Uchronias and Dystopian Futures:
Latin American Science Fiction Cinema
of the 21st Century
Museum of the Moving Image
April 14 - July 21, 2019
Co-presented by Cinema Tropical
Presented in conjunction with the exhibition Mundos Alternos: Art and Science Fiction in the Americas at Queens Museum, this film series takes a decolonial perspective on Latin American science fiction cinema of the 21st century.
The eight feature films and one short film originate from Argentina, Chile, Bolivia, Brazil, Colombia, Peru, Costa Rica, Cuba, and Mexico, among others and offer a unique focus on the present while reimagining the future.
They range in tone from the fresh comedy of César Caro’s Third World (Tercer mundo) and the intelligently sarcastic humor of Fernando Spiner’s Goodbye Dear Moon (Adiós querida luna); to the combination of sci-fi and horror in Oscar Campo’s I’m Another (Yo soy otro) or the video art experimentation of Daniel Molero’s Videofilia (y otros síndromes virales).
A pointed political consciousness moves each of the directors to create fiction from documentary references or materials that address current socio-cultural conditions. Such is the case of The Project of the Century (La obra del siglo) by Carlos Machado, a fictional film that includes archival footage and is set near the ruins of a Soviet-backed nuclear power plant in Cuba. Adirley Queirós’s White Out, Black In (Braco sai, preto fica) also combines docufiction and Afrofuturism in portraying two victims of police brutality; whereas Amat Escalante uses science fiction as a means to boost evidence of an ominous reality in The Untamed (La región salvaje).
Organized by guest curator Itala Schmelz, with assistance from Clemente Castor.