Oct
15
to Oct 25

U.S. Latinx and Latin American Films at NewFest38

MICKEY by Dano García

The 38th Annual NewFest:
New York LGBTQ+ Film Festival

October 15 —25, 2026

Founded in 1988, NewFest is New York’s largest presenter of LGBTQ+ film & media and the largest convener of LGBTQ+ audiences in the city. Cinema Tropical is a community partner.

MICKEY
(Dano García, Mexico, 2026, 75 min. In Spanish with English subtitles)
New York Premiere

Filmed over ten years, Mickey follows a trans social media personality from Sinaloa who, alongside the filmmaker she grew up with, draws on digital archives and artistic reenactments to re-signify her past and inhabit the present. The documentary is a deeply personal collaboration between director Dano Garcia and YouTuber Mickey Cundapí, a pioneer of Mexico’s early internet era. Mickey creates social media content under the handle @adiccionallabial (“lipstick addiction”) and has spent the last decade exploring her transition within the conservative context of Sinaloa. Experimenting with images from both IRL and URL, the film—which won the Global Audience Award at this year’s SXSW—moves between tenderness and rage as it guides viewers through Mickey’s memories and process of self-discovery.

Wednesday, October 21, 6:45pm at Nitehawk Prospect Park; streaming from Thursday, October 15 through Friday, October 30

GUGU’S WORLD / FEITO PIPA
(Allan Deberton, Brazil, 2026, 93 min. In Portuguese with English subtitles)
New York Premiere

Eleven-year-old Gugu dreams of becoming a soccer player as he lives under the loving care and unconditional acceptance of his grandmother, Dilma. The pair live by the Araújo Lima Reservoir—now drying up and exposing the town’s ghostly remains—where they share a powerful bond that shields Gugu from the disapproval of his father and the community. As old memories resurface, subtle changes unsettle their routine: Dilma becomes increasingly fragile, and Gugu, determined to keep their world intact, begins to worry about losing the only safe space he’s ever known. Featuring a remarkable performance from Yuri Gomes in the lead role, Allan Deberton’s Gugu’s World is a vibrant coming-of-age story about a young queer boy with exuberant individuality and an irrepressible spirit.

Thursday, October 22, 7pm at The LGBT Community Center

ELEPHANTS IN THE FOG
(Abinash Bikram Shah, Brazil/France/Germany/Nepal/Norway, 2026, 108 min. In Nepali with English subtitles)
New York Premiere

Deep in the forests of rural Nepal, Pirati leads a household of Kinnar women, an ancient third-gender community revered and feared for their perceived spiritual power. As wild elephants descend on the village at night, the villagers take turns patrolling the darkness to protect their crops and homes. Meanwhile, Pirati dreams of escaping this life with the mustachioed Drum Master she loves, beyond the sacred vows that bind her. When one of her daughters disappears during a patrol and the police fail to investigate, Pirati sets out to find answers herself. As the mystery unravels, stirring up dangerous tensions within the family, Pirati is forced to choose between the love she longs for and responsibility for her beloved community. Director Abinash Bikram Shah was the recipient of the Un Certain Regard Jury Prize at the 2026 Cannes Film Festival.

Thursday, October 22, 7:30pm at BAM Cinemas

I AM GOING TO MISS YOU / EU VOU TER SAUDADES DE VOCÊ
(Daniel Ribeiro, Brazil, 2026, 87 min. In Portuguese with English subtitles)
East Coast Premiere

When a long-term relationship begins to unravel, can anything be done to save it? Or will a new love emerge to call everything into question? After seven years, trans couple Amanda and Caio finally move in together. But when the intimacy of daily life exposes differences between them, the relationship starts to fracture. Caught between preserving a shared past and embracing uncertain new paths, Amanda and Caio must confront difficult choices that will redefine who they are individually and together. Set in a gender-affirming world (which includes the election of Brazil’s first trans woman president) and featuring an entirely trans cast, I Am Going to Miss You is a celebratory romantic drama that embraces the complexities of transness as part of everyday life.

Thursday, October 22, 6:45pm at Nitehawk Prospect Park

ON THE ROAD / EN EL CAMINO
(David Pablos, Mexico, 2025, 93 min. In English, Spanish with English subtitles)
East Coast Premiere

On the dangerous and desolate highways of the Mexican desert, doe-eyed and flirtatious Muñeco hitches a ride with Veneno, a stoic older truck driver. The two quickly form a bond around the loneliness and sexual urges of the road. But soon, they find themselves caught in the web of dangerous Mexican criminal gangs, where desire, violence, and their troubled pasts threaten their lives. Directed with an unflinching eye by David Pablos and produced by Diego Luna, On the Road is a dizzying account of just how inextricable eroticism and sexuality can be from violence and tragedy. The film earned the Queer Lion at last year’s Venice Film Festival.

Thursday, October 22, 7pm at the SVA Theatre

THE RIVERBANK / A MARGEM DO RIO
(Enock Carvalho & Matheus Farias, Brazil/Germany, 2026, 117 min. In Portuguese with English subtitles)
East Coast Premiere

Izaquiel works as a cleaner in Recife, a Brazilian city of rivers and mangroves. At night, he dangerously ventures out in search of secret encounters in the forest. When he crosses paths with Jeremias, a magnetic fisherman, Izaquiel’s world is suddenly turned upside down. As violent intruders close in on them, the two descend on a journey of seduction and violence deep into the heart of the mangroves. Winner of the Special Jury Prize at this year’s Locarno International Film Festival, nocturnal queer thriller The Riverbank is an electric debut feature from Brazilian filmmakers Enock Carvalho and Matheus Farias.

Saturday, October 24, 8:45pm at the SVA Theatre

NO MONEY NO HONEY
(Nicole Costa, Chile/USA, 2026, 81 min. In Spanish with English subtitles)
New York Premiere - Q&A

During the pandemic in New York, travesti sex worker Máxima digs out their old VHS tapes and presses play. This opens a portal into their memory: a river of images spanning a decade across Buenos Aires, Miami, and present-day NYC. NewFest alumna Nicole Costa (The Journey of Monalisa) draws from Máxima’s personal video archives to navigate a fluid story of desire and survival in trans communities throughout the Latin American diaspora. Travesti, a distinct socio-political gender identity originating in South America, is central to the film’s reflections on queerness and migration. The camera observes Máxima closely as they guide us through their life, confronting a complex relationship with their mother and sharing conversations with chosen family on their journey to reconcile with and reclaim the past.

Saturday, October 24, 3:15pm at the SVA Theatre

CHAVELA
(Catherine Gund and Daresha Kyi, Mexico/Spain/USA, 2017, 93 min. In English, Spanish with English subtitles)

With its lyrical structure, Chavela takes viewers on an evocative, thought-provoking journey through the life of iconoclastic artist Chavela Vargas. Vargas chats with a group of young lesbian admirers in footage from 1991, offering a rare, intimate look at the iconic singer at a pivotal time. This unique interview takes place just before Vargas heads to Spain, having returned to the stage after a 12-year struggle with alcoholism and a painful breakup. It explores her fascinating life, from her birth in Costa Rica to her everlasting presence on Earth in the form of passionate love songs and deep relationships with people.

Virtual Exclusive — Thursday, October 15 through Friday, October 30

TRIVAKRA
(Sofia Angst, Brazil, 2025, 10 min.)

Trivakra moves through the memories of a child, crossed by gender biotechnologies that reshape their body and their history.

Part of the shorts program “HAVING A GREAT TIME BEING TRANS LATELY.” Thursday, October 22, 7:30pm – Nitehawk Prospect Park, screening will be followed by a Q&A ; streaming from Thursday, October 15 through Friday, October 30

DADDY HAS ME DETRANSITIONING
(Yoyo Rita, USA/Mexico, 9min)

Gender deviant Leni, a trans man, goes to the US passport office in female drag to try and get his passport renewed.

Part of the shorts program “HAVING A GREAT TIME BEING TRANS LATELY.” Thursday, October 22, 7:30pm – Nitehawk Prospect Park, screening will be followed by a Q&A ; streaming from Thursday, October 15 through Friday, October 30

CHULO
(Joshua Hernandez, Puerto Rico, 2026, 15min.)

Gael visits their family in Puerto Rico at the height of summer and soon meets Mateo, a handsome local who changes their life forever.

Part of the shorts program “GETTING TO KNOW HIM” Sunday, October 18, 3:00pm – SVA Theatre, screening will be followed by a Q&A ; streaming from Thursday, October 15 through Friday, October 30

THE FEELS – OR THE DEBILITATED CONDITION OF THE REPRODUCTIVE SYSTEM
(Carolina Costa, Mexico, 2026, 11min.)

In a near-future world, a corporation has engineered the ultimate emotional commodity: the feels, curated emotional hits from social media memories, delivered directly into the nervous system.

Part of the shorts program “TRANSMISSIONS” Tuesday, October 20, 7:30pm – BAM Cinemas screening will be followed by a Q&A ; streaming from Thursday, October 15 through Friday, October 30

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Oct
16
to Oct 22

New York Theatrical Release of A PLACE OF ABSENCE

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“A heart-sore and compassionate
investigation of unresolved pain”
— Carlos Aguilar, Los Angeles Times

A PLACE OF ABSENCE
A film by Marialuisa Ernst
(USA, 2025, 88 min. In English and Spanish with English subtitles)

Decades after her uncle’s disappearance under Argentina’s military dictatorship, filmmaker Marialuisa Ernst joins Anita and Leticia, two Central American mothers, on a perilous journey along the migrant trail. As they search for their missing children across Mexico and the U.S., the film traces a lyrical line across generations, connecting the trauma of present-day migration to the historic legacy of forced disappearances in the Americas.


Friday, October 16 — Thursday, October 22
DCTV’s Firehouse Cinema

87 Lafayette Street, New York City / (212) 966-4510
For tickets and more information visit: https://www.dctvny.org/s/firehouse-film/a-place-of-absence

Q&A on Thursday, October 22 at 8:30pm, moderated by Kavita Mehra, Sahki.org, co-presented by Cinema Tropical.

Additional Q&As with Marialuisa Ernst (director): Friday, October 16, 7pm: moderated by Kirsten Johnson (filmmaker and cinematographer); Saturday, October 17, 2pm, moderated by José Olivares (The Intercept); Saturday, October 17, 7pm, moderated by Alexa Aviles (NYC Council) and Victoria Sanford (Lehman College); Sunday, October 18, 7:30pm, moderated by Ignacio Jaureguilorda, co-presented by Safe Passages Project; Wednesday, October 21, 7pm, moderated by Ximena Amescua, co-presented by Firelight Media.

Watch the trailer:

 
 
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Oct
28
7:00 PM19:00

Lost & Found: EL GUARDIÁN

EL GUARDIÁN
A film by Nuria Ibáñez Castañeda
(Mexico/Spain, 2025, 102 min. In Spanish with English subtitles)
US Premiere!

Basilio is hired to watch over a remote beach on Mexico's Baja California coast, a seemingly idyllic stretch of shoreline where little appears to happen. But beneath the tranquil surface lies a community governed by its own codes, where illicit activities coexist with everyday life. Guided by an unwavering moral compass, Basilio is determined to do what he believes is right—only to discover that justice is far more elusive than he imagined. Set against a breathtaking coastal landscape, El Guardián, the striking fiction debut by acclaimed documentary filmmaker Nuria Ibáñez (The Naked Room, A Wild Stream), is a gripping and quietly unsettling meditation on ethics, belonging, and the fragile boundaries between duty and survival.

Wednesday, October 28, 7pm
Anthology Film Archives
32 Second Avenue (at 2nd St.), New York City

For more information and tickets visit:
https://www.anthologyfilmarchives.org/film_screenings/series/59363

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Oct
30
7:00 PM19:00

Las Premieres: Sneak Preview of THE MELTDOWN

““Quietly commanding, narratively rich.””
— Carlos Aguilar, The Playlist

THE MELTDOWN / EL DESHIELO
A film by Manuela Martelli
(Chile/United States/Spain/Mexico, 2026, 108 min. In Spanish, English, and German with English subtitles)
Q&A with director!

Set in 1992 against the backdrop of Chile’s post-Pinochet “economic miracle,” The Meltdown follows nine-year-old Inés during a stay at an Andean ski resort, where she befriends Hanna, a rebellious German teenage athlete. When Hanna suddenly vanishes, Inés is enlisted as a translator in the search, uncovering hidden truths that test her loyalties and hauntingly echo her country’s dark history. In her gripping second feature, which played in competition at this year’s Cannes Un Certain Regard, award-winning director Manuela Martelli (Chile ’76) crafts a tense, atmospheric mystery that uses a child’s perspective to explore complicity, memory, and the lingering shadows of a nation in transition. Chile’s official submission for Best International Feature at the 99th Academy Awards. 

Friday, October 30, 7pm
Museum of the Moving Image
36-01 35 Avenue, Astoria, New York City

For tickets and more information:
https://movingimage.org/event/the-meltdown/

Watch the trailer:

 
 
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Nov
6
to Nov 12

Theatrical Release of RUNA SIMI

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“Remarkable...
RUNA SIMI brings together
self-expression and place.”
”
— Amy Taubin, Film Comment

RUNA SIMI
A film by Augusto Zegarra
(Peru, 2025, 81 min. In Quechua and Spanish with English subtitles)

Fernando Valencia, a 29-year-old voice artist from Cusco, Peru, is an Indigenous activist, painter, and devoted single father. Known for his uncanny ability to voice multiple characters, he launched Quechua Clips—a viral project that reimagines iconic animated scenes in Quechua, the ancestral language of the Incas, also known as Runa Simi. The response was overwhelming: millions of Quechua speakers hungry for stories in their own language.

Fueled by this groundswell of support, Fernando sets his sights on an ambitious and quixotic dream—to dub Disney’s 1994 classic The Lion King into Quechua, with the help of his spirited eight-year-old son, Dylan. Armed with a homemade studio and relentless resolve, Fernando navigates countless ups and downs, facing rejection, setbacks, and self-doubt. Yet through it all, his determination never wavers, turning his personal mission into a powerful call for language justice and cultural reclamation


Friday, November 6 — Thursday, November 12
Laemmle Monica Film Center


Friday, August 28 — Thursday, September 3
DCTV’s Firehouse Cinema

87 Lafayette Street, New York City / (212) 966-4510
For tickets and more information visit: https://www.dctvny.org/s/firehouse-film/


Watch the trailer:

 
 
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Oct
14
7:00 PM19:00

CALLE CUBA at the Caribbean Film Series

CALLE CUBA
A film by Vanessa Batista
(Cuba/Mexico/Chile, 2026, 92 min. In Spanish with English subtitles)

Nestled in Old Havana is Calle Cuba, a street and city fixture that unites the lives of four women who embody both the resilience and fragility of an island in crisis. Anabel, a young actress, hesitates between pursuing her career in Cuba or emigrating to France to work as a cleaner. Dayana, 30, dreams of traveling to Russia and undergoing the surgery that will let her become the woman she has always felt inside. Mailén, mother of three, bears the scars of a childhood and a relationship marked by violence, while striving to sustain her family with optimism. Elvira, 74, endures scarcity while caring for her ailing husband. Invisible, everyday violence runs through their lives, yet never extinguishes their dreams. Together, they sustain the intimate pulse of a street and a nation.

Preceded by ÁNGELA
(Juan Pablo Daranas Molina, USA, 2018, 12 min. In English and Spanish with English subtitles)
A Cuban immigrant struggles to carve a path for herself in New York City.

October 14, 7pm
Brooklyn Academy of Music (BAM)
30 Lafayette Ave., Brooklyn, New York City

Followed by Q&A with director Vanessa Batista

For more information and tickets visit:
https://commerce.bam.org/booking/production/bestavailable/58361

Watch the trailer:

 
 
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Oct
12
7:00 PM19:00

In Memoriam Patricio Guzmán: CHILE, OBSTINATE MEMORY

“A country without documentary cinema is like a family without a photo album.””
— Patricio Guzmán

Due to the passing of Chilean exile director Patricio Guzmán Tuesday, September 15, in Paris, Columbia University will be honoring the monumental legacy of one of the world’s foremost documentary filmmakers. For the occasion, we are pleased to be screening his landmark film Chile, Obstinate Memory (1997) on a 35mm print. 

In Chile, Obstinate Memory, Guzmán returns to his home country to present his emblematic trilogy The Battle of Chile (1975–79) for the first time to fellow nationals. This militant work chronicles the passionate and turbulent three years of Salvador Allende’s socialist government, which was tragically interrupted by the September 11, 1973, military coup. By documenting the impactful encounter of different generations of Chileans with unseen images of their country’s revolutionary period, Guzmán achieves an exceptional and enduring portrait of a shattered country as it grapples with its recent past.

The screening will be followed by an all women-panel of Chilean artists, filmmakers, and scholars who will talk about Guzmán’s legacy from a plurality of approaches and feminist perspectives. The conversation will be moderated by Associate Professor Elizabeth Ramírez-Soto (Film and Media Studies, Columbia University School of the Arts), and guests include Cecilia Vicuña (artist), Daffne Valdés Vargas (Colectivo Lastesis), Nicole Costa (director of The Journey of Monalisa), Bernardita Llanos, academic (Brooklyn College, CUNY), and Associate Professor María José Contreras (Theatre, Columbia University School of the Arts).

Monday, October 12, 7pm
The Katharina Otto-Bernstein Screening Room at Lenfest Center for the Arts
Columbia University
615 West 129th St., New York City
For more information and link to free RSVP:
https://www.lenfest.arts.columbia.edu/fall-2026-events/in-memoriam-patricio-guzman

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Oct
9
to Oct 15

New York Theatrical Release of COMPARSA

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“Elegantly constructed and moving.””
— Amber Wilkinson, Eye For Film

COMPARSA
A film by Vickie Curtis and Doug Anderson
(USA/Guatemala, 2025, 79 min. In Spanish with English subtitles)

Comparsa fully immerses audiences in the intense world of Ciudad Peronia, Guatemala, where sisters Lesli and Lupe use art to inspire local youth and heal deep wounds. After 41 girls are killed in a State-run “Safe Home” and the government refuses to act, the sisters respond with a community comparsa—an exuberant street performance featuring towering puppets, fire-breathing stilt walkers, and thundering drums. With brave vulnerability, they expose a system that permits and commits violence against women, and they open up about surviving violence in their own home.

Their youth movement takes to the streets, confronting corruption and reclaiming public space for women and girls. Rooting their efforts in joy and community care, they find healing along the way. Built on a 17-year relationship between the subjects and the film team, Comparsa offers a stirring portrait of sisterhood, peacebuilding, and the transformational power of art.


Friday, October 9 — Thursday, October 15
DCTV’s Firehouse Cinema

87 Lafayette Street, New York City / (212) 966-4510
For tickets and more information visit: https://www.dctvny.org/s/firehouse-film/comparsa


Special Q&As with Vickie Curtis (director), Doug Anderson (director) and Lesli Canela Pérez (film protagonist, co-writer, and co-producer): Friday, October 9, 7pm: Moderated by Tara Abrahams, Head of Impact at The Meteor; Saturday, October 10, 7pm: Moderated by Micah Bucey, Senior Minister at Judson Memorial Church; Sunday, October 11, 2:30pm: Moderated by Gabriela Alvarez Castañeda, Dance and Spanish Teacher; Sunday, October 11, 7pm; Thursday, October 15, 3:45pm.

Watch the trailer:

 
 
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Sep
30
7:00 PM19:00

Lost & Found: A HEART AS WILLING

A HEART AS WILLING / LA CORAZONADA
A film by Diego Soto
(Chile, 2025, 78 min. In Spanish with English subtitles)

Nieves runs a modest inn with her son in the Chilean countryside, leading a quiet life shaped by routine and deferred dreams. When a wandering motorcyclist arrives and falls for her, the prospect of a late-blooming romance offers an unexpected glimpse of happiness – yet their relationship seems destined to falter. Everything changes with the arrival of a filmmaker who casts them in her adaptation of Shakespeare’s “The Tempest”, drawing them into the creative process and gradually blurring the boundaries between performance and reality. As fiction begins to reshape their everyday lives, new emotional possibilities emerge in this playful and deeply human meditation on love, aging, cinema, and the mysterious ways stories transform those who inhabit them.

September 30, 7pm
Anthology Film Archives
32 Second Avenue (at 2nd St.), New York City

For more information and tickets visit:
https://www.anthologyfilmarchives.org/film_screenings/series/59363

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Sep
18
to Sep 30

Theatrical Release of WITHOUT BLOOD

WITHOUT BLOOD
(Angelina Jolie. USA/Italy, 2025, 91 min. In English)

“As a director, Angelina Jolie has made a decisive turn from her glamorous on-screen image, crafting thoughtful dramas that illuminate the horrors war visits on individuals. In the Land of Blood and Honey (2011) and First They Killed My Father (TIFF ’17) sharpen that focus further to war’s impact on women and girls in Bosnia and Cambodia, respectively. Without Blood sees Jolie returning to that neglected theme in the cinema of war. This time she directs another global screen icon, Salma Hayek Pinault.

In a frontier landscape at the beginning of the 20th century, gunmen descend on a remote farmhouse, determined to exact revenge. Their target, a doctor — alone with his son and daughter — tries desperately to protect his children. Inevitably, bullets fly.

Years later, Nina (Hayek Pinault) engages Tito (Demián Bichir), a lottery seller, in what seems like casual conversation at his kiosk. But the encounter is anything but chance. It soon dawns on him. “I know who you are,” Tito says, “and I know why you’ve come.“ As their conversation continues, it becomes clear that revenge casts a long shadow, and takes many forms.

Adapting Alessandro Baricco’s novel of the same name, Jolie maintains the book’s parable quality, but with crackling precision, especially in Hayek Pinault and Bichir’s exchanges — between a woman who witnessed her family suffer shocking violence and the man who inflicted it. Shot at Rome’s fabled Cinecittà studios, this is an intimate chamber piece about how war seeps inside each person it touches long after the weapons fall silent.” —Toronto International Film Festival (TIFF)

Opens in theaters, Friday September 18

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Sep
10
to Sep 20

International and U.S. Premieres of I AM MARIO at TIFF and New York Latino

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I AM MARIO
A film by Sharon Kleinberg
(Mexico, 2026, 98 min. In Spanish with English subtitles)

Discovery

A transgender taxi driver’s dream of fatherhood becomes a reality when he gets pregnant, forcing him to confront his own notions of masculinity while navigating unexpected social, moral, and emotional consequences.

Mario (Oustin de León) is a gentle forty-year-old transgender taxi driver working in a big city in present-day México. He has bonded with his colleagues and has a relationship with his family — his mother and two sisters — that is caring and mostly stable. When he unexpectedly becomes pregnant, he finally has the opportunity to fulfill a long-held and intimate desire to become a father. But the news also shakes what he thought were the solid foundations of many of his own beliefs and expectations, particularly those regarding his masculinity. Mario’s questioning leads him to painful decisions and a sense of being completely cornered by life. Before exposing himself to his colleagues and facing social prejudices, he must confront himself.

Writer and director Sharon Kleinberg—making her directorial debut after a long career as both an actor and playwright—conducted extensive research for her feature film debut, which led her not only to cast a trans man—and untrained actor—as her lead, but to crystallize a deeply moving and dignified narrative. I Am Mario is a film that challenges moral, social, and religious principles and assumptions surrounding pregnancy, which is traditionally associated solely with women. Faced with a circumstance that is hard to fathom, Mario finds courage and strength in the vulnerability he thought wasn’t a part of him anymore.

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Sep
10
to Sep 20

World Premiere of NOSOTROS at TIFF

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NOSOTROS
A film by Joaquín Ruano
(Guatemala/Mexico, 2026, 79 min. In Spanish and Maya K'iche' with English subtitles)
World Premiere

After leaving his Indigenous family for work in Guatemala City, a lonely security guard falls for a business owner at the mall he patrols, discovering an unexpected refuge and a new sense of self in a world not yet ready to make space for them.

When Romero (Jozef Coxaj), a thirtysomething man from rural Guatemala, leaves his Indigenous wife and young child behind in their remote village, he promises them he will return just as soon as he’s earned enough money to ease their economic struggles. Moving to the city to work as a security guard, he finds himself facing estrangement, loneliness, and the performative macho milieu that surrounds him in this unfamiliar environment. His journey is further complicated when he falls fast and hard for Nubia (Lola Vásquez), a transgender small business owner with a shop in the mall he patrols.

In his feature directorial debut, director Joaquín Ruano carefully deploys a cinematic language of nuance, restraint, and clarity. As Romero and Nubia’s developing relationship blooms in the midst of perils and tensions, Ruano quietly opens new ways to witness this unexpected intimacy. Romero finds refuge where he least expected — and even without knowing he was desperately searching for it — and discovers an affection that is as fragile as it is tender. Inside the safe space Nubia creates for both of them, Romero finds a version of himself he wasn’t aware had previously existed. The harsh world around them may never truly leave them alone.

—Diana Cadavid, Toronto International Film Festival

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Sep
10
to Oct 5

U.S. Premiere of EVERYTHING ELSE IS NOISE at NYFF

“[A] minimalist delight. ”
— Manohla Dargis, The New York Times

EVERYTHING ELSE IS NOISE / LO DEMÁS ES RUIDO
A film by Nicolás Pereda
(Mexico/Germany/Canada, 2026, 70 min. In Spanish with English subtitles)

“In this incandescent yet barbed comic portrait of a family of musicians, a middle-aged composer named Tere (Teresita Sánchez) allows her friend and colleague Rosa (Rosa Estela Juárez Vargas) to use her apartment to film a television interview. When no-nonsense Tere and her waggish cellist daughter Luisa (Luisa Pardo) join in the process, the recording opens up a quietly revealing space—despite persistent technical hiccups and sound disruptions.

Confirming his status as one of contemporary international cinema’s most skilled balancers of realism and subtle absurdity, Mexican filmmaker Nicolás Pereda (Lázaro at Night) has crafted a gratifyingly funny, minimalist tale about music-making that keeps uncovering new edges—it’s both a feminist-minded domestic comedy about professionally ingrained sexism and an exploration of the creative impulse itself.” — New York Film Festival

New York Film Festival Screenings:
Saturday, September 26, 4:30pm at the Walter Reade Theater
Sunday, September 27, 9:30pm at the Walter Reade Theater
Sunday, October 4, 7:30pm at BAM Rose Cinemas
Monday October 5, 1pm Francesca Beale Theater

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Aug
21
7:00 PM19:00

Las Premieres: A BRIGHT FUTURE

““★★★★.
Superb. It packs a sophisticated wallop.””
— Joan Amenn, In Their Own League

A BRIGHT FUTURE / UN FUTURO BRILLANTE
A film by Lucía Garibaldi
(Uruguay/Argentina, 2025, 96 min. In Spanish with English subtitles)
Q&A with director!

 Winner of the Viewpoints Award at the Tribeca Festival, this boundary-pushing, visually arresting sci-fi drama is the highly anticipated second feature from Uruguayan filmmaker Lucía Garibaldi (a Sundance Best Director winner for The Sharks). Set in a bleak, out-of-time neighborhood where routine fumigations mask a sinister reality, the film follows 18-year-old Elisa (Martina Passeggi in a breakthrough performance), the last young person in her community selected for a mysterious journey to the “North”—a distant promised land from where no one has ever returned. But when an enigmatic nurse arrives, Elisa begins to suspect her youth is merely a highly desired commodity, planting seeds of doubt that spark a quiet rebellion.

Grounding her film in a deeply personal story, Garibaldi creates a stylized, dystopian reality not far from our own—where youth is currency, ants are malevolent, and dogs are extinct—to explore intergenerational sacrifice and the definitive power of refusal.


Friday, August 21, 7pm
Museum of the Moving Image
36-01 35 Avenue, Astoria, New York City

For tickets and more information:
https://movingimage.org/event/a-bright-future/

Watch the trailer:

 
 
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Aug
19
7:00 PM19:00

Lost & Found: FUTURE FUTURE

“Bold and enthralling...
A fascinating deconstruction of technology
and the role it plays in our lives.””
— Matthew Joseph Jenner, International Cinephile Society


FUTURE FUTURE / FUTURO FUTURO

A film by Davi Pretto
(Brazil, 2025, 86 min. In Portuguese with English subtitles)

In a bleak near-future Brazil where artificial intelligence has triggered a mysterious neurological crisis, K is a forty-year-old man who has lost both his memory and sense of belonging. Drifting through a desolate unnamed city, shaped by deepening social inequality and technological control, he embarks on an absurd and increasingly tragic search for identity and connection.

Blending dystopian science fiction with political allegory, director Davi Pretto’s fourth feature crafts a formally daring vision of a collapsing society haunted by environmental catastrophe, class divisions, and the dehumanizing promises of technological progress. Incorporating artificial intelligence into its own visual language, the film is a hypnotic and cautionary portrait of a world that feels both eerily distant and unsettlingly close.

Wednesday, August 19, 7pm
Anthology Film Archives
32 Second Avenue (at 2nd St.), New York City

For more information and tickets visit:
https://www.anthologyfilmarchives.org/film_screenings/series/59363

Watch the trailer:

 
 
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Aug
7
to Sep 4

Theatrical Release of OLMO

“A deadpan gem.””
— Sheri Linden, The Hollywood Reporter

OLMO
A film by Fernando Eimbcke
(USA/Mexico, 2026, 84 min. In English and Spanish with English subtitles)

Fourteen-year-old Olmo and his family are struggling to make ends meet in 1979 New Mexico. Due to an illness that keeps his father Nestor confined to his bed, his mother Cecilia, his sister Ana, and even he himself must contribute to the daily caretaking responsibilities. Olmo, in the throes of selfish adolescence, would much rather hang out with his best friend Miguel and try to impress his beautiful next-door neighbor Nina than take care of his dad.

And when Nina finally invites him to a party on the day that he’s been left alone with his dad, Olmo will do whatever he can to get out of his duties, embarking on a journey of mischief and chaos. In his desperate attempt to escape his home life, he will come to realize that the place of his deepest pain is also where he will find solace: with his family.

New York, NY: Quad Cinema, opens Friday, August 7
New York, NY: AMC Empire 25, opens Friday, August 7
Los Angeles, CA: AMC Covina 17, opens Friday, August 7
Los Angeles, CA:  AMC Ontario Mills 30, opens Friday, August 7
West Los Angeles, CA: Nuart Theater, opens Friday, August 7
North Hollywood, CA: Laemmle Noho 7, opens Friday, August 7
Orange, CA: AMC Block 30, opens Friday, August 7
Chicago, IL: AMC River East 21, opens Friday, August 7
Houston, TX: First Colony 24 Theatres, opens Friday, August 7
Houston, TX: Gulf Pointe 30 Theatres, opens Friday, August 7
Atlanta, GA: Tara Atlanta 4, opens Friday, August 7
Phoenix, AZ: AMC Desert Ridge 18,  opens Friday, August 7
Phoenix, AZ:  AMC Mesa Grande 14, opens Friday, August 7
Boston, MA: AMC Boston Commons 19, opens Friday, August 7
Denver, CO: AMC Highlands Ranch 24, opens Friday, August 7
Minneapolis, MN: AMC Eden Prairie 18, opens Friday, August 7
Miami, FL: AMC Aventura Mall 24 Theaters, opens Friday, August 7
San Diego, CA: AMC Fashion Valley 18, opens Friday, August 7
San Diego, CA: AMC Mission Valley 20, opens Friday, August 7
San Diego, CA: Digital Gym Cinema, opens Friday, August 7
Austin, TX: AMC Baron Creek 14, opens Friday, August 7
San Antonio, TX: AMC Rivercenter 11, opens Friday, August 7
San Antonio, TX: Santikos Embassy 14, opens Friday, August 7
New Orleans, LA: Prytania Theatres at Canal Place, opens Friday, August 7
Albuquerque, NM: AMC Albuquerque 12, opens Friday, August 7
Tucson, AZ: AMC Foothills 15, opens Friday, August 7
Alexandria, VA: AMC Hoffman Center 22, opens Friday, August 7
Rochester, NY: Little Theatre, opens Friday, August 7
Santa Barbara, CA: SBIFF Film Center, opens Friday, August 7
Santa Fe, NM: Sky Cinema Railyard, opens Friday, August 7
El Paso, TX: AMC El Paso 16, opens Friday, August 7
Grapevine, TX: AMC Grapevine Mills 24, opens Friday, August 7
Frisco, TX: AMC Stonebriar 24, opens Friday, August 7
Mesquite, TX: AMC Mesquite 30 Theatres, opens Friday, August 7
Edinburg, TX: AMC Edinburg 18, opens Friday, August 7
Rio Grande, TX: AMC Rio Grande Movies 10, opens Friday, August 7
Modesto, CA: State Theatre Modesto, opens Friday, August 7
Springfield, MO: Moxie Cinema 2, opens Friday, August 7
Tulsa, OK: AMC Circle Cinema, opens Friday, August 7
Akron, OH: Nightlight Cinema, opens Friday, August 7
Las Vegas, NV: The Beverly Theater, plays Wednesday, August 12 and Saturday, August 15
Sedona, AZ: Mary D. Fisher Theatre, opens Friday, August 14
San Francisco, CA: Roxie Theater, opens Friday, August 14
Puerto Rico: Fine Arts location TBD, opens Thursday, August 20

Watch the trailer:

 
 
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Jul
24
to Aug 6

Theatrical Release of LOST CHAPTERS

“A literary detective story
that’s rich in the fine grain of daily life.””
— Richard Brody, The New Yorker


LOST CHAPTERS / LOS CAPÍTULOS PERDIDOS

A film by Lorena Alvarado
(Venezuela, 2024, 67 min. In Spanish with English subtitles)

“When a letter nestled deep inside her father’s library details the writing of an unknown author, the young, ambitious bibliophile Ena sets off to find his work. Is the fabled book real? Did the author even exist? Where most movies might use this to kick off a treasure hunt, Lost Chapters opens a door to Venezuela’s rich cultural history and troubled present. A master class in composition and sound design that leaves no detail to chance, Lorena Alvarado’s feature debut recalls the intellectual obsessiveness of Roberto Bolaño while achieving a remarkable sense of equanimity and emotional warmth from her real-life sister, father, and grandmother, whose on-screen naturalism never once lapses into mannerism.” —New Directors/New Films

Opens Friday, July 24
IFC Center
323 Sixth Avenue, New York City
Tickets and more information: https://www.ifccenter.com/films/lost-chapters/

Watch the trailer:

 
 
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Jul
17
to Aug 31

Theatrical Release of AMERICAN PACHUCO: THE LEGEND OF LUIS VALDEZ

AMERICAN PACHUCO: THE LEGEND OF LUIS VALDEZ
A film by David Alvarado
(USA, 2026, 93 min. In English and Spanish with English subtitles)

Groundbreaking Chicano activist/director Luis Valdez mounted agitprop performances on flatbed trucks in the 1960s with his El Teatro Campesino, mobilizing California farmworkers to secure their first union contract; authored Zoot Suit, the first Chicano play on Broadway, and directed the 1981 screen adaptation, starring Edward James Olmos; and wrote and directed the highest-grossing Hollywood Latino movie in history, the Ritchie Valens biopic, La Bamba.

American Pachuco (Valdez defines pachucos as Mexican-American “street cats with style”) playfully tracks his extraordinary life and career, with rarely seen footage from his subversive theater and television work, and interviews with Valdez; actors Olmos (who narrates the film in his Zoot Suit pachuco voice), Lou Diamond Phillips, and Cheech Marin; labor activist Dolores Huerta; and Linda Ronstadt.


Opens Friday, July 17
Film Forum
209 West Houston St. New York City
Tickets and more information:
https://filmforum.org/film/american-pachuco

Q&A with Subject Luis Valdez, Actor Lou Diamond Phillips, and Filmmaker David Alvarado, Co-Presented by Cinema Tropical and The Gotham Film & Media Institute.
Friday, July 17, 6:45pm

Q&A with Subject Luis Valdez and Filmmaker David Alvarado
Saturday, July 18,
7:15pm

Post-Screening Conversation with David Alvarado, Lemon Anderson, and Amalia Olivia Rojas, Co-Presented by The Action Lab
Monday, July 20,
6:40pm

Introduction by Sound Designer & Mixer Peter Albrechtsen
Friday, July 24,
6:40pm

Watch the trailer:

 
 
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Jul
15
7:00 PM19:00

Lost & Found: HUAQUERO

“A critical gesture against discourses of power
and hegemonic representation.””
— Mónica Delgado, Desistfilm


HUAQUERO
A film by Juan Carlos Donoso Gómez
(Ecuador/Peru/Romania, 2024, 78 min. In Spanish with English subtitles)
New York Premiere!

Amid the coastal landscapes of Ecuador and Peru, the second feature by Juan Carlos Donoso Gómez reconstructs the fragmented memories of former huaqueros—artifact hunters who participated in the illegal excavation and trade of pre-Hispanic objects. Blending documentary and fiction through dramatic reenactments and firsthand testimonies from looters, archaeologists, and counterfeiters, the film explores the tensions between ancestral knowledge, heritage crime, and the enduring wounds of colonialism. Exquisitely shot on washed-out 16mm film evocative of vintage travelogues, Huaquero brushes away the dirt of memory to uncover competing versions of truth while remaining deeply rooted in the local perspectives of the communities whose histories have long been excavated, sold, and erased. A meditation on territory, belonging, and memory, the film excavates the fragile line between truth and fiction, authenticity, and forgery, reclaiming the contemporary Andean world as a living, contested landscape still haunted by the legacy of colonialism.

Wednesday, July 15, 7pm
Anthology Film Archives
32 Second Ave. (at 2nd St.), New York City

Screening followed by a Q&A with director Juan Carlos Donoso Gómez

Tickets and more information:
https://www.anthologyfilmarchives.org/film_screenings/series/59363

Watch the trailer:

 
 
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Jul
12
3:00 PM15:00

Las Premieres Presents RITAS

RITAS
(Oswaldo Santana and Karen Harley, Brazil, 2025, 83 min. In Portuguese with English subtitles)
U.S. Premiere
Co-presented by 
Brasil Summerfest 

A vibrant, irreverent, and deeply personal portrait of Brazilian music icon Rita Lee, told largely in her own words through her final, previously unseen interview. Directed by Oswaldo Santana and co-directed by Karen Harley, the documentary weaves together beloved songs from across Lee’s groundbreaking career with intimate home videos she recorded herself and a rich array of archival materials. Funny, candid, and profoundly moving, Ritas captures the irreverent spirit, creative genius, and enduring legacy of Brazil’s “Queen of Rock,” offering longtime fans a poignant farewell while introducing new audiences to one of the country’s most influential artists and beloved cultural icons.

Sunday, July 12, 3pm
Museum of the Moving Image
36-01 35th Ave, Queens, New York City
Tickets and more information: https://movingimage.org/event/ritas/

Watch the trailer:

 
 
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Jul
11
7:30 PM19:30

25 Años de Cinema Tropical: SILVIA PRIETO en la Cinemateca de Bogotá

SILVIA PRIETO
(Martín Rejtman, Argentina, 1999. En español)

El día de su cumpleaños número 27, Silvia Prieto toma una decisión tajante: cambiar de vida. Pero su intento de reinventarse se transforma en una deriva existencial cuando descubre que hay otras mujeres que llevan exactamente su mismo nombre. Entre diálogos filosos y una sensibilidad pop atravesada por la cultura de consumo, Silvia se lanza a una búsqueda tan absurda como entrañable para recuperar una idea propia de sí misma. Escrita y dirigida por Martín Rejtman, esta comedia de precisión minimalista y humor imperturbable se convirtió en una piedra fundacional del Nuevo Cine Argentino, marcando a toda una generación de cineastas con su estilo inconfundible.

En la celebración de los 25 años de Cinema Tropical —la organización sin fines de lucro dedicada a la promoción del cine latinoamericano en Estados Unidos—Silvia Prieto vuelve a Bogotá en una deslumbrante restauración en 4K: la misma película con la que la organización inició su historia y con la que irrumpió una nueva generación de cineastas latinoamericanos.

Sábado 11 de julio, 7:30pm
Cinemateca de Bogotá

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Jun
17
7:00 PM19:00

Lost & Found: THE MEMORY OF BUTTERFLIES

“Fascinating.
A dark twist that boldly exposes
the hypocrisies of Western liberal intervention.””
— Jake Cole, Slant Magazine


THE MEMORY OF BUTTERFLIES / LA MEMORIA DE LAS MARIPOSAS

A film by Tatiana Fuentes Sadowski
(Peru/Portugal, 2025, 77 min. In Spanish and Murui Huitoto with English subtitles)
U.S. Premiere!

The Memory of Butterflies begins with a single archival image of two Indigenous men, Omarino and Aredomi, taken from the Amazon to Europe during the rubber boom—and unfolds into a haunting, deeply personal exploration of history, memory, and colonial violence. Blending archival materials with hand-processed imagery and contemporary encounters, the powerful and evocative debut feature by Tatiana Fuentes Sadowski moves between past and present to question official narratives and recover voices long erased. At once an act of investigation and a cinematic invocation, it opens a space where the living and the dead remain in dialogue.

Preceded by LA HUELLA
(Tatiana Fuentes Sadowski, France, 2012, 18 min.)
Using a photographic archive and forensic testimony, the film explores the lasting traces of Peru’s civil war.

Wednesday, June 17, 7pm
Anthology Film Archives
32 Second Avenue (at 2nd St.)
Tickets: https://www.anthologyfilmarchives.org/film_screenings/series/59363

Followed by Q&A with editor EB Landesberg and guest curator Andrea Avidad.

 
 
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Jun
12
to Jul 14

25th Anniversary Theatrical Re-Release of AMORES PERROS

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“More alive than ever.””
— Vogue

AMORES PERROS
A film by Alejandro González Iñárritu
(Mexico, 2000/2026, 154 min. In Spanish with English subtitles)

After 25 years, the legendary debut from Academy Award®-winning director Alejandro González Iñárritu (Birdman, The Revenant) returns to the big screen in a stunning restoration. A visceral reflection on human chaos, cruelty, and tenderness, Amores Perros remains as bold and affecting as ever.

As three lives from disparate parts of Mexico City converge in a fatal car crash, their fractured stories unfold – revealing they are more connected than they seem. Teenaged Octavio (Gael García Bernal) decides to run away with his brother’s wife. Desperate for cash, he ventures into the urban underworld, sending their love triangle into an irreversible spiral. 

Beautiful model Valeria (Goya Toledo) moves in with a lover who left his family to be with her. But the collision brings her life and career to a sudden halt, taking away what is most important to her. El Chivo (Emilio Echeverría) quietly exists as a homeless man in the shadows, masking his occupation as a hitman. While in pursuit of a target, he witnesses the wreck and is entangled in the aftermath.

Shot through with Rodrigo Prieto’s dynamic cinematography and Gustavo Santaolalla’s iconic score, Amores Perros is a true masterwork—both a seminal, expressive portrait of Mexico City and a universal exploration of violence, love, and loss. 

A MUBI release.
For tickets and more information: https://mubi.com/en/amoresperros

Opens Friday, June 12
New York, NY: Angelika Film Center
New York, NY: AMC Empire 25
New York, NY: AMC Kips Bay 15
Astoria, NY:  Regal UA Kaufman Astoria
Brooklyn, NY: Alamo Drafthouse Brooklyn
Los Angeles, CA: Alamo Drafthouse Downtown LA
Los Angeles, CA: Laemmle NoHo 7
Los Angeles, CA: Laemmle Royal
Los Angeles, CA: Laemmle Town Center
Los Angeles, CA: Regal Sherman Oaks Galleria
Glendale, CA: Laemmle Glendale
Aliso Viejo, CA: Regal Edwards Aliso Viejo
San Francisco, CA:  Alamo Drafthouse New Mission  
Ojai, CA: Ojai Playhouse
San Diego, CA: AMC Fashion Valley 18
San Francisco, CA: Alamo New Mission
San Francisco, CA: AMC Metreon 16
Seattle, WA: SIFF Uptown
Seattle, WA: Regal Meridian
Boston, MA: AMC Boston Common 19
Silver Springs, MD: AFI Silver
Houston, TX: Regal Benders Landing
Austin, TX:  Alamo Drafthouse South Lamar
Dallas, TX:  Alamo Drafthouse Cedars
San Antonio, TX: Alamo Drafthouse Park North
Plantation, FL: Regal Broward
Winter Park, FL: Regal Winter Park Village
Alafaya, FL: Regal Waterford Lakes
Aventura, FL: AMC Aventura Mall 24
Chicago, IL: Gene Siskel Film Center
Evanston, IL: AMC Evanston 12
Denver, CO:  Alamo Drafthouse Sloans Lake
Pittsburgh, PA: AMC Waterfront 22
Columbus, OH: Gateway Film Center 
Cary, NC: Regal Crossroads Cary
Scottsdale, AZ: Harkins Shea 14
Louisville, KY: Speed Art Museum
Leawood, KS: AMC Town Center 20
Knoxville, TN: Regal Pinnacle
Raleigh, NC: Alamo Drafthouse Raleigh
Bend, OR: Tin Pan Theater

Opens, Friday, June 19:
San Diego, CA: Digital Gym Cinema
Ann Arbor, MI: Michigan Theater
Las Vegas, NV: The Beverly Theater
Houston, TX: River Oaks Theatre

Opens, Friday, June 26
Cleveland, OH: Cleveland Cinematheque
Dallas, TX: Texas Theatre

Opens Friday, July 3
Kansas City, MO: Screenland Armour Theatre
Madison, WI: UW Cinematheque

Opens Friday, August 7
Detroit, MI: Detroit Film Theatre

Opens Friday, August 14
Milwaukee, WI: Milwaukee Film's The Oriental Theatre

 
 
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Jun
3
to Jun 14

Latin American Films at Tribeca Festival 2026

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25th Tribeca Festival
June 3–14, 2026

The 25th annual edition of the Tribeca Festival starts Wednesday, June 3, screening different films by Latin American filmmakers from Brazil, Chile, Mexico, and Puerto Rico in its International Narrative Competition, Viewpoints, Documentary Competition, and U.S. Narrative Competition sections. Check out this year’s titles co-presented by Cinema Tropical

For tickets and more information, visit: https://tribecafilm.com/festival

SAD GIRLZ / CHICAS TRISTES
(Fernanda Tovar, Mexico/France/Spain, 90 min. In Spanish with English subtitles)
North American Premiere - International Narrative Competition
Buy Tickets

“In Fernanda Tovar’s feature debut, she takes a serious and sympathetic look at the challenges faced by modern youth. Teenage girls La Maestra (Rocío Guzmán) and Paula (Darana Álvarez) are the best of friends and rank at the top of the school swim-team. Everything seems on track for the two to take the team trip to Brazil, until one night when they go to a party and something happens to Paula. La Maestra is torn between seeking vengeance for her friend as she believes is right, or supporting Paula’s wishes to keep the situation quiet and pretending it never happened. 

This intimate, adolescent drama manages a deft balance of portraying raw sensitivity without falling into sensationalism. The performance of Guzmán and Álvarez’ characters’ friendship and eventual difficulties belies years of camaraderie and trust, and yet, as the story goes on, there is always some overripe aspect of a feeling unsaid. Tovar’s direction portrays the girls’ environment as three different worlds: the bright colourful Mexican streets, shadowy interiors where feelings are held and revealed, and the pool where everything is free.” —Frédéric Boyer

Thursday, June 4, 5:15pm at Village East by Angelika; Friday, June 5, 9:15pm at AMC 19th St. East 6; Friday, June 12, 6pm at AMC 19th St. East 6.

MATININÓ
(Gabriela Díaz Arp, Puerto Rico/Dominican Republic , 88 min. In English, Spanish with English and Spanish subtitles)
World Premiere - Viewpoints
Buy Tickets

When night falls in the Puerto Rican countryside, a group of women enter an open field, holding candles in their hands, as masked white-robed figures dance hypnotically in the darkness — a woman whispers, “You’ll set your stories free. Fear will cease to exist.” What seems like a hallucinatory fever dream is actually part of an overarching creative and filmic exercise run by a multi-generational family of outspoken Puerto Rican women. The Villanueva women convene to “air out” personal memories about their generational trauma and cycles of abuse by the men in their lives — all while these tumultuous recollections take the form of fantastical filmic sequences that the women perform and enact, in a therapeutic fashion. Grandmother Idaliz Villanueva describes the first time she experienced physical abuse at the hands of her husband, a moment of shock to her. As Idaliz’s honest testimonies unfold, we see the Villanueva women inhabit warrior-like personas while the men are represented as gas mask-wearing invasive marauders, intruding on the enveloping natural landscape that the women reside in. Atmospheric and sensorial in equal measure, Gabriela Díaz Arp’s highly confident and bold first feature presents a formally-distinctive vision on oppressive patriarchal systems and forms of liberation.—Jose Rodriguez

Thursday, June 4, 8:15pm at Village East by Angelika; Friday, June 5, 5:45pm at AMC 19th St. East 6; Saturday, June 6, 9pm at AMC 19th St. East 6.

FUNK
(Aly Muritiba, Brazil , 106min. In Portuguese with English subtitles)
World Premiere - International Narrative Competition
Buy Tickets

In the favelas of Rio de Janeiro, funk music reigns supreme. And for Sabrina (Duda Santos), becoming the queen of “kinky funk” (or “putería,” as it’s called in Brazil) isn’t a dream. It’s an inevitability. Young, smart and determined, with undeniable skills on the mic and a mouth that’s even filthier than those of her male counterparts, Sabrina has what it takes to succeed in this colorful world of hard beats and unbridled sexuality, but she’ll have to crash the gates of polite society to get there. Will she forget where she came from in the process? With an ensemble cast that blends professional actors with real-life funk luminaries like MC Nem, Lellê and DJ Crazy Jeff, director Aly Muritiba (Private Desert) infuses Funk with an electrifying energy. Immersive camerawork makes you feel as though you’re right there on the dance floor with the characters, adding a stylish touch to the film’s many musical sequences. Meanwhile, Santos’ committed performance keeps the story grounded amidst all the melodrama, creating real emotional stakes for this up-and-coming star. Funk is a musical coming-of-age story set to an infectiously explicit beat.—Frédéric Boyer

Friday, June 5, 8:30pm at AMC 19th St. East 6; Saturday, June 6, 9:15pm at AMC 19th St. East 6; Monday, June 8, 9pm at Village East by Angelika

SUMMER WAR / GUERRA DE VERANO
(Alicia Scherson, Chile/Argentina/Uruguay/Italy , 104 min. In Spanish, English with English subtitles)
World Premiere - International Narrative Competition
Buy Tickets

Chile, 1989. Udo, an American wargaming champion, arrives at a sunny beach resort for a peaceful vacation with his girlfriend. When another tourist mysteriously disappears at sea, Udo decides not to search for his missing friend but to instead invite a mysterious local to play his wargame of choice — a tabletop game where players simulate the European theater of World War II. It’s a choice that begins to erode the boundary between game and reality, transforming the sunny beach into something far more dangerous — a reflection of Udo's own obsession with strategy and control, and his inability to conceive of violence as anything other than imaginary and theoretical. Summer War is a tremendous, inventive adaptation of acclaimed author Roberto Bolaño's novel “The Third Reich.” Writer-director Alicia Scherson’s second time working with material from Bolaño, the film beautifully captures both the playfulness and angry exasperation of the source material. Handsomely shot, pitched at a tone that is entirely its own and featuring standout performances from Dan Beirne, Lux Pascal and David Gaete among others, Summer War is a delightfully unpredictable film with palpable thematic resonance.—Jason Gutierrez

Sunday, June 7, 5:30pm at AMC 19th St. East 6; Monday, June 8, 5:15pm at AMC 19th St. East 6; Friday, June 12, 5pm at AMC 19th St. East 6.

SUMMER OF THREE
(Carlitos Ruiz-Ruiz, Puerto Rico , 85 min. In Spanish, English with English subtitles)
World Premiere - U.S. Narrative Competition
Buy Tickets

Following the death of his beloved grandfather, Javi (Marcel Ruiz) returns home to his native Puerto Rico for the funeral. Upon arrival, he reunites with old family and friends but discovers something new along the way: Luife (Paolo Schoene) and Kiki (Kiki Montilla), two social misfits who run through the island like they own it. A burgeoning love triangle begins as the trio go on a run of adventures that would make even the greatest influencers jealous. But the majesty of Puerto Rico’s lush trees and vibrant sky also makes way for challenges to Javi’s own notions of love, friendship and loss. A timeless journey awaits as Carlitos Ruíz-Ruíz returns to Tribeca with this feature that includes his son Marcel Ruiz working in tandem as co-writer/producer. Beauty and wonder is available in droves as we’re guided through what feels like a tour of the island that also shows an attentive unpacking of the lives of its people and the emotional bonds created through openness and chance.—Casey Baron

Monday, June 8, 8pm at Village East by Angelika; Tuesday, June 9, 6pm at AMC 19th St. East 6; Thursday, June 11, 9:15pm at Village East by Angelika.

MEXICANAMERICAN
(Eddie Sánchez, USA, 98 min. In Spanish, English with English, Spanish subtitles)
World Premiere - Documentary Competition
Buy Tickets

What is the cost of the American Dream? Filmmaker Eddie Sanchez sets out to better understand his parents, Lalo and Beby, in this astonishing debut feature documentary, providing a unique, complex and emotionally resonant visual answer to that question. Expertly merging original interviews with the two as they discuss their courtship, their journey to the United States and what their lives were like once they arrived, including the VHS home movies Lalo and Beby once sent over the border as a means of “visiting” the family members they couldn’t physically be with, Mexicanamerican is a decade-spanning collage exploring the cultural and emotional cost of migration. This poignant and affecting documentary stands not only as a love letter to those whose sacrifices often go unknown and unnoticed but also as a reckoning of what is lost when we don’t ask questions. —Faridah Gbadamosi

Tuesday, June 9, 5pm at Village East by Angelika; Wednesday, June 10, 6pm at Village East by Angelika; Sunday, June 14, 6pm at Village East by Angelika.

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May
29
to Jun 30

Theatrical Release of THE CURRENTS

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THE CURRENTS / LAS CORRIENTES
(Milagros Mumenthaler, Switzerland/Argentina, 2025, 104 min. In Spanish with English subtitles)

While on a work trip in Switzerland, where she’s being fêted for her storied fashion career, designer Lina (Isabel Aimé González Sola) plunges herself, without warning, into an icy winter lake. After surviving the shocking ordeal, Lina returns to her hometown of Buenos Aires, yet a transformation has taken place within her, and she finds it impossible to readjust to her former life as a wife, mother, and artist, distancing herself from her husband (Esteban Bigliardi) and career. Acclaimed Argentinean filmmaker Milagros Mumenthaler (Back to Stay) has constructed a compelling existential puzzle, a work of psychological interiority that, with its oblique narrative and complexly layered soundscape evoking a woman’s enigmatic dissociation, recalls the work of Lucrecia Martel and Todd Haynes, yet with its own singular emotional perspective and aesthetic sophistication. A Kino Lorber release.

Opens Friday, May 29
Film at Lincoln Center

Watch the trailer:

 
 
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May
15
to Jun 30

Streaming Release of THE MYSTERIOUS GAZE OF THE FLAMINGO on MUBI

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THE MYSTERIOUS GAZE OF THE FLAMINGO

Set in a remote Chilean mining town in 1982, Diego Céspedes’ dazzling debut feature follows young Lidia, who grows up within a vibrant queer household led by drag performers and trans women. When a mysterious illness—rumored to spread through the gaze between men—sows fear and hysteria, the community becomes the target of suspicion and violence. Through Lidia’s eyes, Céspedes crafts a haunting allegory of love, myth, and prejudice that reimagines the early AIDS era as a queer western with poetic intimacy and desert-dry surrealism.

Winner of the Un Certain Regard Award at the 2025 Cannes Film Festival, The Mysterious Gaze of the Flamingo recalls the emotional vibrancy of Almodóvar and continues Chile’s proud legacy of queer cinema—marking Céspedes as one of the most exciting new voices in world cinema.

Premieres Friday, May 15 on MUBI

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May
7
7:00 PM19:00

Lost & Found: UNDER THE FLAGS, THE SUN

“Riveting…
Under the Flags, the Sun links the nation’s past
to larger geopolitical dynamics and dispels unfounded assumptions about Paraguay’s invisibility.””
— Ena Alvarado, Americas Quarterly


UNDER THE FLAGS, THE SUN / BAJO LAS BANDERAS, EL SOL

by Juanjo Pereira
(Paraguay/Argentina/USA/France/Germany, 2025, 92 min. In Guarani, Spanish, German, French, English)

In 1989, the fall of Alfredo Stroessner’s 35-year dictatorship in Paraguay brought an end to one of the world’s longest authoritarian regimes—and left behind a vast audiovisual archive once used to shape national identity and glorify power. Decades later, newly recovered footage from Paraguay and abroad—newsreels, television broadcasts, propaganda films, and declassified materials—reveals the hidden machinery of the regime. Moving across formats and histories, this striking debut feature by Juanjo Pereira becomes an excavation of memory and media, exposing how images were used to construct ideology, sustain international alliances, and normalize repression, while reflecting on a present still marked by the legacy of dictatorship.


Thursday, May 7, 7pm
Anthology Film Archives

32 Second Avenue (at 2nd St.)
For tickets and more information visit: https://www.anthologyfilmarchives.org/film_screenings/series/59363

Presented as part of Lost & Found:  Cine(ma)s Latinoamericanos Re-unidos, co-programmed by Matías Piñeiro and Carlos A. Gutiérrez.

Watch the trailer:

 
 
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May
6
to May 31

Latin American Films at the 33rd New York African Film Festival

33rd New York African Film Festival
May 6 — 26, 2026

The 33rd annual edition of the New York African Film Festival (NYAFF32) runs May 6-26, 2026 at Film at Lincoln Center, Maysles Documentary Cinema, and the Brooklyn Academy of Music (BAM). This year Cinema Tropical is delighted to co-present three Latinx and Latin American films. Convened under the theme As the Stars Sow the Earth, NYAFF33 celebrates cosmic agents that have sown memory, will, and possibility into Africa and its Diasporas.

Launched in 1993 and one of the first of its kind in the United States, the festival reflects on the myriad ways African and diaspora storytellers have used the moving image as a mold to tell stories with their own nuances and idiosyncrasies.

The lineup has been announced for the 33rd edition of the New York African Film Festival (NYAFF), spotlighting 14 contemporary and classic feature films and 25 short films.

For more information, visit: www.africanfilmny.org/festival/2024-festival

MARÍA ANTONIA
(Sergio Giral, 1990, Cuba, 110 min. In Spanish with English subtitles)
New York premiere

Set in pre-revolutionary Havana, this restoration of Sergio Giral’s classic film follows the turbulent life of a fiercely independent Afro-Cuban woman whose defiance of social norms puts her in constant conflict with the world around her. Adapted from Eugenio Hernández Espinosa’s acclaimed stage play, the film portrays María Antonia’s struggle against poverty, machismo, the rigid moral codes of her neighborhood, and her passionate but destructive relationship with a charismatic boxer.

Tuesday, May 26, 8:30 pm at BAM Rose Cinemas

MISS JOBSON
(Amanda Sans Pantling, 2025, Jamaica/Spain, 95 min. In English)

Miss Jobson is an intimate portrait of the Rastafarian icon Diane Jobson, Bob Marley’s close friend and attorney. Now in her 80s, Diane confronts the passage of time and her legacy as a defender of the defenseless with a dry sense of humor and unflinching honesty.

Sunday, May 17, 6pm at Maysles Cinema

DIASPORA POWER
(Joseph Hillel, 2026, Canada, 53 min. In French with English subtitles)
U.S. Premiere

Diaspora Power explores immigration and the integration of the Haitian community in Quebec. It is inspired by the stories of Haitian women and men who arrived there in the 1960s and 1970s.

Saturday, May 16, 4:30 pm at Maysles Cinema

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Apr
29
9:00 PM21:00

Prismatic Ground Presents COBRE

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Prismatic Ground Presents:

COBRE / COPPER
(Nicolas Pereda, Mexico, 2025, 78 min. In Spanish with English subtitles)
Co-presented by Cinema Tropical

In a remote mining town, Lázaro, a young worker at a copper mine, stumbles upon a dead body on his way to work—making him the target of suspicion from both his community and even his own family. As a respiratory illness prevents him from working, doubts about his true condition grow, fueling rumors of his possible involvement in the tragedy. Lázaro finds solace in his aunt, only a few years his senior, as their relationship takes on an increasingly ambiguous nature. While the truth about the crime looms, Lázaro must confront not only the weight of suspicion, but also that of his own desire.

Wednesday, April 29, 9pm
Brooklyn Academy of Music (BAM)

30 Lafayette Ave, Brooklyn, New York City
Tickets and more information: https://www.bam.org/film/2026/cobre

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Apr
24
to May 3

DAUGHTERS OF THE FOREST at SFFILM and Margaret Mead

DAUGHTERS OF THE FOREST / HIJAS DEL BOSQUE
(Otilia Portillo Padua, Mexico, 2026, 95 min. In Spanish with English subtitles)

Daughters of the Forest is a story of entanglements: between humans and mushrooms; the visible and the invisible; generational knowledge and modern science. This sci-fi documentary invites us to reconsider the experiences of both human and non-human inhabitants of our world.

We follow Lis and Juli, two young scientists from indigenous communities that have long lived in symbiosis with the many mushrooms in their regions. The world they know is changing, and their pursuits are threatened by deforestation, lack of opportunity, and loss. Still, they share how mushrooms show us different possibilities of coexistence, helping them overcome obstacles to reshape their lives and futures.

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Apr
24
to Apr 26

Latin Wave 19: New Films from Latin America at Museum of Fine Arts, Houston

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Latin Wave 19:
New Films From Latin America

April 24—26, 2026

Organized by the MFAH in association with the creative partner Fundación PROA, Buenos Aires. Sponsored by Tenaris.
Programmed in collaboration with Cinema Tropical

The annual Latin Wave series provides the opportunity for Houstonians to see new films from Latin America, and to meet internationally acclaimed filmmakers. The nature of the festival allows audience members to interact with the filmmakers in Q&A sessions and informal conversations. These dialogues enrich the understanding of contemporary filmmaking in Latin America.

All screenings at:
The Museum of Fine Arts, Houston
Brown Auditorium Theater at the Caroline Wiess Law Building, 1001 Bissonnet St.
Lynn Wyatt Theater at the Nancy and Rich Kinder Building, 5500 Main St.

Admission: General admission is $10. MFAH Members, students with ID and senior adults receive a $2 discount. Students with ID receive complimentary admission on Sunday, April 28 only.

For tickets and more information visit: www.mfah.org/latinwave

CORINA
(Urzula Barba Hopfner, Mexico, 2024, 96 min. In Spanish with English subtitles)
*Presented by filmmaker Urzula Barba Hopfner with a post-film Q&A
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Set in Guadalajara during the early aughts, the auspicious and quirky debut by Úrzula Barba Hopfner tells the story of Corina, a young woman who has rarely left home in 20 years, except for her job at a local publishing house. To save her job after making a grave mistake in the company’s most famous book saga, she must confront her fears and embark on a journey to track down a mysterious writer. Starring Naian González Norvind (New Order) and Cristo Fernández (Ted Lasso), Corina won the Audience Award at the SXSW Film Festival and is an uplifting, endearing fable reminiscent of Amélie about embracing the unknown.

Friday, April 24, 7pm — Brown Auditorium Theater

THE VIRGIN OF THE QUARRY LAKE / LA VIRGEN DE LA TOSQUERA
(Laura Casabé, Argentina/Mexico/Spain, 2025, 93 min. In Spanish with English subtitles)
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Set in the sweltering summer of 2001 amid Argentina’s looming economic collapse, The Virgin of the Quarry Lake is a visceral, supernatural, coming‑of‑age horror that melds teenage desire with dark folklore. Best friends Natalia, Mariela, and Josefina are bound by youth and an all‑consuming crush on their longtime friend Diego—until an older, more worldly woman captures his attention. Heartbroken and desperate, Natalia turns to whispered spells and ancestral incantations in a bid to reclaim love, but what begins as jealousy soon morphs into something far more sinister. As the oppressive heat and social unrest build, so does Natalia’s transformation, leading her into uncharted territory of self‑empowerment, rage, and terrifying consequence. Gorgeously atmospheric and unsettlingly precise, Laura Casabé’s film conjures the volcanic emotional landscape of adolescence with supernatural dread.

Friday, April 24, 9.15pm — Lynn Wyatt Theater

THE BLUE TRAIL / O ÚLTIMO AZUL
(Gabriel Mascaro, Brazil/Mexico/Netherlands/Chile, 2025, 85 min. In Portuguese with English subtitles)
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The latest film from visionary director Gabriel Mascaro (Neon Bull) is a striking dystopian drama set in near‑future Brazil, where the government relocates seniors to isolated colonies under the guise of economic “well‑being.” Seventy‑seven‑year‑old Tereza refuses to accept forced retirement and instead embarks on a clandestine journey through the Amazon, encountering unexpected companions who help her reclaim freedom and possibility. Anchored by a powerful lead performance from Denise Weinberg and co-starring Rodrigo Santoro, the film celebrates resilience, intergenerational connection, and the courage to defy ageist and authoritarian constraints.

Saturday, April 25, 3pm — Brown Auditorium Theater

RUNA SIMI
(Augusto Zegarra, Peru, 2025, 81 min. In Spanish with English subtitles)
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Fernando Valencia is an Indigenous voice artist, activist, painter, and devoted single father from Cusco, who began a project to reimagine iconic animated scenes in Quechua, also known as Runa Simi, the ancestral language of the Incas. When millions of viewers respond with enthusiasm and pride, Fernando sets out on a quixotic quest: dubbing Disney’s The Lion King with the help of his energetic eight-year-old son. Armed with relentless determination, he confronts rejection, setbacks, and self-doubt, transforming a personal passion into a powerful call for language justice. The debut feature by Augusto Zegarra—winner of the Albert Maysles Award for Best New Documentary Director at the Tribeca Film Festival—celebrates Indigenous resilience, cultural pride, and the vital importance of representation.

Saturday, April 25, 5pm — Brown Auditorium Theater

A POET / UN POETA
(Simón Mesa Soto, Colombia/Germany/Sweden, 2025, 120 min. In Spanish with English subtitles)
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Óscar (first-time actor Ubeimar Rios) is an erratic failed writer who has given up on life. He wanders the streets of Medellín in a drunken stupor, lamenting the state of literature in Colombia and embodying the cliché of the tortured artist. When the opportunity arises to mentor a young student, he sees a chance at redemption—if he doesn’t screw it up first. Simón Mesa Soto’s darkly comic and caustic second feature, winner of the Un Certain Regard Jury Prize at the Cannes Film Festival, is a raw, riotous farce where good deeds collide with the universe’s cruelly poetic sense of humor.

Saturday, April 25, 7.15pm — Brown Auditorium Theater

A LOOSE END / UN CABO SUELTO
(Daniel Hendler, Uruguay/Argentina/Spain, 2025, 95 min. In Spanish with English subtitles)
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Santiago, an Argentine cop on the run, crosses into Uruguay to escape his own colleagues. There, he navigates a series of unpredictable obstacles, relying on quick wit and the unexpected kindness of strangers. As he begins to rebuild a life he never imagined, he discovers a fragile sense of belonging and meets a woman who might be the love of his life. What starts as a desperate flight evolves into an offbeat journey of reinvention, chance, and quiet resilience. The latest film by acclaimed actor-director Daniel Hendler blends existential comedy with the spirit of a road movie and the tension of a thriller, offering a richly textured portrait of the Uruguayan countryside and the unpredictable paths that life can take.

Saturday, April 25, 9.30pm — Lynn Wyatt Theater

CAMISEA
(Enrique Bellande, Argentina, 2005, 68 min. In Spanish with English subtitles)
*Presented by Guillermo Goldschmidt, project manager, PROA with post-film Q&A
Buy Tickets

One of the most ambitious engineering projects ever undertaken in Latin America becomes the subject of Camisea, a film that contemplates how infrastructure changes reshaped Peru by extending natural gas across its coastal region. The narrative observes the passage of time, the physical effort involved, and the human presence embedded within a transformation of such immense scale. Filmed deep in the jungle and high in the Andes, Camisea was shot in territories where Werner Herzog filmed Fitzcarraldo just over 20 years earlier, invoking a shared cinematic lineage marked by obsession, endurance, and landscapes that assert their own logic. Directed by Enrique Bellande (BAFICI Award winner, 2003), the picture was shot on Super 16mm and recently restored in 4K. Camisea offers an immersive cinematic experience in which monumental ambition contends with intimacy and restraint.

Sunday, April 26, 1pm — Lynn Wyatt Theater

THE MYSTERIOUS GAZE OF THE FLAMINGO / LA MIRADA MISTERIOSA DEL FLAMENCO
(Diego Céspedes, Chile/France, 2025, 109 min. In Spanish with English subtitles)
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Set in a dusty Chilean mining town in 1982, The Mysterious Gaze of the Flamingo follows young Lidia as she grows up within a vibrant household led by drag performers and trans women. When a mysterious illness sows fear and hysteria, the community becomes the target of suspicion and violence. In his debut feature, Diego Céspedes crafts a haunting allegory of love, myth, and prejudice, reimagining the early AIDS era as a western infused with poetic intimacy and desert-dry surrealism. Winner of the Un Certain Regard Award at the Cannes Film Festival, this potent period drama honors Chile’s proud legacy of queer cinema while confronting bigotry with both vengeance and compassion.

Sunday, April 26, 3pm — Brown Auditorium Theater

THE SECRET AGENT / O AGENTE SECRETO
(Kleber Mendonça Filho, Brazil//France/Netherlands/Germany, 2025, 161 min. In Portuguese, German and English with English subtitles)
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The most celebrated Latin American film of the year—nominated for four Academy Awards, including Best Picture—The Secret Agent is a genre-defying political thriller from acclaimed filmmaker Kleber Mendonça Filho (Bacurau). Set in Recife during Brazil’s military dictatorship in 1977, this electrifying neo-noir stars Wagner Moura in a career-defining performance as a widowed technology researcher who becomes an unwitting target at the heart of a political maelstrom. On the run from mercenary killers and haunted by the past, he must navigate a tense, unpredictable world of danger and deception to escape the country with his young son. With the help of a mysterious woman and her underground resistance allies, he confronts the city’s volatile spirit in a story that blends suspense, political intrigue, and a cinematic homage to Filho’s youth.

Sunday, April 26, 5pm — Brown Auditorium Theater

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Apr
23
to Apr 30

U.S. Latinx and Latin American Films at ReelAbilities Film Festival

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ReelAbilities Film Festival 2026

ReelAbilities Film Festival: New York is the world’s leading film festival dedicated to advancing disability representation, accessibility, and inclusion through the power of storytelling. Renowned for its wide-ranging, award-winning international films, the festival showcases work by and about people with disabilities, positioning disability culture at the center of the contemporary arts landscape.

Each year, ReelAbilities presents a curated selection of feature films, documentaries, and shorts that challenge stereotypes, expand perspectives, and highlight authentic lived experiences. Screenings are followed by thought-provoking conversations with filmmakers, artists, protagonists, and subject-matter experts, fostering dialogue around disability justice, equity, creativity, and social impact.

Check out this year’s U.S. Latinx and Latin American selections, co-presented by Cinema Tropical.

CONCERTO FOR OTHER HANDS / CONCIERTO PARA OTRAS MANOS
(Ernesto González Díaz, Mexico, 2024, 79 min. In Spanish with English subtitles)

David dreams of being a pianist like his father, José Luis, who believes it impossible due to his son's physical characteristics: short arms, hands with four fingers and limited hearing. Thanks to his tenacity, David shows him that he can play in his own way and together they begin a musical path that culminates in a new challenge for David: premiering, during the pandemic, the difficult concerto for piano and orchestra that his father composed for him.

Monday, April 27, 8pm at the The Marlene Meyerson JCC Manhattan (MMJCCM)
Wednesday, April 29, 7pm at the
The Brooklyn Public Library Central Branch (BPL)
Friday, April 24 - Sunday, May 3 online
(available only in the New York Tri-State Area)

ESPINA
(Daniel Poler, Panama/USA, 2025, 89 min. In Spanish with English subtitles)

Bitter after losing his job, Venezuelan expat, Jonathan, plans a holiday to Panama City before his spinal surgery. Paraplegic and unable to travel far on his own, he recruits a down-on-her-luck actress and a cynical playboy as makeshift aides for the journey from Mexico City. Lavishly funded by donations meant for his “surgery,” this unlikely trio ventures into Panama's wild side, and it's no longer clear if Jonathan chose his destination for diversion -- or, to avenge a long-held grudge. This irreverent and vibrant film draws inspiration from the real-life experiences of Jonathan, who portrays himself in this tale of self-discovery.

Thursday, April 30, 6pm at the The Marlene Meyerson JCC Manhattan (MMJCCM)
Friday, April 24 - Sunday, May 3 online
(available only in the New York Tri-State Area)

THE BLIND REGGAETONERA
(River Zhihui Zhang, USA, 27min. In English)

This documentary chronicles the inspiring journey of Precious Perez, a young woman redefining what it means to live with a disability while giving back to her community. Through her story, we explore the intersection of music, vision, romance, disability rights, and the fight for equal access to education. As Precious pursues her dream, she also dedicates herself to educating and inspiring the next generation of blind children, showing them that their potential is limitless.​​Precious’s perception of her disability identity is perhaps best captured in her own words: “If I had the choice to see, and to cure it, I wouldn’t do it. I don’t need to be fixed. For me, it’s just who I am.”

Saturday, April 25, 1pm at the Stavros Niarchos Foundation NY Public Library (SNFL)
Monday, April 27, 10am at the Shames JCC on the Hudson (SJCC)
Monday, April 27, 6pm at The Marlene Meyerson JCC Manhattan (MMJCCM)
Tuesday, April 28, 6pm at The Viscardi Center

Friday, April 24 - Sunday, May 3 online (available only in the New York Tri-State Area)

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Apr
22
7:00 PM19:00

Cinema Tucsón Presents THE RESERVE

THE RESERVE / LA RESERVA
(Pablo Pérez Lombardini, Mexico/Qatar, 2025, 92 min. In Spanish with English subtitles)

Based on real testimonies, The Reserve, the striking debut by Pablo Pérez Lombardini, is a gripping environmental thriller about a determined forest ranger in the highlands of Chiapas who rallies her community to expel a group of invading loggers from their protected reserve—only to unleash a far greater threat. As fear takes hold and the community turns against her, Julia is left to confront the danger alone, facing death threats and the gradual loss of everything she holds dear—except her dignity.

A standout at the Telluride Film Festival, the film won Best Mexican Film and Best Actress at the Morelia Film Festival, shedding light on the urgent, ongoing challenges facing conservationists across Latin America, while offering a haunting portrayal of strength, sacrifice, and dignity amid the fight for environmental justice.

Wednesday, April 22, 7pm
Fox Tucson Theatre
17 W Congress St., Tucson, AZ
For tickets and more information visit: https://foxtucson.com/

Watch the trailer:

 
 
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Apr
22
7:00 PM19:00

Cinema Tropical at 25: NOSTALGIA FOR THE LIGHT

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“An extraordinary film about the unknown and the unknowable.”
— Sight & Sound


NOSTALGIA FOR THE LIGHT / NOSTALGIA DE LA LUZ

(Patricio Guzmán, France/Germany/Chile, 2011, 90 min. In Spanish with English subtitles)

In his stirring 2010 visual essay, Chilean master documentarian Patricio Guzmán turns to the remote, high-altitude Atacama Desert to craft a meditation on memory, history, and eternity. Beneath some of the clearest skies on Earth, astronomers gather to study the origins of the universe. Yet the desert also preserves traces of the past—from pre-Columbian mummies to the remains of political prisoners disappeared after Chile’s 1973 military coup. In this otherworldly landscape, earthly and celestial quests converge: archaeologists uncover ancient civilizations, women search for their missing loved ones, and astronomers scan the heavens for distant galaxies. Nostalgia for the Light opens Guzmán’s celebrated trilogy exploring landscape, memory, and Chile’s unresolved past. Cinema Tropical continues the celebration of its 25th anniversary with landmark Latin American films of the new millennium.

Wednesday, April 22, 7pm
Brooklyn Academy of Music
30 Lafayette Avenue, Brooklyn, New York City

For tickets and more information visit:
www.bam.org/film/2026/cinema-tropical-nostalgia-for-the-light

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Apr
16
7:30 PM19:30

Lost & Found: OUR DEMAND

OUR DEMAND / SENDA INDIA
(Daniela Seggiaro, Argentina, 2023, 80 min. In Spanish and Wichí with English subtitles)
U.S. Premiere!

In the early 1990s, as the Wichí community of northern Argentina fought for legal recognition of their ancestral territory, a young man named Miguel Ángel Lorenzo began filming what he knew best: everyday life. With a Hi8 camcorder in hand, he recorded walks through the forest, and shared routines, school gatherings, visits between neighbors, and moments when the outside world intruded – including the presence of a judge. Decades later, filmmaker Daniela Seggiaro returns to these images, assembling a film shaped by Indigenous perspectives and community memory. Our Demand moves beyond the courtroom to reveal a worldview in which land is not property but a living relationship, where language, forest, and communal life are inseparable. The result is a quietly powerful testament to a struggle that is at once legal, cultural, and profoundly existential.


Thursday, April 16, 7:30pm
Anthology Film Archives

32 Second Avenue (at 2nd St.)
For tickets and more information visit: https://www.anthologyfilmarchives.org/film_screenings/series/59363

Presented as part of Lost & Found:  Cine(ma)s Latinoamericanos Re-unidos, co-programmed by Matías Piñeiro and Carlos A. Gutiérrez.

Watch the trailer:

 
 
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