexican Sound Designer Wins Emmy

New York based-Mexican sound designer and composer Ruy García (pictured second from left) won an Emmy Award last week for Outstanding Sound Editing for his work as sound effects editor in the TV series Boardwalk Empire. It was the third Emmy nomination for García, his first one came last year for his work on the same TV series, and this year he was nominated for two awards, the second for Outstanding Sound Editing for Nonfiction Programming for the documentary History of the Eagles Part One.

García has built a solid film career working as sound designer, supervisor, and recordist with numerous directors both in Mexico and the United States including Alfonso Cuarón's Y Tu Mamá También (2002), Alex Rivera's Sleep Dealer (2008), Cary Fukunaga's Sin Nombre (2009) and Sebastián Silva's Magic Magic (2013), among others.

The 65th Annual Creative Arts Emmy Awards were held at the Nokia Theatre in Los Angeles last Sunday, September 15th. HBO's Behind the Candelabra won eight awards, followed by Boardwalk Empire which won four Emmys.

 





Latin America Selects Oscar Candidates for 2013 [FINAL LIST]

 

         

                                                                                                                                                                                                          


[October 7, 2013 Update] Ecuador and Uruguay are the last two Latin American countries to announce their respective submissions to the 86th edition of the Academy Awards in the Foreign-Language Film competition. Ecuador has selected Javier Andrade's directorial debut Porcelain Horse / Mejor no hablar de ciertas cosas. The film follows Paco Chavez, who leads a careless life in the coast. One night, he and his younger brother Luis, a punk musician with an even bigger drug addiction problem, enters their parent’s home to steal a porcelain horse to pawn in order to score more drugs. Their father catches them and a fight ensues. The consequences of that fight will haunt both brothers forever and will change the lives of everyone around them. It is the third time that Ecuador submits a film to the Oscar: the first time was in 2000 with Carlos Naranjo's Dreams from the Middle of the World / Sueños en la mitad del mundo, and in 2004 with Sebastián Cordero's Chronicles / Crónicas.

Uruguay has selected the animated feature film Ánina as its candidate. The Uruguayan-Colombian co-production film directed by Alfredo Soderguit tells the story of Anina Yatay Salas, a girl who lives in Montevideo and attends elementary school where her classmates make fun of her because of her name. She has a best friend, but also a girl with whom she doesn’t get along at all: Yisel. One day she fights with Yisel, and so her problems begin: the school principal gives them both an intriguing punishment, a suspended detention. Anina spends her days in that suspension, a period of time with particular tension and questions, and her voiceover guides us as she comments on life with her nice parents, meals, the eyes of gossipy neighbors, homework, and childhood feelings, joys, and fears.

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[September 27, 2013 Update] Argentina announced today that the film Wakolda / The German Doctor by Lucía Puenzo will be representing the country at the Oscars. The film debuted at Cannes' Un Certain Regard last May and it's based on Puenzo's own novel. Set in Patagonia in 1960, the film tells the story of a German physician that meets an Argentinean family and follows them on the long desert road to Bariloche where Eva, Enzo and their three children are going to open a lodging house by the Nahuel Huapi lake. This model family reawakens his obsession with purity and perfection, in particular Lilith, a 12 year-old with a body too small for her age. Unaware of his true identity, they accept him as their first guest. They are all gradually won over by this charismatic man, by his elegant manners, his scientific knowledge and his money, until they discover they are living with one of the biggest criminals of all times. 

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[September 26, 2013 Update] The film El limpiador / The Cleaner, the directorial debut by Adrián Saba will be representing Peru at the Foreign-Language Film category for the 86th edition of the Academy Awards it was announced today. The film was the winner of the New Voices/New Visions Award at the Palm Springs Film Festival. In the midst of a mysterious epidemic, Eusebio, a depressed and isolated Peruvian man, cleans up the bloody detritus left behind by the dying. He finds a young boy, Joaquín, hiding out in an apartment, and brings him home to look after him until he can find his aunt. Eusebio makes eyeholes in a cardboard box, and convinces a frightened Joaquin that if he wears it on his head it will protect him. A tentative trust and sense of caring gradually builds between the two; Eusebio is quietly transformed as the epidemic rages on.

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[September 23, 2013 Update] Colombia announced today that Juan Andrés Arango's debut feature La Playa DC will represent the country in the Oscar's Foreign Language category. The film, which premiered at Cannes' Un Certain Regard, is a coming of age set in a culturally vibrant, turbulent city. The sounds of local hip-hop pour from the streets as Tomas, a young Afro-Colombian barber's apprentice, tries to locate Jairo, his younger brother, who has recently disappeared. His search compels him to face his past and leave aside the influence of his brothers to find his own identity. Through a social-realist lens, Arango portrays the complexities of identity politics in contemporary Latin America and produces a fresh portrait of the largely misrepresented Bogotá and its inhabitants, affirming the possibility for youths to find their way.

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Five Latin American countries have already selected and announced their official submissions to the Foreign Language Film category for the 86th edition of the Academy Awards which will take place on March 2, 2014. So far Brazil, Chile, Dominican Republic, Mexico, and Venezuela, have announced the films that will be representing each of them for the Oscars.

Brazil has selected Kleber Mendonça Filho's directorial debut O som ao redor / Neighboring Sounds which was the winner of the top prize for Best Film at the last edition of the Cinema Tropical Awards. Life in a middle-class neighborhood in present day Recife takes an unexpected turn after the arrival of an independent private security firm. The presence of these men brings a sense of safety and a good deal of anxiety to a culture which runs on fear.

Chile, which was the only Latin American country that earned a nomination last year with Pablo Larraín's No marking a first ever, is looking to repeat the nomination with Sebastián Lelio's Gloria, produced by Larraín. Gloria (played by Paulina García) is a 58 year old divorcée.  Determined to defy old age and loneliness, she rushes headlong into a whirl of singles’ parties on the hunt for instant gratification – which just leads repeatedly to disappointment and emptiness. But then she meets  an ex-naval officer seven years her senior to whom she feels romantically inclined. However, the encounter presents unexpected challenges and Gloria gradually finds herself being forced to confront her own dark secrets.

The Dominican Republic will be represented by Ronni Castillo's romantic comedy
¿Quién manda? / Who's the Boss? It's the sixth submission by the Caribbean country to the Oscars, and the third in a row.

Mexico has picked Cannes' winner Heli by Amat Escalante. The controversial film tells the story of Estela, a 12 year old girl who has just fallen crazy in love with a young police cadet who wants to run away with her and get married. Trying to achieve this dream, her family will have to live the violence that is devastating the region. The film received the prize for Best Director at the Cannes Film Festival.

Last, but not least, Venezuela will submit the drama Brecha en el silencio / Breach in the Silence by Luis Rodríguez and Andrés Rodríguez. The film follows Ana, an adolescent in a humble background, who has spent her years working to support her two younger brothers and silently tolerating abuse from her pervert stepfather and indifference from her mother. Incapable of resigning herself to letting her brothers suffer the same fate, Ana decides to save them.

Additionally two other countries have selected films made by Latin American directors. New Zealand has submitted White Lies / Tuakiri Huna by Mexican director Dana Rotberg, while Portugal has selected Linhas de Wellington / Lines of Wellington by Paris-based Chilean director Valeria Sarmiento.

Other Latin American countries expected to submit candidates are Argentina, Colombia, Peru and Uruguay. All of the candidates will be made public by early October. The Academy of Motion Picture Arts and Sciences will announce the shortlist of 9 pre-nominees early January and the nominees on January 16, 2014. The last Latin American film to have won an Academy Award for Best Foreign Language Film was Juan José Campanella's El secreto de sus ojos / The Secret in their Eyes in 2009. 

 





TropicalFRONT at Intelatin Cloudcast: September Show


In the September edition of TropicalFRONT on Intelatin Cloudcast, Sergio Muñoz and Carlos A. Gutiérrez talk about Eugenio Derbez's overnight success with the film Instructions Not Included / No se aceptan devoluciones; the nature of film festivals and their inner; and a discussion on the Uruguayan film Tanta Agua / So Much Water, directed by Ana Guevara and Leticia Jorge. Plus a feature on Seed & Spark by Christine Davila, la Chicana from Chicago, and a feature on LatinoBuzz by Vanessa Erazo of Cinelandia.

This session also includes a Q&A with director Sebastian Hoffman, director of the Mexican film Halley. The music for this episode was curated by DJ Canyon Cody and the selected tracks were performed by Rafi El and Not te va a gustar. The broadcast aired on 9/19/13 on KKJZ 88.1 FM HD3 and KBeach.org

Listen to the show on iTunes or on the Cloud.

 





Filmmaker and Jodorowsky Collaborator Rafael Corkidi Passes Away

 

Mexican experimental director and cinematographer Rafael Corkidi died yesterday in Veracruz, Mexico at the age of 83. Born in Puebla in 1930, he worked as Director of Photography for Chilean-born director Alejandro Jodorowsky on his first three feature films: Fando and Lis (1968), El Topo (1970), and La montaña sagrada / The Holy Mountain (1973).

Corkidi's film career began as a cinematographer for newsreels. Shortly after he started working with some experimental filmmakers including Juan José Gurrola, Gelsen Gas and Juan López Moctezuma.

In 1972 Corkidi made his directorial debut with Ángeles y querubines / Angels and Cherubs (pictured right), a tragic celestial western that explores a surrealist point of view of the lost paradise by Adam and Eve. The film was followed by Auandar Anapu / The One Who Came from Heaven (1975) Pafnucio Santo (1977) and Deseos (1977).

In the early 80s, he switched film for video becoming a local pioneer artist making numerous experimental works on video including Figuras de la pasión (1984), Las Lupitas (1984), Urbano y Natalia (1994), Rulfo aeternum (1992), Folklor (1991) and Murmullos (1991). He remained active until a few years ago, being his Cantatas para la Independencia and El maestro prodigioso (both from 2010), his last works.

Just few months ago, Corkidi was honored with a Golden Ariel, Mexico's national film prize, for his career as an experimental filmmaker and DP.

 





Cuban Filmmaker Daniel Díaz Torres Dies


By Andrew S. Vargas

Daniel Díaz Torres, a prolific and controversial Cuban filmmaker, critic and educator, died on Monday in Havana. He was 64.

Díaz Torres began his career in the ICAIC - Cuba's state film studio - directing newsreels that garnered attention for their critical perspective toward Cuban social reality as well as their humorous, ironic tone. His first narrative feature, Jíbaro (1984), set the stage for a distinguished career as a director of both narrative and documentary films that culminated with his most recent feature, the multiple award-winning La película de Ana (pictured right, 2012), considered by many to be his best work.

Díaz Torres received notoriety for his controversial 1991 feature Alicia en el pueblo de maravillas / Alice in Wondertown , a satirical reflection on Cuban society that took on sensitive issues of indoctrination, bureaucracy and coercion. Described by one critic as “the most controversial film in the history of Cuba,” Alice in Wondertown was pulled from Cuban theaters only four days after its release and the filmmaker was forced to endure a barrage of negative publicity in official state media. Despite this backlash, the film was awarded the Freedom Prize at the 1991 Berlin Film Festival and has since been hailed as a classic of Cuban cinema.

In addition to his directorial work, Díaz Torres was a noted critic, writing frequently for publications such as Cine Cubano and Bisiesto alongside fellow ICAIC stalwarts Fernando Pérez, Enrique Colina and others. He also left his mark on generations of young filmmakers as a professor, and subsequently Department Head at Cuba's renowned International School of Film and Television - a position he maintained until his passing.

Reflecting on the what many characterized as the socially critical nature of his work, he once said: "As long as one is able to take on a given reality or character with authenticity and honesty, fully consciousness of the subject's complexity, a critical perspective... will come forth naturally from the material."